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  Iulia, L’Artiste du Diable Perfume Oil

  A chittering buzz rises from a small crowd that has gathered around an opulent velvet-draped tent. Some are fidgeting impatiently; others try in vain to peep within the tent. Within moments, a slim, stunningly handsome man emerges from the entryway to the sound of gasps and scattered applause. His face is lit with fierce joy, and he bows almost smugly to the assemblage. Grabbing a flirtatious blonde from the mob, he kisses her in a rush of mad passion, his arm encircles her waist, and he leads her directly to a nearby opium den. The crowd disperses, and curiosity pulls you forward. You push open the fringed, beaded tent-flap and enter the dimly-lit room. A lovely, voluptuous redhead stands before an ornate antique easel. Her luminous alabaster skin and the phosphorescence emanating from her paintbrush seem to be the only source of light. As you adjust to the gloom, you see that the walls are covered with atrocities: an exhibit of dissolution. The myriad canvases show men and women in various stages of rot and decay, a panoply of indulgence, teeth set in fury, mouths leering in lust, hands grasping greedily.

  The scarlet woman turns her gleaming sightless eyes towards you and, in a husky, compelling voice, she speaks:

  “Why let the years tear at your youthful splendor? Why let the mark of your sins stain your fine features? Will you let the cold, creeping grasp of time and the toil of temptation mar your visage? Why should the pleasures of our flesh wreak such havoc?”

  She leans in close to you and whispers, “Let me capture your soul on this canvas in oil and blood, and you will be beautiful forever.”

  White tea, sugar cane, orange blossom, rockrose, lemon balm, white mint, and honey.

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  Vicomte de Valmont Perfume Oil

   I promised her my eternal love, and I actually thought that for a couple of hours. 

  Rake, scoundrel, demon in a frock coat. Devilishly seductive, ultimately tragic; a villain undone and redeemed by love. Based on an 18th century gentlemen’s cologne: ambergris, white musk, white sandalwood, Spanish Moss, orange blossom, three mints, jasmine, rose geranium and a spike of rosemary.

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  Transeo Perfume Oil

  The Transeo are vampires that have assimilated into human society, often reaching positions of power. Among the Transeo there are many celebrated politicians, scientists, businessmen, philosophers, artists, writers, and musicians, and, surprisingly, a large number of influential clergy and militarists. Not every Transeo is an illustrious public figure; many simply desire the comforts associated with reentering society. In the past, most Transeo posed as humans as best they could, concealing their true natures. In the twenty-first century, more and more Transeo are coming out in the open, and they form the backbone of most vampire-acceptance movements.

  GA cologne that (almost) blends well into human society: benzoin, orange blossom, cumin, King mandarin, gaiac wood, juniper berry, Calabrian bergamot, Ceylon cinnamon, and blood camouflaged by wine.

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  Bette Noir Perfume Oil

  The Paradigm’s martial artist and weapons master, Bette carries a grim secret—that she alone knows Plutonian’s one true vulnerability.

  Benzoin, wild plum, smoky amber, bergamot, orange blossom, myrrh, and dark berries.

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