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Weight | 1 oz |
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$29.00
Coming later into his own yard, the informant saw a black thing proportioned like a cat, only that it was thrice as big, sitting on a strawberry bed and fixing its luminous eyes on him. But when he ran towards it, it suddenly leaped over the palings and ran towards the informant as he thought, but instead, it fled through the yard with his greyhound in hot pursuit after it to a great gate which was ‘underset with a pair of tumbrell strings,’ and it did throw the said gate wide open and then vanished. And the said greyhound returned to the informant shaking and trembling exceedingly.
Sterne gave evidence on the same day, and much to the same effect, but said that the white imp was like a cat but not so big, and when he asked Elizabeth whether she was not afraid of her imps she answered, “What! Do you think I am afraid of my children?” and she called the imp Jarmara as having red spots, and spoke of two more called Sack and Sugar. Four other witnesses confirmed the story practically in its entirety.
Elizabeth Clarke herself gave evidence of them, and said Anne West had sent her a ‘thing like a little kitlyn,’ which would obtain food for her. Two or three nights after this promise, a white thing came to her in the night, and the night after a grey one spoke to her and said it would do her no hurt and would help her to get a husband.
A promise in the shadows: black molasses, cinnamon bark, and glowing amber.
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Weight | 1 oz |
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Ay, thou art welcome, heaven’s delicious breath!
When woods begin to wear the crimson leaf,
And suns grow meek, and the meek suns grow brief
And the year smiles as it draws near its death.
Wind of the sunny south! oh, still delay
In the gay woods and in the golden air,
Like to a good old age released from care,
Journeying, in long serenity, away.
In such a bright, late quiet, would that I
Might wear out life like thee, ‘mid bowers and brooks
And dearer yet, the sunshine of kind looks,
And music of kind voices ever nigh;
And when my last sand twinkled in the glass,
Pass silently from men, as thou dost pass.
– William Cullen Bryant
Dry, cold autumn wind. A rustle of red leaves, a touch of smoke and sap in the air.
As you come to the final stage, you see a spotlight focused upon a large pile of pitch-black ashes on the center of the floor. A parchment scroll has been tacked to the foot of the stage. It reads:
Now I will believe
That there are unicorns; that in Arabia
There is one tree, the phoenix’ throne; one phoenix
At this hour reigning there.
You catch a whiff of burnt cinnamon, and a whirlwind begins to form within the center of the cold pyre. The ashes rise, condense, and coalesce into the dusky form of a woman. She shakes her body gently, tossing her hair, and the ashes fall from her skin. She is perfect, radiant: not a single cinder mars the flawlessness of her countenance. Her body seems to cast a shadow shaped like a triumphant bird, wings outstretched, onto the blank taupe canvas behind her. Her eyes are closed, and her head is bowed; her expressionless face is enigmatic. Her dark eyes begin to glow, and her mouth turns up in a secretive, intimate smile. She throws back her head and extends her arms, and suddenly the scent of smoldering myrrh assails you. Within moments, the woman explodes into flame, and you see that her face is now a vision of passionate ecstasy. The turbulence of the conflagration whips around her violently, and gouts of flame burst from her body, igniting the canvas behind her. She raises her arms in exultation, and through the flames, you see both the outline of her scorched black skeleton and the shadow of the phoenix triumphant.
Three deep, dark myrrhs, smoke, cassia, and cinnamon bark.
In Sweden tradition says that sorcerers on Walpurgis night ride to Blocula and there turn into magpies. A lady at Carlstadt in that country was haunted by witch-birds in a very unpleasant manner. Having insulted a Finn woman who had begged food of her she told her to take a magpie that was hanging in a cage and eat it if she was hungry. The Finn cast an ‘evil eye’ on the lady for this insult but took the bird away with her. Some time after the Swedish lady noticed that whenever she went out a magpie came hopping in front of her. This happened for some days running, and then the magpie was joined by a companion bird, and presently by a number. The lady began to get frightened, but the more she tried to get rid of these strange companions the more numerous they became. They perched on her shoulders, tugged at her dress, and pecked at her ankles. In despair she shut herself up indoors, but they remained outside, and as soon as the door was open in they hopped. At last she went to bed and had the shutters closed, and the magpies kept on tapping outside till she died.
Blinding-white mallow and vanilla sandalwood streaked with indigo opium pod accord, velvet black violet petals, wild plum, and opoponax.
The Corn Spirit is supposed to take the form of a cat, and in some places in Germany children have been warned not to go into the corn-fields because ‘The cat sits there.’ In Silesia the reaper who cuts the last corn is called the ‘Tom-cat’ and is dressed up in rye-stalks, wearing a long plaited tail.
Rye stalks, corn husks, hay absolute, tilled soil, and German chamomile.
twopeople007 –
right off the bat, this scent surprised me with how dark it is. its bitterer and much more heady than i was expecting. But like… a rich warm darkness. the cinnamon is for sure coming though, with a nice sort of woodiness to it. it smells like glowing eyes, watching you in the dark. like feeling your breath reflected back onto your face in a space too small to back away. like an unseen presence passing by. its an indoor darkness, not a lost in the woods darkness. a secret locked away in the attic or basement.
it gets bitterer as it dries. but never unpleasant. good sticking power.