The Lovecraft Collection.
Scents inspired by the works of H.P. Lovecraft and the Cthulhu Mythos.
Iä! Iä!
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
$5.25 – $21.00
We shall swim out to that brooding reef in the sea and dive down through black abysses to Cyclopean and many-columned Y’ha-nthlei, and in that lair of the Deep Ones we shall dwell amidst wonder and glory for ever.
A great undersea metropolis located below Devil’s Reef. A swirling, lightless, effervescent scent: the deepest marine notes with bergamot, eucalyptus and foamy ambergris.
The Lovecraft Collection.
Scents inspired by the works of H.P. Lovecraft and the Cthulhu Mythos.
Iä! Iä!
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
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Sometimes I would venture from my sepulchre to the jazz of night Paris, where having gathered the colours, I would think them over in front of the fire. I could be seen walking through a funeral corridor of my house and descending down a black spiral of steep stairs; rushing underground to Montmartre, all impatience to see the fiery rubies of the Moulin Rouge cross. I wondered thereabouts, then bought a ticket to watch frenzied delirium of feathers, vulgar painted lips and eyelashes of black and blue.
Naked feet, and thighs, and arms, and breasts were being flung on me from bloody-red foam of translucent clothes. The tuxedoed goatees and crooked noses in white vests and toppers would line the hall, with their hands posed on canes. Then I found myself in a pub, where the liqueurs were served on a coffin (not a table) by the nickering devil: “Drink it, you wretched!” Having drunk, I returned under the black sky split by the flaming vanes, which the radiant needles of my eyelashes cross-hatched. In front of my nose a stream of bowler hats and black veils was still pulsing, foamy with bluish green and warm orange of feathers worn by the night beauties: to me they were all one, as I had to narrow my eyes for insupportable radiance of electric lamps, whose hectic fires would be dancing beneath my nervous eyelids for many a night to come.
White gardenia, ambergris bouquet, lavender fougere, orange blossom, melissa, tobacco flower, coriander, ebony wood, ylang ylang, absinthe and aged whiskey.
An Arabic term that refers to both the chirping of nocturnal insects and the ambient sound made by the chattering of demons. This is the original title of the feared Necronomicon, the Book of Dead Names, penned by the Mad Arab, Abdul Alhazred.
Nor is it to be thought that man is either the oldest or the last of earth’s masters, or that the common bulk of life and substances walks alone. The Old Ones were, the Old Ones are, and the Old Ones shall be. Not in the spaces we know, but between them, They walk serene and primal, undimensioned and to us unseen. Yog-Sothoth knows the gate. Yog-Sothoth is the gate. Yog-Sothoth is the key and guardian of the gate. Past, present, future, all are one in Yog-Sothoth. He knows where the Old Ones broke through of old, and where They shall break through again. He knows where They have trod earth’s fields, and where They still tread them, and why no one can behold Them as They tread. By Their smell can men sometimes know Them near, but of Their semblance can no man know, saving only in the features of those They have begotten on mankind; and of those are there many sorts, differing in likeness from man’s truest eidolon to that shape without sight or substance which is Them. They walk unseen and foul in lonely places where the Words have been spoken and the Rites howled through at their Seasons. The wind gibbers with Their voices, and the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not forest or city behold the hand that smites. Kadath in the cold waste hath known Them, and what man knows Kadath? The ice desert of the South and the sunken isles of Ocean hold stones where Their seal is engraven, but who hath seen the deep frozen city or the sealed tower long garlanded with seaweed and barnacles? Great Cthulhu is Their cousin, yet can he spy Them only dimly. Iä! Shub-Niggurath! As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. Yog-Sothoth is the key to the gate, whereby the spheres meet. Man rules now where They ruled once; They shall soon rule where man rules now. After summer is winter, and after winter summer. They wait patient and potent, for here shall They reign again.
A sinister, sinuous incense of summoning, a herald and paean to the Primordial Gods of Darkness, Chaos, Madness and Decay.
The yellowed country records containing her testimony and that of her accusers were so damnably suggestive of things beyond human experience – and the descriptions of the darting little furry object which served as her familiar were so painfully realistic despite their incredible details.
That object – no larger than a good-sized rat and quaintly called by the townspeople “Brown Jenkin – seemed to have been the fruit of a remarkable case of sympathetic herd-delusion, for in 1692 no less than eleven persons had testified to glimpsing it. There were recent rumours, too, with a baffling and disconcerting amount of agreement. Witnesses said it had long hair and the shape of a rat, but that its sharp-toothed, bearded face was evilly human while its paws were like tiny human hands. It took messages betwixt old Keziah and the devil, and was nursed on the witch’s blood, which it sucked like a vampire. Its voice was a kind of loathsome titter, and it could speak all languages. Of all the bizarre monstrosities in Gilman’s dreams, nothing filled him with greater panic and nausea than this blasphemous and diminutive hybrid, whose image flitted across his vision in a form a thousandfold more hateful than anything his waking mind had deduced from the ancient records and the modern whispers.
A small, furry, sharp-toothed scent that will nuzzle you curiously in the black hours before dawn: dusty white sandalwood and orris root, dry coconut husk, creeping musk, and the residue of ceremonial incense.
A scent celebrating Sir Francis Dashwood’s Order of the Knights of St. Francis of Wycombe, also known as the Hellfire Club. A swirl of pipe tobacco, hot leather, ambergris, dark musk and the lingering incense smoke from their Black Mass.
New formulation.
Kristen Bushko –
I love the deep ocean smell you get right out of the bottle – this is not a salty sunny day on the beach. I was worried it would fade into an Irish Spring soap type smell after drying, but luckily that is not the case.
Gloame –
Definitely ‘watery’ but not in that sneezy mega-aquatic way. It’s nice, clean, simple. Not terribly evil, imo. I like it, but I don’t love it.
Where I’d wear it: Hiking to one of those jungle waterfalls you see on travel bloggers’ Instagrams
ravenwood –
The first breath of it makes me smell like a soap store, but that fades quickly into something complex–a bit of sea-side, sharp and clean but with an almost buttery note (the ambergris I’d guess), settling over the day into sharp with a touch of spice (probably the bergamot). Miraculously, for something without vetiver in it, this sticks around fairly well on my skin. I like it quite a lot, and plan to keep it in my full-size collection with Czernobog.
haisha_stu –
This scent is very strong eucalyptus scent followed by marine notes. It makes me think of craft stores but in a harsher sense. It’s a good bedtime scent for me because it seems to open my airways and make me sleep deeper.
madmanta –
This is my signature scent. It makes me feel like queen of the deep ocean, layered in old jewelry. Very elegant, musty scent that smells dark and magical and kind of fades to something much less pungent very quickly, on me at least.
callipsofacto –
I really didn’t have any idea what to expect from ‘deepest marine notes,’ but this is much prettier than anything I had imagined! Fresh summery scent, fades a bit quickly but very nice overall.