The ParaNorman Collection
Scents based on Laika’s ParaNorman film.
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
Because of the nature of this project, imps are not available for any ParaNorman scents.
$30.00
A faded snapshot of patchouli-stained peasant blouses, soft suede boots, and smoke.
The ParaNorman Collection
Scents based on Laika’s ParaNorman film.
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
Because of the nature of this project, imps are not available for any ParaNorman scents.
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Heroine is the first scent created specifically for The Hero Initiative, and the label art is by the fabulous Adam Hughes!
Nepalese amber, East African patchouli, dark musk, apple blossom, petitgrain, aged leather, skin musk, and rhubarb.
The sublimely beautiful, fiercely independent, impeccably cultured, fascinatingly worldly and witty courtesans of ancient Greece. A seductive and dazzling blend of golden honey, fiery patchouli, sweet fig and clove, and a blushing touch of ylang ylang.
Untamed wilderness: buckskin accord with Terebinth pine, Russian birch, black ironwood, elder bark, hay, armoise, juniper, patchouli, galangal root, Spanish moss, and cabreuva.
Carrying bouquet, and handkerchief, and gloves,
Proud of her height as when she lived, she moves
With all the careless and high-stepping grace,
And the extravagant courtesan’s thin face.
Was slimmer waist e’er in a ball-room wooed?
Her floating robe, in royal amplitude,
Falls in deep folds around a dry foot, shod
With a bright flower-like shoe that gems the sod.
The swarms that hum about her collar-bones
As the lascivious streams caress the stones,
Conceal from every scornful jest that flies,
Her gloomy beauty; and her fathomless eyes
Are made of shade and void; with flowery sprays
Her skull is wreathed artistically, and sways,
Feeble and weak, on her frail vertebrae.
O charm of nothing decked in folly! they
Who laugh and name you a Caricature,
They see not, they whom flesh and blood allure,
The nameless grace of every bleached, bare bone,
That is most dear to me, tall skeleton!
Come you to trouble with your potent sneer
The feast of Life! or are you driven here,
To Pleasure’s Sabbath, by dead lusts that stir
And goad your moving corpse on with a spur?
Or do you hope, when sing the violins,
And the pale candle-flame lights up our sins,
To drive some mocking nightmare far apart,
And cool the flame hell lighted in your heart?
Fathomless well of fault and foolishness!
Eternal alembic of antique distress!
Still o’er the curved, white trellis of your sides
The sateless, wandering serpent curls and glides.
And truth to tell, I fear lest you should find,
Among us here, no lover to your mind;
Which of these hearts beat for the smile you gave?
The charms of horror please none but the brave.
Your eyes’ black gulf, where awful broodings stir,
Brings giddiness; the prudent reveller
Sees, while a horror grips him from beneath,
The eternal smile of thirty-two white teeth.
For he who has not folded in his arms
A skeleton, nor fed on graveyard charms,
Recks not of furbelow, or paint, or scent,
When Horror comes the way that Beauty went.
O irresistible, with fleshless face,
Say to these dancers in their dazzled race:
“Proud lovers with the paint above your bones,
Ye shall taste death, musk scented skeletons!
Withered Antinoüs, dandies with plump faces,
Ye varnished cadavers, and grey Lovelaces,
Ye go to lands unknown and void of breath,
Drawn by the rumour of the Dance of Death.
From Seine’s cold quays to Ganges’ burning stream,
The mortal troupes dance onward in a dream;
They do not see, within the opened sky,
The Angel’s sinister trumpet raised on high.
In every clime and under every sun,
Death laughs at ye, mad mortals, as ye run;
And oft perfumes herself with myrrh, like ye
And mingles with your madness, irony!
A gloriously elegant representation of Lady Death. Dry, bone-white orris, black musk, serpentine patchouli and our murkiest myrrh.
lookingglass –
This is a pleasant, summery patchouli- transparent, light, almost floral (this would be ghosty, clean fabric), with the earthy notes adding some interest, a velvety softness, and tenacity. If someone told me this was a white patchouli note (a la Tom Ford and Maggie’s Farm), I would believe them. The suede has that apricot skin subtle musky sweetness, that I’ve smelled in some other niche fragrances…Serge Lutens Daim Blonde comes to mind. It has a very pale, neutral colored scent…the palest greige…there may be some orris in there…I wouldn’t say it’s soapy, though it does have that “patchouli for mass appeal” quality of some designer fragrances (like Cocoa Mademoiselle); I think it would appeal to a wide audience. This is NOT a dark and dirty, dank, musty, sweaty kind of patchouli…not that there’s anything WRONG with that! I have many of those in my heavy rotation (I’m looking at you Goblin, Depraved, and Banshee Beat!). It feels like kin to Fae, with a fun, breezy, almost indescribable, “white noise” kind of top note, with a deep, earthy, kind of natural sweetness on the drydown. This scent is not nearly silly as its name or character; it’s an intelligent, complex, and well composed perfume. It needs to see more love! Common, people!!! Try it! You will see!
I love it and tend to wear it in warm weather.