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  Villain

  A classic Victorian men’s cologne: a lavender fougere, with hints of lilac, lime, and citrus musk.

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  Vicomte de Valmont Perfume Oil

   I promised her my eternal love, and I actually thought that for a couple of hours. 

  Rake, scoundrel, demon in a frock coat. Devilishly seductive, ultimately tragic; a villain undone and redeemed by love. Based on an 18th century gentlemen’s cologne: ambergris, white musk, white sandalwood, Spanish Moss, orange blossom, three mints, jasmine, rose geranium and a spike of rosemary.

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• 

  Wilde Perfume Oil

  To stab my youth with desperate knives, to wear
  This paltry age’s gaudy livery,
  To let each base hand filch my treasury,
  To mesh my soul within a woman’s hair,
  And be mere Fortune’s lackeyed groom, — I swear
  I love it not! these things are less to me
  Than the thin foam that frets upon the sea,
  Less than the thistle-down of summer air
  Which hath no seed: better to stand aloof
  Far from these slanderous fools who mock my life
  Knowing me not, better the lowliest roof
  Fit for the meanest hind to sojourn in,
  Than to go back to that hoarse cave of strife
  Where my white soul first kissed the mouth of sin.
  
  A sophisticated traditional gentleman’s cologne, with just the slightest taint of patchouli’s passion, tonka bean’s decadence, the philanthropy of bergamot, moss’ cynicism, the sharp wit of lavender, and the hopeless romantic longing of jasmine and thyme.

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• 

  Isaac, The Living Skeleton Perfume Oil

  To your side, you hear a man’s deep whisper, “Slowly I turned… inch by inch… step by step….” A scream interrupts him, and a roar of laughter pulses through the shadowed hall. Following the commotion, you move to the next stage. A bone-thin man moves across the stage, and sits upon an overstuffed, threadbare armchair. A battered violin is propped against the chair’s side. The audience starts to dissipate, and you realize that you must have just missed his performance. Relaxing, he reclines lazily, and as the light falls on his face, you come to realize that he is truly skeletal: a thin membrane of skin covers most of his body, but in many places, bone is completely exposed. He winks at you, and chuckles at your obvious discomfiture. The sweet smoke from his cigar touches your senses, and you hear the soft clink of the ice as he swirls the bourbon in his tumbler.

  “Late for the show, are ya, friend? I’ll tell you a quick one, and then you’d best skedaddle. I have better things to do than sit here and be gawked at all night.” He takes a swig from his tumbler.

  “A man goes to a psychiatrist. The psychiatrist says, ‘I think you’re crazy.’ The man says, ‘I want a second opinion.’ The psychiatrist shrugs and says, ‘Alright, you’re ugly, too.’”

  His attention is diverted by a scantily clad woman in the audience beside you, and he leers at her. “Hello, nurse!” he growls, and leans towards her lecherously. “How’s about you come back to my dressing room, and I show you my stamp collection?”

  Bourbon, black tobacco tar, dry bone, bay rum aftershave, and sleazy cologne.

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