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  Claircognizance 2024 Perfume Oil

  Dr. E. S. Packard, of Corunna, Me., in the Eastern Star, states that Mr. David Prescott, of South Sangerville, over ninety years of age, “wandered away into the woods, and not returning, a crowd of over a hundred men hunted for him nearly two days; the mill pond near his house was drained. Search was made in every direction but to no success.
  
  “A gentleman of that place decided to call in the aid of Mrs. Stevens; she told him somebody was lost, and not being able to visit the place she drew a map or chart of the locality, giving directions, by which, on his return he was immediately found alive, but died the next day. The day following I was at South Sangerville, and stopping at this gentleman’s house, examined the map, which was perfect in every respect. The house and shed were correctly drawn, the mill and pond near the house were marked, the field and woods, two fences over which Mr. Prescott must climb, even to the swinging of the road by the house was definitely given.
  
  “The spot where she said he was, was shown by a large black mark, and he was found exactly in that place. When we consider that Mrs. Stevens never saw this place in her normal condition, it is to me a wonderful test of spirit power.”
  
  Absolute and perfect clarity: rockrose, white amber, Corsican immortelle, Siamese benzoin, white sandalwood, and life everlasting.

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  Where are the Dead Perfume Oil

  WHERE ARE THE DEAD? or, SPIRITUALISM EXPLAINED
  
  Containing well authenticated and selected reports of all the different phases of modern spirit phenomena, from table-turning to the visible materialisation of the faces and forms of the departed, and the photographing of spirits ; proving by undeniable facts that those we mourn as

  
  DEAD ARE STILL ALIVE,

  
  and can communicate with us ; and that Spiritualism is sanctioned by Scripture, and consistent with science and common sense ; with specimens of intensely interesting communications received touching death, the future life, and the experiences of the departed. Also extracts from the literature of Spiritualism, advice to investigators, list of books, addresses of mediums, and all useful information.
  
  The Spiritualist, June 19, 1874
  
  An unsettling dance of ethereal murmurs, with ghostly wormwood drifting through the husky warmth of cardamom — a whisper in a shadowed corridor. Hazy lavender and velvety orris cast an otherworldly glow in the darkened corners.
  

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  Psychodynamic Discharge 2024 Perfume Oil

  In certain cases, emotionally charged complexes of representation, which have become autonomous and dissociated, seem to automatically and compulsively press for discharge and realisation through haunting phenomena…. Hence, the so-called haunting occurs in place of a neurosis.
  —Albert von Schrenck-Notzing
  
  Repressed rage, terror, and subjugated sexuality erupting through fierce bursts of uncontrollable psychic phenomena: black leather and red musk with aged black patchouli, Chinese rose, black pepper, coconut meat, Haitian vetiver, and igneous red ginger.

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  Eusapia 2024 Perfume Oil

  The case I allude to is that of an invalid woman who belongs to the humblest class of society. She is nearly thirty years old and very ignorant; her look is neither fascinating nor endowed with the power which modern criminologists call irresistible; but when she wishes, be it by day or by night, she can divert a curious group for an hour or so with the most surprising phenomena. Either bound to a seat or firmly held by the hands of the curious, she attracts to her the articles of furniture which surround her, lifts them up, holds them suspended in the air like Mahomet’s coffin, and makes them come down again with undulatory movements, as if they were obeying her will. She increases their weight or lessens it according to her pleasure. She raps or taps upon the walls, the ceiling, the floor, with fine rhythm and cadence. In response to the requests of the spectators, something like flashes of electricity shoot forth from her body, and envelop her or enwrap the spectators of these marvellous scenes. She draws upon cards that you hold out, everything that you want – figures, signatures, numbers, sentences – by just stretching out her hand toward the indicated place.

  If you place in the corner of the room a vessel containing a layer of soft clay, you find after some moments the imprint in it of a small or a large hand, the image of a face (front view or profile) from which a plaster cast can be taken. In this way portraits of a face taken at different angles have been preserved, and those who desire so to do can thus make serious and important studies.

  This woman rises in the air, no matter what bands tie her down. She seems to lie upon the empty air, as on a couch, contrary to all the laws of gravity; she plays on musical instruments – organs, bells, tambourines – as if they had been touched by her hands or moved by the breath of invisible gnomes… This woman at times can increase her stature by more than four inches.
  —Chiaia, in a letter to Lombroso

   Pale lilacs, white tea, and candle wax.

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