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Weight | 1 oz |
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$29.00
A toasted slice from the middle of a springy, oaty loaf blessed with a rich green schmear and sprinkled with lemon juice and lavender sea salt.
Weight | 1 oz |
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Runnels of darkly translucent purple syrup sinking into a dome of creamy-fine snow scrapings.
This Spiritualism is the nepenthe which the ancient philosophers sought, to prolong life for ever; you cast off your bodies like an old garment. The pathway of this new science is as clear to the spirit as the names of the constellations are to the astronomer. In the great realm of the spirit there is no room for death to abide ; he has gone out with the ignorance, and blindness, and prejudice of the past, and life, only life, remains as your inheritance.
Mrs. Tappan then paused. After a moment’s silence she delivered the following inspirational poem:—
O beautiful white mother Death,
Thou silent and shadowy soul,
Thou mystical, magical soul,
How soothing and cooling thy breath!
Ere the morning stars sang in their spheres,
Thou didst dwell in the spirit of things,
Brooding there with thy wonderful wings,
Incubating the germs of the years.
Coeval with Time and with Space,
Thy sisters are Silence and Sleep ;
Three sisters—Death, Silence, and Sleep,
How strange and how still is thy face!
In the marriage of matter to soul,”
Thou wert wedded to young fiery Time,
The now weary and hoary-haired Time,
With him thou hast shared earth’s control.
O beautiful spirit of Death,
Thy brothers are Winter and Night;
Stern Winter and shadowy Night,
They bear thy still image and breath.
Summer buds fall asleep in thy arms,
’Neath the fleecy and soft-footed snow,
The silent, pure, beautiful snow;
And the earth their new life-being warms.
All the world is endowed with thy breath,
Summer splendours and purple of wine
Flow out of this magic of thine,
O beautiful angel of Death
What wonders in silence we see
The lily grows pale in thy sight;
The rose thro’ the long summer night
Sighs its life out in fragrance to thee.
O beautiful angel of Death,
The beloved are thine, all are thine !
They have drunk the nepenthe divine,
They have felt the full flow of thy breath.
Out into thy realm they are gone,
Like the incense that greeteth the morn,
On the wings of thy might they’re up-borne,
As bright birds to thy Paradise flown.
They are folded and safe in thy sight,
Thro’ thy portals they pass from earth’s prison;
From the cold clod of clay they have risen,
To dwell in thy temple of light.
O beautiful Angel of Life,
Germs feel thee and burst into bloom,
Souls see thee and rise from the tomb,
With beauty and loveliness rife.
On earth thou art named cold Death,
Dim, dark, dismal, dire, dreadful Death,
In heaven thou art “Angel of Life.”
We are one with thy spirit, O Death ;
We spring to thy arms unafraid,
One with thee are our glad spirits made.
We are born when we drink thy cold breath,—
Oh, Angel of Life, lovely Death.
The concluding hymn was then sung, after which Mrs. Tappan uttered the following benediction—“ May the peace of the loving spirit of the Heavenly Father and His angels abide with you, and the life that knows no death bear you on to the immortal world.”
The Spiritualist, Oct. 15, 1873
Poem by Cora L.V. Richmond
The lily grows pale in thy sight; the rose, through the long summer night, sighs its life out in fragrance to thee.
About two miles from the village of Canton, Me., is a cosey, old-fashioned farm-house which is located directly opposite a graveyard, with no other house in sight. From the window of this little house nothing can be seen except the graveyard with its gleaming stones, and the hills and mountains round about.
The family that has been occupying the house moved out not long ago, declaring that they could not stand it any longer, that they were wellnight distracted by the demonstrations. When they told their story a former resident, who now lives in Hartford, announced that he had known for years that the place was haunted. He had not told any one for fear of the ridicule of his neighbors.
The demonstrations were not only in the house, but in the barn and around the premises. Regularly every night at 12 o’clock a team of horses rushes from the direction of the village, rumbles over the little bridge at a slashing gait, and then disappears. It never reaches the house. Instead, ghostly voices address the members of the family who have the temerity to live there, the voices coming from all parts of the house, but never so clearly that they can be located.
On one memorable night a member of the family went to the barn just at dusk without a lantern. A figure stood at the corner of the building, and he ran to learn what the straggler wanted about the place. The figure silently and mysteriously melted into the shadows and was gone.
The Buffalo News, April 20, 1904
A spectral cacophony of shimmering, translucent dun sandalwood, grey amber, and wraith-chilled chestnut galloping through the mist-cloaked shadows of time, a clattering of clove and black pepper, and a crack of phantom leather.
The new discovery of “Table Moving,” by means of an unseen power from the human hand, has only been introduced into England within the last few weeks; but it would be difficult to dingle out any scientific subject which has with such rapidity, taken so extensive a hold of the popular mind. If we travel by railway carriage, steamboat, or omnibus, this is the universal topic of conversation. From the aristocratic saloons of Belgravia to the “Parlours” of Whitechapel – the Green Park to the Cat and Mutton Fields, “table moving” is all the rage. From the Royal Institution, where the secretary pokes his head through a forest of electrical apparatus, to inform the audience that the facts are established, down to the humblest Mechanics’ Institute, all are full of it, and the tables, to quote the words of the old song – “are all a moving, move, move, moving,” – Every evening party must of course have its experiments; accordingly, gentlemen come provided with very elegant chapeaux for the occasion, and many an innocent flirtation occurs consequent on the proper arrangement of the little fingers of some of the fair operators. As “sweet eighteen,” with her blue eyes and golden locks, gracefully links her little finger with Charles’s, in a retired corner, what wonder if the hat should tremble? And Charles, being of course fond of poetry (his very name is a guarantee for that), cannot resist softly breathing into Lucy’s ear, that exquisite line from Waller, on his fair one’s harp –
“Touched by that hand – who would not tremble too?”
And after a little more conversation of a strictly scientific character, they feel quite satisfied with the success of the experiment. Mamma, who has been watching the progress of the magnetic influence at a distance, “has no patience with such nonsense, and wonders young men and young women cannot find something better to do.” She forgets that there was a magnetic influence at work about twenty years since, and what little trifles served as conductors then.
– Table Moving, its causes and phenomena: with directions how to experiment
A spirit-touched courtship: sweet orange blossom, white honey, jasmine tea, white sandalwood, green apple, and lily of the valley.
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