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  The Grave-Pig Perfume Oil

  We must have all the old demons of the first class, with tails, and the hobgoblins and imps; and then I think we ought not to leave out the death-horse, or the grave-pig, or even the church dwarf, although they do belong to the clergy, and are not reckoned among our people; but that is merely their office, they are nearly related to us, and visit us very frequently. 

  Fig, oakmoss, mushroom caps, and patchouli.

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  The Harlot’s House Perfume Oil

  We caught the tread of dancing feet,
  We loitered down the moonlit street,
  And stopped beneath the harlot’s house.

  Inside, above the din and fray,
  We heard the loud musicians play
  The “Treues Liebes Herz” of Strauss.

  Like strange mechanical grotesques,
  Making fantastic arabesques,
  The shadows raced across the blind.

  We watched the ghostly dancers spin
  To sound of horn and violin,
  Like black leaves wheeling in the wind.

  Like wire-pulled automatons,
  Slim silhouetted skeletons
  Went sidling through the slow quadrille.

  The took each other by the hand,
  And danced a stately saraband;
  Their laughter echoed thin and shrill.

  Sometimes a clockwork puppet pressed
  A phantom lover to her breast,
  Sometimes they seemed to try to sing.

  Sometimes a horrible marionette
  Came out, and smoked its cigarette
  Upon the steps like a live thing.

  Then, turning to my love, I said,
  “The dead are dancing with the dead,
  The dust is whirling with the dust.”

  But she–she heard the violin,
  And left my side, and entered in:
  Love passed into the house of lust.

  Then suddenly the tune went false,
  The dancers wearied of the waltz,
  The shadows ceased to wheel and whirl.

  And down the long and silent street,
  The dawn, with silver-sandalled feet,
  Crept like a frightened girl.

  The dead are dancing with the dead, the dust is whirling with the dust: angel’s trumpet, violet, white sandalwood, oude, copaiba balsam, angelica, white tea, olibanum, and oakmoss.

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  Schrodinger’s Cat Perfume Oil

  One can even set up quite ridiculous cases. A cat is penned up in a steel chamber, along with the following diabolical device (which must be secured against direct interference by the cat): in a Geiger counter there is a tiny bit of radioactive substance, so small that perhaps in the course of one hour one of the atoms decays, but also, with equal probability, perhaps none; if it happens, the counter tube discharges and through a relay releases a hammer which shatters a small flask of hydrocyanic acid. If one has left this entire system to itself for an hour, one would say that the cat still lives if meanwhile no atom has decayed. The first atomic decay would have poisoned it. The Psi function for the entire system would express this by having in it the living and the dead cat (pardon the expression) mixed or smeared out in equal parts. It is typical of these cases that an indeterminacy originally restricted to the atomic domain becomes transformed into macroscopic indeterminacy, which can then be resolved by direct observation. That prevents us from so naively accepting as valid a “blurred model” for representing reality. In itself it would not embody anything unclear or contradictory. There is a difference between a shaky or out-of-focus photograph and a snapshot of clouds and fog banks.

  A paradoxical scent experiment! – tangerine, sugared lime, pink grapefruit, oakmoss, lavender, zdravetz, and chocolate peppermint.

  No cats were mistreated during the formulation of this paradox, or in the process of creating this perfume.

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  Beauty, The Aggrieved Perfume Oil

  A white rose draped by a delicate, pale, sheer veil of vanilla, the depth and darkness of her black lace embodied by tobacco absolute, Indonesian patchouli, Bulgarian oakmoss, frankincense, white sandalwood, and myrrh.

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