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  Dead Blonde Perfume Oil

  “Of course young women enjoy slashers. Adolescent girls have spent their lives absorbing our cultural disgust for womanhood, only to find themselves thrust into the middle of it, suddenly the butt of every joke. Their underlying anxieties are hit with a toxic sludge of predatory attention, sexual objectification, and impossible standards, growing to fifty times their natural size. It is not easy to become a monster. It is not fun to slip – suddenly and for the rest of your life – out of humanity and into womanhood. Girls are left reckoning with the fact that their social status, their human value, even their basic survival, are all suddenly contingent on men. Thus, at the exact moment they’re beginning to have sex and enter romantic relationships, girls watch stories in which a moment’s lapse in judgment, or a single instance of giving in to temptation, results and agony and annihilation – not because that’s what they want, but because it’s already happening, and they have precious few other ways to process it.”

  A wilting corsage of tea roses and white roses, bearing forensic traces of honeyed lip gloss and coconut oil suntan lotion.

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  Falling Stars Perfume Oil

  Franz Von Stuck

  
  A blanket of benzoin and velvet indigo musk dotted with sparks of white musk, crystalline jasmine, yellow bergamot, and night-blooming flowers.

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  Malinconia Perfume Oil

  Domenico Fetti

  The thief of joy: Oman frankincense, fossilized amber, white patchouli, champaca orchid, ambergris accord, myrrh resin, violet leaf, orris root, age-stained paper, chrysanthemum, and pale tendrils of smoke.

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  The Hourglass Perfume Oil

  “I feel like all the sands are at the bottom of the hourglass.”
  “Turn it over, then.”

  The white roses and orange blossoms of hope penetrating despair’s black fog of opoponax, black myrrh, bruised violet, clove, funereal lily, and grief-struck carrot seed.

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