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  The Human Double Perfume Oil

  Among the most intelligent inquirers with whom I converse at Brighton was a lady of title. She told me that she was one of those present at the Davenport séance, held at the residence of Sir Hesketh Fleetwood. She was seated in the dark séance by the side of a gentleman whose previous scepticism, he confessed to her, was fast disappearing in the face of the facts they were witnessing, when a light was suddenly struck, and both of them distinctly saw the form of Ira Davenport glide close past them. This incident very much disturbed the confidence of Lady L—, and entirely satisfied the sceptic that imposition was practiced, and he left the room a confirmed unbeliever. I told Lady L—that, on his return to London, Mr. Ferguson spoke to me of this very fact, as one of the most curious that had yet occurred at any of the séances. He was holding, he said, the box of matches, as he usually does, when the box was snatched from his hand, and a light was struck by the invisible operator, and during the momentary ignition of the match he plainly saw a form, apparently of a human figure. He said nothing at the moment, but whispering the fact to Mr. Fay, he confirmed it, and afterwards several of those present admitted that that, too, had seen it. Mr. Ferguson, however, was not aware that anyone present supposed it to be the actual person of Ira Davenport, as no observation to that effect was made, and as Ira Davenport was seen instantly afterwards when the light was restored, fast bound to his chair, it was simply impossible that the suspicions of Lady L—or her friend could have been well founded.
  
  But, admitting that two competent witnesses did actually see the form of Ira Davenport on that occasion, it is corroborative of a very important and interesting fact, and distinct phase of these puzzling mysteries of spiritual appearances – viz., the duplication of individual form. Mr. Ferguson, who did not on that occasion recognize the resemblance to Ira Davenport, nevertheless has, as he solemnly asserts, seen at other times, when alone with them, the entire duplicated form of Ira Davenport, and a part of Mr. Fay ; and in my first conversation with the Davenport Brothers they told me, among other curious facts of their extraordinary history, that persons had said they had met one or other of them in places where they had not been. On one occasion their father went to a neighbouring shop to order some fruit, when he was told by the shopkeeper that his son Ira had just been there, and had ordered the fruit. It was, however, satisfactorily proved that Ira had not left the house, and that the man must have seen his “wraith,” or “double.”
  
  The Spiritualist, December 19, 1873

  
  The uncanny echo of your second self: a shadow-blackened fougere steeped in an uncanny, discomfiting lavender tar.
  

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  Midnight Marzipan Perfume Oil

  A Winter Solstice gourmand: a ground almond snowpack glistening under a chilly scattering of sugar-bright stars, standing out against a night sky of the darkest cacao.

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  Practical Occultism 2024 Perfume Oil

  Practical Occultism consists, first, of a perfect mastery of the individual’s own spirit. No advance whatever can be made in acquiring power over other spirits, such as controlling the lower or supplicating the higher, until the spirit within has acquired such perfect mastery of itself, that it can never be moved to anger or emotion—realizes no pleasure, cares for no pain; experiences no mortification at insult, loss, or disappointment—in a word, subdues every emotion that stirs common men’s minds.
  
  To arrive at this state, severe and painful as well as long continued discipline is necessary. Having acquired this perfect equilibrium, the next step is power. The individual must be able to wake when he pleases and sleep when he pleases; go in spirit during bodily sleep where he will, and visit—as well as remember when awake—distant scenes.
  
  He must be enabled by practice, to telegraph, mentally, with his fellow associates, and present himself, spiritually, in their midst.
  
  He must, by practice, acquire psychological control over the minds of any persons—not his associates—beneath his own calibre of mind. He must be able to still a crying infant, subdue fierce animals or angry men, and by will, transfer his thought without speech or outward sign to any person of a mental calibre below himself; he must be enabled to summon to his presence elementary spirits, and if he desires to do so (knowing the penalties attached), to make them serve him in the special departments of Nature to which they belong.
  
  He must, by virtue of complete subjugation of his earthly nature, be able to invoke Planetary and even Solar Spirits, and commune with them to a certain degree.
  
  To attain these degrees of power the processes are so difficult that a thorough practical occultist can scarcely become one and yet continue his relations with his fellow-men.
  
  He must continue, from the first to the last degree, a long series of exercises, each one of which must be perfected before another is undertaken.
  
  A practical occultist may be of either sex, but must observe as the first law inviolable chastity—and that with a view of conserving all the virile powers of the organism. No aged person, especially one who has not lived the life of strict chastity, can acquire the full sum of the powers above named. It is better to commence practice in early youth, for after the meridian of life, when the processes of waste prevail over repair, few of the powers above described can be attained; the full sum never.
  
  Strict abstinence from animal food and all stimulants is necessary. Frequent ablutions and long periods of silent contemplation are essential. Codes of exercises for the attainment of these powers can be prescribed, but few, if any, of the self-indulgent livers of modern times can perform their routine.
  
  The arts necessary for study to the practical occultist are, in addition to those prescribed in speculative occultism, a knowledge of the qualities of drugs, vapors, minerals, electricity, perfumes, fumigations, and all kinds of anæsthetics.
  
  And now, having given in brief as much as is consistent with my position—as the former associate of a secret society—I have simply  to add, that, whilst there are, as in Masonry, certain preliminary degrees to pass through, there are numerous others to which a thoroughly well organized and faithful association might advance. In each degree there are some valuable elements of practical occultism demanded, whilst the teachings conveyed are essential preliminaries. In a word, speculative occultism must precede practical occultism; the former is love and wisdom, the latter, simply power.
  
  A Victorian occultist’s incense, invoking the Four Archangels: precious wildcrafted Indian frankincense with myrrh, cassia, sandarac, palmarosa, white sage, red sandalwood, elemi, and drops of star anise bound with grains of kyphi.

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  Eusapia 2024 Perfume Oil

  The case I allude to is that of an invalid woman who belongs to the humblest class of society. She is nearly thirty years old and very ignorant; her look is neither fascinating nor endowed with the power which modern criminologists call irresistible; but when she wishes, be it by day or by night, she can divert a curious group for an hour or so with the most surprising phenomena. Either bound to a seat or firmly held by the hands of the curious, she attracts to her the articles of furniture which surround her, lifts them up, holds them suspended in the air like Mahomet’s coffin, and makes them come down again with undulatory movements, as if they were obeying her will. She increases their weight or lessens it according to her pleasure. She raps or taps upon the walls, the ceiling, the floor, with fine rhythm and cadence. In response to the requests of the spectators, something like flashes of electricity shoot forth from her body, and envelop her or enwrap the spectators of these marvellous scenes. She draws upon cards that you hold out, everything that you want – figures, signatures, numbers, sentences – by just stretching out her hand toward the indicated place.

  If you place in the corner of the room a vessel containing a layer of soft clay, you find after some moments the imprint in it of a small or a large hand, the image of a face (front view or profile) from which a plaster cast can be taken. In this way portraits of a face taken at different angles have been preserved, and those who desire so to do can thus make serious and important studies.

  This woman rises in the air, no matter what bands tie her down. She seems to lie upon the empty air, as on a couch, contrary to all the laws of gravity; she plays on musical instruments – organs, bells, tambourines – as if they had been touched by her hands or moved by the breath of invisible gnomes… This woman at times can increase her stature by more than four inches.
  —Chiaia, in a letter to Lombroso

   Pale lilacs, white tea, and candle wax.

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