Foweles in þe frith þe fisses in þe flod And I mon waxe wod sulch sorw I walke with for beste of bon and blod – 13th century song, anonymous Birds in the wood and in the space between woods, fishes in the flowing waters, I feel I must go mad from mourning because I journey with such sorrow for the beasts of bone and blood. Gnarled boughs of white oak, sweet chestnut, hazel, and holly, blood-red rowan berries, spikes of blackthorn, a scattering of melancholy lilac petals, cade, and crushed lily of the valley.
Beeswax candles reflect flickering light onto a brass-coated boiler engraved with the words “Solve Et Coagula”. The gargantuan boiler sends torrents of steam into rigid pipes that exert force onto innumerable pistons and turbine blades. The motion is harnessed to propel energy into gargantuan cogs and gears that move liquid metals, herbs, and resins into a series of alembics.
Balm of Gilead, benzoin, frankincense, balsam of peru, beeswax, saffron, galbanum, calamus, hyssop, mastic, lemon balm, and white sage.
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Also called the Lamed Vev, two letters in the Hebrew alphabet that translate to the number thirty-six. In this violent, ugly, strife-riddled world of ours there are thirty-six men, the Hidden Just Men or Hidden Saints, who bear on their shoulders the burden of all our pain, sorrows and sins. The Tzadikim Nistarim move in obscurity, and are usually found among the poor, the downtrodden and the meekest among us, and are chosen for this task because of their righteousness, stalwart sense of genuine justice, and the true goodness of their souls. When one of these men dies, God chooses another to take his place. It is for their sake and for love of them that God does not destroy His imperfect creation. As long as the Lamed Vav serves humanity, the world will continue to plod on, but once one of them dies and God cannot find another worthy to take his place, the world will be destroyed. In Qabala, the thirty-six men of the Tzadikim Nistarim together combine to symbolize the seventy-two bridges, corresponding to the seventy-two names of God, that connect the concealed and revealed worlds of our universe.
The scent is one of unadulterated spiritual purity, with a taste of the world’s eternal pathos, and the joy of suffering with grace: frankincense, olive, spikenard, hyssop and galangal.
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Inspired by the character BRIAN LI SUNG.
Christine’s lover who, in the aftermath of her violent death, becomes haunted and possessed by what he sees as the “entity” of Grendel.
A refined lilac fougère with frankincense, labdanum, styrax, and dark musk.
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