$30.00
Théodore Gérard
The stage is set for battle! A twist of wool, a rustle of silk, and a hint of cream.
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Turns out this is a thing that vampires are into. A warm mug of dark chocolate and cream with a dribble of blood.
Adam, our suicidally romantic scoundrel. His scent is a palette of somber colors, melancholy memories, and lupine, savage beauty: black leather, pale sandalwood, ambergris accord, and the memory of a long-lost Victorian fougère. His internal life seems to be reflected in his lair, so his perfume also possesses the scent of the wood of his guitars, the rosin from his violin bow, the musty wool of neglected Oriental carpets, the plastic, metal, and magnetic tape of his reel-to-reel, the dust that permeates everything.
Antoine Watteau
Billowing clouds of mallow flower, cream, and peonies, soft blushing amber, corn kernels, budding wheat, and spun sugar.
A tiny woman stands in the center of the stage, the perfect woman in miniature, her copper hair bouncing in elegant curls. She is surrounded on all sides by a necropolis of maimed, mutilated stuffed animals, decapitated fashion dolls, and eviscerated wooden figures. It is a strangely ghastly tableau: the disemboweled toys ooze fiberfill, batting, and sawdust from their gaping wounds. In one dainty hand she clutches a shard of glass, and in the other she nimbly twirls a razor blade. Her face is twisted in a grimace of mad ferocity, and she hisses as she brandishes her makeshift weapons at you. “Play with me?” she growls.
Soft, yet sociopathic: white carnation, iris, orange blossom, poisonous pale white berries, and sugared cream.
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