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  Claircognizance 2024 Perfume Oil

  Dr. E. S. Packard, of Corunna, Me., in the Eastern Star, states that Mr. David Prescott, of South Sangerville, over ninety years of age, “wandered away into the woods, and not returning, a crowd of over a hundred men hunted for him nearly two days; the mill pond near his house was drained. Search was made in every direction but to no success.
  
  “A gentleman of that place decided to call in the aid of Mrs. Stevens; she told him somebody was lost, and not being able to visit the place she drew a map or chart of the locality, giving directions, by which, on his return he was immediately found alive, but died the next day. The day following I was at South Sangerville, and stopping at this gentleman’s house, examined the map, which was perfect in every respect. The house and shed were correctly drawn, the mill and pond near the house were marked, the field and woods, two fences over which Mr. Prescott must climb, even to the swinging of the road by the house was definitely given.
  
  “The spot where she said he was, was shown by a large black mark, and he was found exactly in that place. When we consider that Mrs. Stevens never saw this place in her normal condition, it is to me a wonderful test of spirit power.”
  
  Absolute and perfect clarity: rockrose, white amber, Corsican immortelle, Siamese benzoin, white sandalwood, and life everlasting.

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  Gently, Gently, They are Timid Perfume Oil

  Softly, softly, hear the rustle
  Of the Spirits airy wings;
  They are coming down to mingle
  Once again with earthly things,
  With their rapping, and their tapping
  Rap-tap-tap to wake our napping,
  In the restless dream of error:
  Hear the weird the Spirit brings –
  Rap-tap-tap lost friends are near you;
  Rap-tap-tap they see and hear you;
  In their mystic converse rappy
  They declare good Spirits happy.
  
  Gently, gently, they are timid
  If a medium is not there;
  They may leave you in delusion,
  And dissolve again to air.
  Tis no fable – beings able –
  Rap-tap-tap upon a table;
  And their language is translated,
  While the watch with guardian care
  Rap-tap-tap lost friends are near you;
  Rap-tap-tap they see and hear you;
  In their mystic converse rappy
  They declare good Spirits happy

  Spirit Rappings, lyrics by T.E. Garrett, music by W.W. Rossington
  
  A joyful undeath: candied orange and pink peppercorn, sugared freesia petals, vanilla bean, and white honey.
  

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• 

  O Beautiful White Mother Death Perfume Oil

  This Spiritualism is the nepenthe which the ancient philosophers sought, to prolong life for ever; you cast off your bodies like an old garment. The pathway of this new science is as clear to the spirit as the names of the constellations are to the astronomer. In the great realm of the spirit there is no room for death to abide ; he has gone out with the ignorance, and blindness, and prejudice of the past, and life, only life, remains as your inheritance.
  
  Mrs. Tappan then paused. After a moment’s silence she delivered the following inspirational poem:—
  
  O beautiful white mother Death,
  Thou silent and shadowy soul,
  Thou mystical, magical soul,
  How soothing and cooling thy breath!
  Ere the morning stars sang in their spheres,
  Thou didst dwell in the spirit of things,
  Brooding there with thy wonderful wings,
  Incubating the germs of the years.
  Coeval with Time and with Space,
  Thy sisters are Silence and Sleep ;
  Three sisters—Death, Silence, and Sleep,
  How strange and how still is thy face!
  In the marriage of matter to soul,”
  Thou wert wedded to young fiery Time,
  The now weary and hoary-haired Time,
  With him thou hast shared earth’s control.
  O beautiful spirit of Death,
  Thy brothers are Winter and Night;
  Stern Winter and shadowy Night,
  They bear thy still image and breath.
  Summer buds fall asleep in thy arms,
  ’Neath the fleecy and soft-footed snow,
  The silent, pure, beautiful snow;
  And the earth their new life-being warms.
  All the world is endowed with thy breath,
  Summer splendours and purple of wine
  Flow out of this magic of thine,
  O beautiful angel of Death
  What wonders in silence we see
  The lily grows pale in thy sight;
  The rose thro’ the long summer night
  Sighs its life out in fragrance to thee.
  O beautiful angel of Death,
  The beloved are thine, all are thine !
  They have drunk the nepenthe divine,
  They have felt the full flow of thy breath.
  Out into thy realm they are gone,
  Like the incense that greeteth the morn,
  On the wings of thy might they’re up-borne,
  As bright birds to thy Paradise flown.
  They are folded and safe in thy sight,
  Thro’ thy portals they pass from earth’s prison;
  From the cold clod of clay they have risen,
  To dwell in thy temple of light.
  O beautiful Angel of Life,
  Germs feel thee and burst into bloom,
  Souls see thee and rise from the tomb,
  With beauty and loveliness rife.
  On earth thou art named cold Death,
  Dim, dark, dismal, dire, dreadful Death,
  In heaven thou art “Angel of Life.”
  We are one with thy spirit, O Death ;
  We spring to thy arms unafraid,
  One with thee are our glad spirits made.
  We are born when we drink thy cold breath,—
  Oh, Angel of Life, lovely Death.

   

  The concluding hymn was then sung, after which Mrs. Tappan uttered the following benediction—“ May the peace of the loving spirit of the Heavenly Father and His angels abide with you, and the life that knows no death bear you on to the immortal world.”

  
  The Spiritualist, Oct. 15, 1873
  Poem by Cora L.V. Richmond
  
  The lily grows pale in thy sight; the rose, through the long summer night, sighs its life out in fragrance to thee.

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  Eusapia 2024 Perfume Oil

  The case I allude to is that of an invalid woman who belongs to the humblest class of society. She is nearly thirty years old and very ignorant; her look is neither fascinating nor endowed with the power which modern criminologists call irresistible; but when she wishes, be it by day or by night, she can divert a curious group for an hour or so with the most surprising phenomena. Either bound to a seat or firmly held by the hands of the curious, she attracts to her the articles of furniture which surround her, lifts them up, holds them suspended in the air like Mahomet’s coffin, and makes them come down again with undulatory movements, as if they were obeying her will. She increases their weight or lessens it according to her pleasure. She raps or taps upon the walls, the ceiling, the floor, with fine rhythm and cadence. In response to the requests of the spectators, something like flashes of electricity shoot forth from her body, and envelop her or enwrap the spectators of these marvellous scenes. She draws upon cards that you hold out, everything that you want – figures, signatures, numbers, sentences – by just stretching out her hand toward the indicated place.

  If you place in the corner of the room a vessel containing a layer of soft clay, you find after some moments the imprint in it of a small or a large hand, the image of a face (front view or profile) from which a plaster cast can be taken. In this way portraits of a face taken at different angles have been preserved, and those who desire so to do can thus make serious and important studies.

  This woman rises in the air, no matter what bands tie her down. She seems to lie upon the empty air, as on a couch, contrary to all the laws of gravity; she plays on musical instruments – organs, bells, tambourines – as if they had been touched by her hands or moved by the breath of invisible gnomes… This woman at times can increase her stature by more than four inches.
  —Chiaia, in a letter to Lombroso

   Pale lilacs, white tea, and candle wax.

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