A Pantomime of Deviltry and Debauch in Seven Acts
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
$32.00
Snake Oil with four mints, bergamot, and green tea.
A Pantomime of Deviltry and Debauch in Seven Acts
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
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The unicorn began to walk toward the harpy’s cage. Schmendrick the Magician, tiny and pale, kept opening and closing his mouth at her, and she knew what he was shrieking, though she could not hear him. “She will kill you, she will kill you! Run, you fool, while she’s still a prisoner! She will kill you if you set her free!” But the unicorn walked on, following the light of her horn, until she stood before Celaeno, the Dark One.
For an instant the icy wings hung silent in the air, like clouds, and the harpy’s old yellow eyes sank into the unicorn’s heart and drew her close. “I will kill you if you set me free,” the eyes said. “Set me free.”
The unicorn lowered her head until her horn touched the lock of the harpy’s cage. The door did not swing open, and the iron bars did not thaw into starlight. But the harpy lifted her wings, and the four sides of the cage fell slowly away and down, like the petals of some great flower waking at night. And out of the wreckage the harpy bloomed, terrible and free, screaming, her hair swinging like a sword. The moon withered and fled.
The unicorn heard herself cry out, not in terror but in wonder, “Oh, you are like me!” She reared joyously to meet the harpy’s stoop, and her horn leaped up into the wicked wind. The harpy struck once, missed, and swung away, her wings clanging and her breath warm and stinking. She burned overhead, and the unicorn saw herself reflected on the harpy’s bronze breast and felt the monster shining from her own body. So they circled one another like a double star, and under the shrunken sky there was nothing real but the two of them. The harpy laughed with delight, and her eyes turned the color of honey. The unicorn knew that she was going to strike again.
Clanging metal, smouldering hatred, and terror: vetiver, myrrh, patchouli, tolu balsam, black clove, bergamot, orange flower, and horseradish.
She herself had short red hair and a face which was not so much freckled as one big freckle with occasional areas of skin.
Pepper’s given first names were Pippin Galadriel Moonchild. She had been given them in a naming ceremony in a muddy valley field that contained three sick sheep and a number of leaky polythene teepees. Her mother had chosen the Welsh valley of Pant y Gyrdl as the ideal site to Return to Nature. (Six months later, sick of the rain, the mosquitoes, the men, the tent trampling sheep who ate first the whole commune’s marijuana crop and then its antique minibus, and by now beginning to glimpse why almost the entire drive of human history has been an attempt to get as far away from Nature as possible, Pepper’s mother returned to Pepper’s surprised grandparents in Tadfield, bought a bra, and enrolled in a sociology course with a deep sigh of relief.)
There are only two ways a child can go with a name like Pippin Galadriel Moonchild, and Pepper had chosen the other one: the three male Them had learned this on their first day of school, in the playground, at the age of four.
They had asked her her name, and, all innocent, she had told them.
Subsequently a bucket of water had been needed to separate Pippin Galadriel Moonchild’s teeth from Adam’s shoe. Wensleydale’s first pair of spectacles had been broken, and Brian’s sweater needed five stitches.
The Them were together from then on, and Pepper was Pepper forever, except to her mother, and (when they were feeling especially courageous, and the Them were almost out of earshot) Greasy Johnson and the Johnsonites, the village’s only other gang.
Wild English roses, French gardenia, vanilla, honey, golden ginger, blood orange, pine resin, pink pepper, crushed berries, tuberose, bergamot, and geranium.
And then they turned a corner, and saw the bridge. It could have been one of the bridges over the Thames, five hundred years ago, thought Richard; a huge stone bridge spanning out over a vast black chasm, into the night. But there was no sky above it, no water below. It rose into darkness.
Stone and darkness.
Strong as death, and cruel as the grave,
Clothed with cloud and tempest’s blackening breath,
Known of death’s dread self, whom none outbrave,
Strong as death,
Love, brow-bound with anguish for a wreath,
Fierce with pain, a tyrant-hearted slave,
Burns above a world that groans beneath.
Hath not pity power on thee to save,
Love? hath power no pity? Nought he saith,
Answering: blind he walks as wind or wave,
Strong as death.
Unloving love: benzoin, Indian musk, massoia bark, myrrh, ambrette seed, galbanum, bergamot, and fir.
cobrien.extraordinaire –
Like a freshly-showered hippie in a brisk mountain breeze.
Gloame –
The mint and green tea are the clear standouts on my skin. I like the smell of snake oil, but I find it a little too much for everyday wear, so I was really hoping one of these Snake Pit blends would tone it down enough for me to get that vibe without overwhelming the people in my office. I think this smells really fresh and zingy. I think I like it, but I don’t know that I LOVE it. I’ll probably try it a few more times and see how I feel in it all day.
Where I’d wear it: A sunny, outdoor summer festival
Anna –
The mint in this blend is bright and fresh smelling – like freshly picked mint leaves. The minty notes along with bergamot and a touch of green tea blend perfectly with sultry, magnetic Snake Oil. I find it helps me suppress appetite whereas some other blends make me hungry and yet it’s a wonderful smelling fragrance. Fresh and adventurous with an underlying sensuality. I’d classify this unique blend as unisex.