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  The Black Tower Perfume Oil

  Say that the men of the old black tower,
  Though they but feed as the goatherd feeds,
  Their money spent, their wine gone sour,
  Lack nothing that a soldier needs,
  That all are oath-bound men:
  Those banners come not in.

  There in the tomb stand the dead upright,
  But winds come up from the shore:
  They shake when the winds roar,
  Old bones upon the mountain shake.

  Those banners come to bribe or threaten,
  Or whisper that a man’s a fool
  Who, when his own right king’s forgotten,
  Cares what king sets up his rule.
  If he died long ago
  Why do you dread us so?

  There in the tomb drops the faint moonlight,
  But wind comes up from the shore:
  They shake when the winds roar,
  Old bones upon the mountain shake.

  The tower’s old cook that must climb and clamber
  Catching small birds in the dew of the morn
  When we hale men lie stretched in slumber
  Swears that he hears the king’s great horn.
  But he’s a lying hound:
  Stand we on guard oath-bound!

  There in the tomb the dark grows blacker,
  But wind comes up from the shore:
  They shake when the winds roar,
  Old bones upon the mountain shake.

  A sepulchral, desolate scent. Long-dead soldiers, oath-bound; the perfume of their armor, the chill wind that surges through their tower, white bone and blackened steel: white sandalwood, ambergris, wet ozone, galbanum and leather with ebony, teak, burnt grasses, English ivy and a hint of red wine.

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  Black Forest Perfume Oil

  This is the captured scent of a cold, moonless night, lost deep within the darkest wood. Haunting and desolate, this scent evokes images of fairy tale tragedy and half-remembered nightmares. Thick, viscous pine with ambergris, black musk, juniper and cypress.

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  Schrodinger’s Cat Perfume Oil

  One can even set up quite ridiculous cases. A cat is penned up in a steel chamber, along with the following diabolical device (which must be secured against direct interference by the cat): in a Geiger counter there is a tiny bit of radioactive substance, so small that perhaps in the course of one hour one of the atoms decays, but also, with equal probability, perhaps none; if it happens, the counter tube discharges and through a relay releases a hammer which shatters a small flask of hydrocyanic acid. If one has left this entire system to itself for an hour, one would say that the cat still lives if meanwhile no atom has decayed. The first atomic decay would have poisoned it. The Psi function for the entire system would express this by having in it the living and the dead cat (pardon the expression) mixed or smeared out in equal parts. It is typical of these cases that an indeterminacy originally restricted to the atomic domain becomes transformed into macroscopic indeterminacy, which can then be resolved by direct observation. That prevents us from so naively accepting as valid a “blurred model” for representing reality. In itself it would not embody anything unclear or contradictory. There is a difference between a shaky or out-of-focus photograph and a snapshot of clouds and fog banks.

  A paradoxical scent experiment! – tangerine, sugared lime, pink grapefruit, oakmoss, lavender, zdravetz, and chocolate peppermint.

  No cats were mistreated during the formulation of this paradox, or in the process of creating this perfume.

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  Blood Kiss

  Lush, creamy vanilla and the honey of the sweetest kiss smeared with the vital throb of husky clove, swollen red cherries, but darkened with the vampiric sensuality of vetiver, soporific poppy and blood red wine, and a skin-light pulse of feral musk.

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