Alabaster sandalwood, glimmering honeyed skin musk, wild mosses and wilder wildflowers, red clover, creeping thyme, raw leather, scarlet mushroom caps, and oak boughs.
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A truly fae nectar! Dragon’s blood resin and honeyed vanilla.
This is the house, the sacred box,
Where, always draped in languorous frocks,
And always at home if someone knocks,
One elbow into the pillow pressed,
She lies, and lazily fans her breast,
While fountains weep their soulfullest:
This is the chamber of Dorothy.
Fountain and breeze for her alone
Sob in that soothing undertone.
Was ever so spoiled a harlot known?
With odorous oils and rosemary,
Benzoin and every unguent grown,
Her skin is rubbed most delicately.
The flowers are faint with ecstasy.
The Scarlet Woman, aglow with sensual indolence: red musk, benzoin, caramel accord, golden honey, and spiced Moroccan unguents.
Strong black tea and milk with white pepper, ginger, honey and vanilla, spilled over the crisp scent of clean linen.
In Irish folklore the Dana O’Shee are a fae, elven people that live in a realm of beauty, their nobility akin to our that own Age of Chivalry, eternally beautiful and eternally young. They surround themselves with the pleasures of the Arts, they live for the hunt, and to this day can be seen riding in procession through the Irish countryside at twilight, led by their King and Queen. However, the Dana O’Shee are not benevolent creatures, despite what their unearthly beauty may imply. They are vengeful and treacherous and possess a streak of mischievous malice, and many have whispered that their true home lies deep in the shadowed groves of the Realm of the Dead. Hearing even a single chord of their otherworldly music leaves one stunned and lost to the mortal realms for ever, finding themselves prey to the Dana O’Shee’s hunt or enslaved in their Court as servants or playthings.
Offerings of milk, honey and sweet grains were made to placate these creatures, and it is that the basis of the scent created in their name.