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  Claircognizance 2024 Perfume Oil

  Dr. E. S. Packard, of Corunna, Me., in the Eastern Star, states that Mr. David Prescott, of South Sangerville, over ninety years of age, “wandered away into the woods, and not returning, a crowd of over a hundred men hunted for him nearly two days; the mill pond near his house was drained. Search was made in every direction but to no success.
  
  “A gentleman of that place decided to call in the aid of Mrs. Stevens; she told him somebody was lost, and not being able to visit the place she drew a map or chart of the locality, giving directions, by which, on his return he was immediately found alive, but died the next day. The day following I was at South Sangerville, and stopping at this gentleman’s house, examined the map, which was perfect in every respect. The house and shed were correctly drawn, the mill and pond near the house were marked, the field and woods, two fences over which Mr. Prescott must climb, even to the swinging of the road by the house was definitely given.
  
  “The spot where she said he was, was shown by a large black mark, and he was found exactly in that place. When we consider that Mrs. Stevens never saw this place in her normal condition, it is to me a wonderful test of spirit power.”
  
  Absolute and perfect clarity: rockrose, white amber, Corsican immortelle, Siamese benzoin, white sandalwood, and life everlasting.

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  Vintage Snow Clown Blow Mold Perfume Oil

  Chase away the sads with a sip from a cheery snowglobe filled with slushy grenadine and lemon-lime soda, topped with a maraschino cherry and illuminated from within by 40 watts of glowing amber.

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  A Cup of Tea in the Verandah Perfume Oil

  Whilst I was residing at Maulmain I saw a ghost with my own eyes in broad daylight, of which I could make an affidavit. I had an old schoolfellow, who was afterwards a college friend, with whom I had lived in the closest intimacy. Years, however, had passed away without our seeing each other. One morning I had just got out of bed, and was dressing myself, when suddenly my old friend entered the room. I greeted him warmly, told him to call for a cup of tea in the verandah, and promised to be with him immediately. I dressed myself in all haste, and went out into the verandah, but found no one there. I could not believe my eyes. I called to the sentry, who was posted at the front of the house, but he had seen no strange gentlemen that morning, The servants also declared that no such person had entered the house. I was certain I had seen my friend. I was not thinking about him at the time : yet I was not taken by surprise, as steamers and other vessel were frequently arriving at Maulmain. A fortnight afterwards, news arrived that he had died, six hundred miles off, almost the very time I saw him at Maulmain. It is useless to comment upon this story. To this day I have never doubted that I really saw the ghost of my deceased friend.
  
  Banbury Advertiser, 18 July 1878
  
  A fragrance steeped in wistful melancholy and the ache of near-forgotten longing. Black tea and bergamot shimmer in the glow of sunlit amber as cypress boughs cast lingering shadows. The heart blooms softly with jasmine sambac and tender orris.

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  Eusapia 2024 Perfume Oil

  The case I allude to is that of an invalid woman who belongs to the humblest class of society. She is nearly thirty years old and very ignorant; her look is neither fascinating nor endowed with the power which modern criminologists call irresistible; but when she wishes, be it by day or by night, she can divert a curious group for an hour or so with the most surprising phenomena. Either bound to a seat or firmly held by the hands of the curious, she attracts to her the articles of furniture which surround her, lifts them up, holds them suspended in the air like Mahomet’s coffin, and makes them come down again with undulatory movements, as if they were obeying her will. She increases their weight or lessens it according to her pleasure. She raps or taps upon the walls, the ceiling, the floor, with fine rhythm and cadence. In response to the requests of the spectators, something like flashes of electricity shoot forth from her body, and envelop her or enwrap the spectators of these marvellous scenes. She draws upon cards that you hold out, everything that you want – figures, signatures, numbers, sentences – by just stretching out her hand toward the indicated place.

  If you place in the corner of the room a vessel containing a layer of soft clay, you find after some moments the imprint in it of a small or a large hand, the image of a face (front view or profile) from which a plaster cast can be taken. In this way portraits of a face taken at different angles have been preserved, and those who desire so to do can thus make serious and important studies.

  This woman rises in the air, no matter what bands tie her down. She seems to lie upon the empty air, as on a couch, contrary to all the laws of gravity; she plays on musical instruments – organs, bells, tambourines – as if they had been touched by her hands or moved by the breath of invisible gnomes… This woman at times can increase her stature by more than four inches.
  —Chiaia, in a letter to Lombroso

   Pale lilacs, white tea, and candle wax.

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