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  Resembling the Passion of Love Perfume Oil

  The vampire is prone to be fascinated with an engrossing vehemence, resembling the passion of love, by particular persons. In pursuit of these it will exercise inexhaustible patience and stratagem, for access to a particular object may be obstructed in a hundred ways. It will never desist until it has satiated its passion, and drained the very life of its coveted victim. But it will, in these cases, husband and protract its murderous enjoyment with the refinement of an epicure, and heighten it by the gradual approaches of an artful courtship. In these cases it seems to yearn for something like sympathy and consent. In ordinary ones it goes direct to its object, overpowers with violence, and strangles and exhausts often at a single feast.
  
  All-consuming, relentless desire – deceptively luscious, murderously brooding, and blindingly sensual: blood musk, black cherry, crimson amber, 21-year aged patchouli, golden saffron, jasmine sambac, and black rose.

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  Die, Sweetly Die Perfume Oil

  In the rapture of my enormous humiliation I live in your warm life, and you shall die — die, sweetly die — into mine. I cannot help it; as I draw near to you, you, in your turn, will draw near to others, and learn the rapture of that cruelty, which yet is love; so, for a while, seek to know no more of me and mine, but trust me with all your loving spirit.”

   

  And when she had spoken such a rhapsody, she would press me more closely in her trembling embrace, and her lips in soft kisses gently glow upon my cheek.

  
  Inevitable surrender. Opening with a heady blend of blood orange and black cherry, the heart of this perfume pulsates with narcotic jasmine, sinuous tuberose, blood amber, vanilla silk, and deep red labdanum.
  

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  Indescribable Solemnity and Fear Perfume Oil

  After all these dreams there remained on waking a remembrance of having been in a place very nearly dark, and of having spoken to people whom I could not see; and especially of one clear voice, of a female’s, very deep, that spoke as if at a distance, slowly, and producing always the same sensation of indescribable solemnity and fear. Sometimes there came a sensation as if a hand was drawn softly along my cheek and neck. Sometimes it was as if warm lips kissed me, and longer and longer and more lovingly as they reached my throat, but there the caress fixed itself. My heart beat faster, my breathing rose and fell rapidly and full drawn; a sobbing, that rose into a sense of strangulation, supervened, and turned into a dreadful convulsion, in which my senses left me and I became unconscious.
  
  The crescendo of a phantom’s caress: golden frankincense and cardamom smothered by honeyed kisses of labdanum, red rose, merlot, black oud, and myrrh.
  

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  That Silvery Splendor Perfume Oil

  The effect of the full moon in such a state of brilliancy was manifold. It acted on dreams, it acted on lunacy, it acted on nervous people, it had marvelous physical influences connected with life. Mademoiselle related that her cousin, who was mate of a merchant ship, having taken a nap on deck on such a night, lying on his back, with his face full in the light on the moon, had wakened, after a dream of an old woman clawing him by the cheek, with his features horribly drawn to one side; and his countenance had never quite recovered its equilibrium.

  “The moon, this night,” she said, “is full of idyllic and magnetic influence—and see, when you look behind you at the front of the schloss how all its windows flash and twinkle with that silvery splendor, as if unseen hands had lighted up the rooms to receive fairy guests.”

   

  Moon-kissed petals of night-blooming florals aflame with hypnotic opium tar, fae tuberose, and a sliver of metallic aldehyde.

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