Idle Moon: White Tea and Red Ginger Perfume Oil
$30.00
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The Harlot’s House Perfume Oil
Select Options This product has multiple variants. The options may be chosen on the product pageWe caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot’s house.Inside, above the din and fray,
We heard the loud musicians play
The “Treues Liebes Herz” of Strauss.Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.Like wire-pulled automatons,
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Went sidling through the slow quadrille.The took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.Then, turning to my love, I said,
“The dead are dancing with the dead,
The dust is whirling with the dust.”But she–she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.The dead are dancing with the dead, the dust is whirling with the dust: angel’s trumpet, violet, white sandalwood, oude, copaiba balsam, angelica, white tea, olibanum, and oakmoss.
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Iulia, L’Artiste du Diable Perfume Oil
Out of StockA chittering buzz rises from a small crowd that has gathered around an opulent velvet-draped tent. Some are fidgeting impatiently; others try in vain to peep within the tent. Within moments, a slim, stunningly handsome man emerges from the entryway to the sound of gasps and scattered applause. His face is lit with fierce joy, and he bows almost smugly to the assemblage. Grabbing a flirtatious blonde from the mob, he kisses her in a rush of mad passion, his arm encircles her waist, and he leads her directly to a nearby opium den. The crowd disperses, and curiosity pulls you forward. You push open the fringed, beaded tent-flap and enter the dimly-lit room. A lovely, voluptuous redhead stands before an ornate antique easel. Her luminous alabaster skin and the phosphorescence emanating from her paintbrush seem to be the only source of light. As you adjust to the gloom, you see that the walls are covered with atrocities: an exhibit of dissolution. The myriad canvases show men and women in various stages of rot and decay, a panoply of indulgence, teeth set in fury, mouths leering in lust, hands grasping greedily.
The scarlet woman turns her gleaming sightless eyes towards you and, in a husky, compelling voice, she speaks:
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She leans in close to you and whispers, “Let me capture your soul on this canvas in oil and blood, and you will be beautiful forever.”
White tea, sugar cane, orange blossom, rockrose, lemon balm, white mint, and honey.
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