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  Harlequin Perfume Oil

  Inspired by the character EPPY THATCHER.
  A futuristic, gothic harlequin, addicted to a heinous hallucinogen with the street name “Grendel”, who leads chaotic attacks against the corrupt Catholic Church.

  Psychotomimetic: pink grapefruit, white honey, orange blossom, saffron, champagne grape, elemi, guaiac, blonde tobacco, and olibanum.

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  Matthew 25:34-36 Perfume Oil

  Then the King will say to those on his right, ‘Enter, you who are blessed by my Father! Take what’s coming to you in this kingdom. It’s been ready for you since the world’s foundation. And here’s why:

  I was hungry and you fed me,
  I was thirsty and you gave me a drink,
  I was homeless and you gave me a room,
  I was shivering and you gave me clothes,
  I was sick and you stopped to visit,
  I was in prison and you came to me.’

  Olibanum, labdanum, spikenard, cade, cardamom pod, and olive blossom.

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  Doc Constantine Perfume Oil

  As you pass the tiny stage, you come across a large canvas tent, illuminated within, the exterior dotted with odd splatters. In front of the tent stands a scorched wooden cart covered in a jumble of bottles, jars, vials and twisted steel implements, and an elaborate, gold-gilded sign reads:

  “Doc Constantine Cures What Ails Ye!
  Liniments, salves, potions and elixirs for every malady of the body and spirit!”

  A scream splits the air, jarring you. You see shadows move jaggedly within the tent, there is another scream, and all is suddenly still and silent. After a long heartbeat, the door flap opens. A man steps out wearing a crystal-eyed schnabel mask in the style of medieval plague doctors, carmine streaking his sleeves, vest, and the blonde hair that crowns him. He pulls off the mask, and you see a handsome figure, almost beatific. He rolls a cigarette, lights it, takes a deep pull, and winks at you slyly as he gestures at the multitude of concoctions he has for sale. A bent crone, her body as bowed and knotty as an ancient oak, shuffles up to the wagon with rosy-cheeked, tow-headed maiden following her at a small distance. As she approaches the doctor, the crone gestures at herself, running a gnarled hand down her body in a sweeping movement, and casting a sideways glance at her grandchild. Smiling an angel’s smile, Doc Constantine hands the old woman a potion the color of cold, congealed blood. She drinks it quickly, gasping. Before your eyes her body shimmers and blurs, and a shower of dark sparks seems to engulf her. Where the crone stood, there is now a voluptuous, raven-haired vixen, vibrant, sensual, at the prime of her life and sexual vitality. Her shriek of joy is interrupted by another’s scream of shock: the rigors of age have not vanished; they have moved aside, and the young woman has aged horribly, taking on the crone’s burden.

  Sheer musk, cedar smoke, fir needle, chaparral, black amber and leather.

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  Meskhenet, The Vulture Maiden Perfume Oil

  The ringing of a gong seizes your attention, and you follow the sound to the next stage. It is empty, devoid of any backdrop, and the platform is dark. A haze blankets your vision, like heat radiating off of the desert floor. You hear the sound of hands clapping a steady rhythm, and within moments, the haze begins to coalesce into the forms of a troupe of ghostly women, clad in linen shifts. Their wraithlike hands pluck at the strings of translucent zithers and harps, shake spectral sistrums, and their pallid lips blow upon ethereal flutes. The music that they play is discordant, otherworldly, and seems to be at once a funeral dirge and a paean to life: a triumphant lamentation. As the sound swells, you hear the beating of wings in the distance, and a keen, a siren’s ululation, joins the haunting melody. As the song reaches its eerie crescendo, a beautiful winged woman alights on the stage, summoned by the phantom song. Her skin is dusky brown, and the vigor of her youthful body seems in conflict with the depth of grief reflected in her eyes. Her wings spread out behind her in morbid majesty, and she takes flight. Her dance is, itself, a visible act of mourning, and is almost sensual in its sorrow.

  Frankincense, hyssop, hibiscus, river reeds, orris root, palm frond, and olibanum.

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