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  Dee Beard Oil

  John Dee: master of science, alchemy and magic, Hermetic philosopher in the schools of Rosicrucian Christian Mysticism and Platonic-Pythagorean doctrine, and Queen Elizabeth’s astrologer, advisor, cryptologist and spy. With Edward Kelly, he created a field of study and work in Angelic Evocation, and isolated the Angelic language: Enochian. His scent is soft English leather, rosewood and tonka with a hint of incense, parchment and soft woods.

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  Robin Goodfellow Perfume Oil

  Now the hungry lion roars,
  And the wolf behowls the moon;
  Whilst the heavy ploughman snores,
  All with weary task fordone.
  Now the wasted brands do glow,
  Whilst the screech-owl, screeching loud,
  Puts the wretch that lies in woe
  In remembrance of a shroud.
  Now it is the time of night
  That the graves all gaping wide,
  Every one lets forth his sprite,
  In the church-way paths to glide:
  And we fairies, that do run
  By the triple Hecate’s team,
  From the presence of the sun,
  Following darkness like a dream,
  Now are frolic: not a mouse
  Shall disturb this hallow’d house:
  I am sent with broom before,
  To sweep the dust behind the door.

  Dark musk, moss-covered wood, ragwort, heather, and sage.

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  A Cup of Tea in the Verandah Perfume Oil

  Whilst I was residing at Maulmain I saw a ghost with my own eyes in broad daylight, of which I could make an affidavit. I had an old schoolfellow, who was afterwards a college friend, with whom I had lived in the closest intimacy. Years, however, had passed away without our seeing each other. One morning I had just got out of bed, and was dressing myself, when suddenly my old friend entered the room. I greeted him warmly, told him to call for a cup of tea in the verandah, and promised to be with him immediately. I dressed myself in all haste, and went out into the verandah, but found no one there. I could not believe my eyes. I called to the sentry, who was posted at the front of the house, but he had seen no strange gentlemen that morning, The servants also declared that no such person had entered the house. I was certain I had seen my friend. I was not thinking about him at the time : yet I was not taken by surprise, as steamers and other vessel were frequently arriving at Maulmain. A fortnight afterwards, news arrived that he had died, six hundred miles off, almost the very time I saw him at Maulmain. It is useless to comment upon this story. To this day I have never doubted that I really saw the ghost of my deceased friend.
  
  Banbury Advertiser, 18 July 1878
  
  A fragrance steeped in wistful melancholy and the ache of near-forgotten longing. Black tea and bergamot shimmer in the glow of sunlit amber as cypress boughs cast lingering shadows. The heart blooms softly with jasmine sambac and tender orris.

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  Eusapia 2024 Perfume Oil

  The case I allude to is that of an invalid woman who belongs to the humblest class of society. She is nearly thirty years old and very ignorant; her look is neither fascinating nor endowed with the power which modern criminologists call irresistible; but when she wishes, be it by day or by night, she can divert a curious group for an hour or so with the most surprising phenomena. Either bound to a seat or firmly held by the hands of the curious, she attracts to her the articles of furniture which surround her, lifts them up, holds them suspended in the air like Mahomet’s coffin, and makes them come down again with undulatory movements, as if they were obeying her will. She increases their weight or lessens it according to her pleasure. She raps or taps upon the walls, the ceiling, the floor, with fine rhythm and cadence. In response to the requests of the spectators, something like flashes of electricity shoot forth from her body, and envelop her or enwrap the spectators of these marvellous scenes. She draws upon cards that you hold out, everything that you want – figures, signatures, numbers, sentences – by just stretching out her hand toward the indicated place.

  If you place in the corner of the room a vessel containing a layer of soft clay, you find after some moments the imprint in it of a small or a large hand, the image of a face (front view or profile) from which a plaster cast can be taken. In this way portraits of a face taken at different angles have been preserved, and those who desire so to do can thus make serious and important studies.

  This woman rises in the air, no matter what bands tie her down. She seems to lie upon the empty air, as on a couch, contrary to all the laws of gravity; she plays on musical instruments – organs, bells, tambourines – as if they had been touched by her hands or moved by the breath of invisible gnomes… This woman at times can increase her stature by more than four inches.
  —Chiaia, in a letter to Lombroso

   Pale lilacs, white tea, and candle wax.

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