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  This is a Mexican paean to La Huesuda: dry, crackling leaves, the incense smoke of altars honoring Death and the Dead, funeral bouquets, the candies, chocolates, foods and tobacco of the ofrenda, amaranth, sweet cactus blossom and desert cereus.

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  Is He, You Know Perfume Oil

  Fellas, is it gay to have a skeletal system? Short answer: YES! Because the human wrist was undeniably made to flap and go “enh.”

   

  There are many theories about the historical origin of the so-called “limp wrist” gesture, which has bedeviled arbiters of masculine presentation since at least the ancient Roman times. So when we defiantly flop our phalanges, we’re reclaiming a time-honored tradition! And letting our skeletons do what they do most naturally: camp it up.

   

  Did you know the human wrist is made up of eight small bones, plus the forearm’s radius and ulna? Factor in the four small ones that comprise that lightly extended pinkie finger, and the number of bones required to execute this delicate maneuver add up to FOURTEEN. No wonder we’re always so tired.

  So defy nature if you truly must, but never forget: when bones are all that’s left of you, the wrists will be extra floppy. And we think that’s worth celebrating while you’re still alive!
  
  Sweet 13-year aged patchouli, peru balsam, white oakmoss, French lavender, spikenard, bourbon vanilla, and sugar cane.

  Art by Drew Rausch

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  Jazz Funeral Perfume Oil

  Considered a great honor, this is one of the most distinguished aspects of New Orleans culture. Its roots lie in the customs of the Dahomeans and Yoruba people, and is a celebration of both the person’s life and the beauty and solemnity of their death. The procession is lead by the Grand Marshal, resplendent in his black tuxedo, white gloves and black hat in hand; almost a vision of the great Baron Samedi himself. The music begins with solemn, tolling dirges, moves into hymns of sorrow, loss and redemption. When the burial site is reached, a two-note preparatory riff is sounded, and the drummers start the second-line beat, heralding the switch in music to joyous, upbeat songs, dancing, and the unfurling of richly decorated umbrellas by the ‘second line’ friends, family, loved ones and stray celebrants. Strutting, bouncing, and festive dance accompanies the upbeat ragtime music that sends the departed soul onto its next journey.

  Didn’t he ramble
  … he rambled
  Rambled all around
  … in and out of town
  Didn’t he ramble
  … didn’t he ramble
  He rambled till the butcher cut him down.

  His feet was in the market place
  his head was in the street
  Lady pass him by, said
  look at the market meat
  He grabbed her pocket book
  and said I wish you well
  She pulled out a forty-five
  said I’m head of personnel.

  Didn’t he ramble
  … he rambled
  Rambled all around
  … in and out of town
  Didn’t he ramble
  … didn’t he ramble
  He rambled till the butcher cut him down.

  He slipped into the cat house
  made love to the stable
  Madam caught him cold
  said I’ll pay you when I be able
  Six months had passed
  and she stood all she could stand
  She said buddy when I’m through with you
  Ole groundhog gonna be shakin yo’ hand.

  Didn’t he ramble
  … he rambled
  Rambled all around
  … in and out of town
  Didn’t he ramble
  … didn’t he ramble
  He rambled till the butcher cut him down.

  I said he rambled
  lord
  … ’till the butcher shot him down.

  Bittersweet bay rum, bourbon, and a host of funeral flowers with a touch of graveyard dirt, magnolia and Spanish Moss.

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