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  Blauer Mond Perfume Oil

  Brian’s interpretation.

   

  A whisper under the moonlight: blue musk, and indigo amber, myrrh, moonlit oudh, opoponax, terebinth, and tobacco leaf.

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  III. The Lovers Perfume Oil

  After she was dead, she began to come to him in the night. He grew pale, and there were deep circles under his eyes. At first, they thought he was mourning her. And then, one night, he was gone.

  It was hard for them to obtain permission to disinter her, but they got it. They hauled up the coffin and unscrewed the lid. Then they prized what they found out of the box. There was six inches of water in the bottom, the iron had colored it a deep, orangish red. There were two bodies in the coffin: hers, of course, and his. He was more decayed than she was.

  Later, someone wondered aloud how both of them had fitted in a coffin built for one. Especially given her condition, he said; for she was very obviously very pregnant.

  This caused some confusion, for she had not been noticeably pregnant when she was buried.

  Still later they dug up her got one last time, at the request of the church authorities, who had heard rumors of what had been found in the grave. Her stomach was flat. The local doctor told them all that it had just been gas and bloating as the stomach swelled, The townsfolk nodded, almost as if they believed him.

  Black Phoenix’s most disquieting scent: baby’s breath and upturned soil.

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  Monastery Garden in the Snow Perfume Oil

  Carl Friedrich Lessing
  Curls of monastic incense, moss-stained stone, snow-laden cypress, medicinal herbs buried deep in winter soil, and glittering icicles splintering from a gargoyle’s frozen scream.

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  Cemetery in the Moonlight Perfume Oil

  Carl Gustav Carus
  Dead grass, upturned soil, rusted ironwork, and oak leaves etched against a sepia-stained wash of tonka bean, patchouli, vetiver, and amber-tinged oud.
  

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