Tea - White

  • a pause in ones studies

    A Pause in One’s Studies Perfume Oil

    Luminous amber, white tea, sweet heliotrope, golden lotus petals, toasted almond blossom cream, and a smear of ink.

    Out of Stock
  • Baobhan Sith Perfume Oil

    The ghostly White Women of the Scottish highlands. They seduce unwary travelers by night with their unearthly beauty and mesmerizing dancing. They engage their victims in a wild, hypnotic dance, and once they reach exhaustion, exsanguinate their partners with their vampiric kiss. Grapefruit, white tea, apple blossom and ginger.

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  • batty maiden

    Batty Maiden Perfume Oil

    White tea, black carnation, Damask rose, indigo musk, and leather.

    Out of Stock
  • Cat at the Table Perfume Oil

    Léonard Tsuguharu Foujita

    Place your bets: which object will hit the floor first? Grey amber, roasted white tea, Indian sandalwood, and vanilla oud.

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    Dawn: Mourning Victory Perfume Oil

    Red sandalwood, night-blooming jasmine, white tea, hyacinth, rosehips, and tuberose.

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  • eusapia

    Eusapia 2024 Perfume Oil

    The case I allude to is that of an invalid woman who belongs to the humblest class of society. She is nearly thirty years old and very ignorant; her look is neither fascinating nor endowed with the power which modern criminologists call irresistible; but when she wishes, be it by day or by night, she can divert a curious group for an hour or so with the most surprising phenomena. Either bound to a seat or firmly held by the hands of the curious, she attracts to her the articles of furniture which surround her, lifts them up, holds them suspended in the air like Mahomet’s coffin, and makes them come down again with undulatory movements, as if they were obeying her will. She increases their weight or lessens it according to her pleasure. She raps or taps upon the walls, the ceiling, the floor, with fine rhythm and cadence. In response to the requests of the spectators, something like flashes of electricity shoot forth from her body, and envelop her or enwrap the spectators of these marvellous scenes. She draws upon cards that you hold out, everything that you want – figures, signatures, numbers, sentences – by just stretching out her hand toward the indicated place.

    If you place in the corner of the room a vessel containing a layer of soft clay, you find after some moments the imprint in it of a small or a large hand, the image of a face (front view or profile) from which a plaster cast can be taken. In this way portraits of a face taken at different angles have been preserved, and those who desire so to do can thus make serious and important studies.

    This woman rises in the air, no matter what bands tie her down. She seems to lie upon the empty air, as on a couch, contrary to all the laws of gravity; she plays on musical instruments – organs, bells, tambourines – as if they had been touched by her hands or moved by the breath of invisible gnomes… This woman at times can increase her stature by more than four inches.
    —Chiaia, in a letter to Lombroso

     Pale lilacs, white tea, and candle wax.

    Out of Stock
  • EXHAUSTED COUPLE IN THE TREASURE ROOM OF LOVE

    Exhausted Couple in the Treasure Room of Love Perfume Oil

    An effervescent lemon aldehyde with white musk, lychee, yuzu, and white tea.

    Out of Stock
  • idle moon

    Idle Moon Perfume Oil

    Too lazy to be ambitious,
    I let the world take care of itself.
    Ten days’ worth of rice in my bag;
    a bundle of twigs by the fireplace.
    Why chatter about delusion and enlightenment?
    Listening to the night rain on my roof,
    I sit comfortably, with both legs stretched out.
    -Taigu Ryokan

     

    Ten days-worth of rice, a bundle of twigs, and a soothing cup of white tea.

     

    Art by Drew Rausch!

    Out of Stock
  • white tea and red ginger
  • This image is decorative

    Iulia, L’Artiste du Diable Perfume Oil

    A chittering buzz rises from a small crowd that has gathered around an opulent velvet-draped tent. Some are fidgeting impatiently; others try in vain to peep within the tent. Within moments, a slim, stunningly handsome man emerges from the entryway to the sound of gasps and scattered applause. His face is lit with fierce joy, and he bows almost smugly to the assemblage. Grabbing a flirtatious blonde from the mob, he kisses her in a rush of mad passion, his arm encircles her waist, and he leads her directly to a nearby opium den. The crowd disperses, and curiosity pulls you forward. You push open the fringed, beaded tent-flap and enter the dimly-lit room. A lovely, voluptuous redhead stands before an ornate antique easel. Her luminous alabaster skin and the phosphorescence emanating from her paintbrush seem to be the only source of light. As you adjust to the gloom, you see that the walls are covered with atrocities: an exhibit of dissolution. The myriad canvases show men and women in various stages of rot and decay, a panoply of indulgence, teeth set in fury, mouths leering in lust, hands grasping greedily.

    The scarlet woman turns her gleaming sightless eyes towards you and, in a husky, compelling voice, she speaks:

    “Why let the years tear at your youthful splendor? Why let the mark of your sins stain your fine features? Will you let the cold, creeping grasp of time and the toil of temptation mar your visage? Why should the pleasures of our flesh wreak such havoc?”

    She leans in close to you and whispers, “Let me capture your soul on this canvas in oil and blood, and you will be beautiful forever.”

    White tea, sugar cane, orange blossom, rockrose, lemon balm, white mint, and honey.

    Out of Stock
  • Kumiho Perfume Oil

    Nine-tailed fox demon of Korean lore who transforms into the visage of an irresistible beauty in order to seduce men and lead them to their doom.

    A sharp, biting blend of crisp white tea and ginger.

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  • frankincense and white tea
  • Maiden Perfume Oil

    A gentle vision of purity, goodness and virtue: white tea, carnation and Damask Rose.

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  • Manhattan Perfume Oil

    Sexuality, power, confidence. A meeting of modern, sleek elegance and rich, passionate history: sheer amber, black leather, white mint, lemon peel, white tea, grapefruit, kush, teakwood and orchid.

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  • ON TIME

    On Time Perfume Oil

    You would measure time the measureless and the immeasurable.

    You would adjust your conduct and even direct the course of your spirit according to hours and seasons.

    Of time you would make a stream upon whose bank you would sit and watch its flowing.

    Yet the timeless in you is aware of life’s timelessness,

    And knows that yesterday is but today’s memory and tomorrow is today’s dream.

    And that that which sings and contemplates in you is still dwelling within the bounds of that first moment which scattered the stars into space. Who among you does not feel that his power to love is boundless?

    And yet who does not feel that very love, though boundless, encompassed within the centre of his being, and moving not from love thought to love thought, nor from love deeds to other love deeds?

    And is not time even as love is, undivided and paceless?

    But if in your thought you must measure time into seasons, let each season encircle all the other seasons,

    And let today embrace the past with remembrance and the future with longing.

     

    Let each season encircle all the other seasons: ambergris accord, frankincense smoke, orris root, angelica, bergamot, and white tea.

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  • ONE HAS TO BE CAREFUL

    One Has To Be Careful Perfume Oil

    Well, he was humming this hum to himself, and walking along gaily, wondering what everybody else was doing, and what it felt like, being somebody else, when suddenly he came to a sandy bank, and in the bank was a large hole.

    “Aha!” said Pooh. (Rum-tum-tiddle-um-tum.) “If I know anything about anything, that hole means Rabbit,” he said, “and Rabbit means Company,” he said, “and Company means Food and Listening-to-Me-Humming and such like. Rum-tum-tum-tiddle-um.”

    So he bent down, put his head into the hole, and called out:

    “Is anybody at home?”

    There was a sudden scuffling noise from inside the hole, and then silence.

    “What I said was, ‘Is anybody at home?'” called out Pooh very loudly.

    “No!” said a voice; and then added, “You needn’t shout so loud. I heard you quite well the first time.”

    “Bother!” said Pooh. “Isn’t there anybody here at all?”

    “Nobody.”

    Winnie-the-Pooh took his head out of the hole, and thought for a little, and he thought to himself, “There must be somebody there, because somebody must have said ‘Nobody.'” So he put his head back in the hole, and said:

    “Hallo, Rabbit, isn’t that you?”

    “No,” said Rabbit, in a different sort of voice this time.

    “But isn’t that Rabbit’s voice?”

    “I don’t think so,” said Rabbit. “It isn’t meant to be.”

    “Oh!” said Pooh.

    He took his head out of the hole, and had another think, and then he put it back, and said:

    “Well, could you very kindly tell me where Rabbit is?”

    “He has gone to see his friend Pooh Bear, who is a great friend of his.”

    “But this is Me!” said Bear, very much surprised.

    “What sort of Me?”

    “Pooh Bear.”

    “Are you sure?” said Rabbit, still more surprised.

    “Quite, quite sure,” said Pooh.

    “Oh, well, then, come in.”

    So Pooh pushed and pushed and pushed his way through the hole, and at last he got in.

    “You were quite right,” said Rabbit, looking at him all over. “It is you. Glad to see you.”

    “Who did you think it was?”

    “Well, I wasn’t sure. You know how it is in the Forest. One can’t have anybody coming into one’s house. One has to be careful. What about a mouthful of something?”

    Pooh always liked a little something at eleven o’clock in the morning, and he was very glad to see Rabbit getting out the plates and mugs; and when Rabbit said, “Honey or condensed milk with your bread?” he was so excited that he said, “Both,” and then, so as not to seem greedy, he added, “But don’t bother about the bread, please.” And for a long time after that he said nothing … until at last, humming to himself in a rather sticky voice, he got up, shook Rabbit lovingly by the paw, and said that he must be going on.

    “Must you?” said Rabbit politely.

    “Well,” said Pooh, “I could stay a little longer if it—if you——” and he tried very hard to look in the direction of the larder.

    “As a matter of fact,” said Rabbit, “I was going out myself directly.”

    “Oh, well, then, I’ll be going on. Good-bye.”

    “Well, good-bye, if you’re sure you won’t have any more.”

    “Is there any more?” asked Pooh quickly.

    Rabbit took the covers off the dishes, and said, “No, there wasn’t.”

    “I thought not,” said Pooh, nodding to himself. “Well, good-bye. I must be going on.”

    The Hundred Acre Wood’s resident Virgo (affectionate). The scent of neat rows and polite refusals: toasted oats and clover honey, crushed lemon verbena, wild carrot leaf, and white tea poured with exacting care. A dab of condensed milk on a clean spoon, a faint rustle of vetiver, and a courteous cough to suggest that your visit has gone on quite long enough.

     

     

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  • quicken the soul through the blood

    Quicken the Soul Through the Blood Perfume Oil

    Thou shalt touch and make redder his roses

    With juice not of fruit nor of bud;

    When the sense in the spirit reposes,

    Thou shalt quicken the soul through the blood.

    Thine, thine the one grace we implore is,

    Who would live and not languish or feign,

    O sleepless and deadly Dolores,

    Our Lady of Pain.

     

    Cacao, red patchouli, night-blooming jasmine, Roman chamomile, and white tea.

    Out of Stock
  • RADIANT ENTANGLEMENT

    Radiant Entanglement Perfume Oil

    Dragonfruit, honeyed hibiscus, fuchsia orchid, and white tea.

    Out of Stock
  • scarlet blossoms

    Scarlet Blossoms Perfume Oil

    Beeswax, white tea, amber-warmed skin musk, cherry juice, wild plum, and a cascade of cherry and plum blossoms dipped in silky red musk.

    Out of Stock
  • The Crumpet-Fanlight Expedition

    The Crumpet-Fanlight Expedition Perfume Oil

    A bitterly cold, bone-white chypre; austere polar musk, vegan ambergris, and white tea combine to make a genteel, frigid perfume as bright and sharp as the first crack of glacial ice.

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  • the harbor of love on the island of women

    The Harbor of Love on the Island of Women Hair Gloss

    White tea, cherry rose petals, marshmallow, frothed cream, and amber.

    Out of Stock
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    The Harlot’s House Perfume Oil

    We caught the tread of dancing feet,
    We loitered down the moonlit street,
    And stopped beneath the harlot’s house.

    Inside, above the din and fray,
    We heard the loud musicians play
    The “Treues Liebes Herz” of Strauss.

    Like strange mechanical grotesques,
    Making fantastic arabesques,
    The shadows raced across the blind.

    We watched the ghostly dancers spin
    To sound of horn and violin,
    Like black leaves wheeling in the wind.

    Like wire-pulled automatons,
    Slim silhouetted skeletons
    Went sidling through the slow quadrille.

    The took each other by the hand,
    And danced a stately saraband;
    Their laughter echoed thin and shrill.

    Sometimes a clockwork puppet pressed
    A phantom lover to her breast,
    Sometimes they seemed to try to sing.

    Sometimes a horrible marionette
    Came out, and smoked its cigarette
    Upon the steps like a live thing.

    Then, turning to my love, I said,
    “The dead are dancing with the dead,
    The dust is whirling with the dust.”

    But she–she heard the violin,
    And left my side, and entered in:
    Love passed into the house of lust.

    Then suddenly the tune went false,
    The dancers wearied of the waltz,
    The shadows ceased to wheel and whirl.

    And down the long and silent street,
    The dawn, with silver-sandalled feet,
    Crept like a frightened girl.

    The dead are dancing with the dead, the dust is whirling with the dust: angel’s trumpet, violet, white sandalwood, oude, copaiba balsam, angelica, white tea, olibanum, and oakmoss.

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  • The Sixth Veil

    The Sixth Veil Perfume Oil

    Distillation, the veil of steam. Condensation gathering in clouds of tulle, white tea, aqua vitae, rosemary liqueur, and bourbon vanilla.

    Out of Stock
  • This image is decorative

    The Torture Queen Perfume Oil

    White amber, vanilla musk, white tea, ambergris, gardenia, and chrome.

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  • things are fine

    Things are Fine Perfume Oil

    As they are,
    Things are fine,
    Sweeping fallen leaves.
    – Santoka


    Label artwork: Sakai Hoitsu

     

    The blissful contentment of committing to exist in the moment: white sandalwood smoke, hinoki, white tea, and falling leaves.

    Out of Stock
  • This image is decorative

    Tweedledee Perfume Oil

    Tweedledum and Tweedledee 
    Agreed to have a battle! 
    For Tweedledum said Tweedledee 
    Had spoiled his nice new rattle. 

    Just then flew down a monstrous crow, 
    As black as a tar-barrel! 
    Which frightened both the heroes so, 
    They quite forgot their quarrel.’

    Ridiculous! Kumquat, white pepper, white tea and orange blossom.

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  • This image is decorative

    White Tea & Sage Hair Gloss

    White Tea & Sage

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  • Yukikeisetsu Perfume Oil

    Sesshu Toyo

    Frost-tipped hinoki, balsam, frangipani, white tea, ho wood, and honey.

    Out of Stock
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    Yurei Perfume Oil

    The most fearsome of Kaidan’s conjured warriors, his sword can shear through anything — or anyone.

    White tea, hibiscus, Arabian sandalwood, white amber, ho leaf, pale Japanese flowers, and vetiver.

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