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  The Black Tower Perfume Oil

  Say that the men of the old black tower,
  Though they but feed as the goatherd feeds,
  Their money spent, their wine gone sour,
  Lack nothing that a soldier needs,
  That all are oath-bound men:
  Those banners come not in.

  There in the tomb stand the dead upright,
  But winds come up from the shore:
  They shake when the winds roar,
  Old bones upon the mountain shake.

  Those banners come to bribe or threaten,
  Or whisper that a man’s a fool
  Who, when his own right king’s forgotten,
  Cares what king sets up his rule.
  If he died long ago
  Why do you dread us so?

  There in the tomb drops the faint moonlight,
  But wind comes up from the shore:
  They shake when the winds roar,
  Old bones upon the mountain shake.

  The tower’s old cook that must climb and clamber
  Catching small birds in the dew of the morn
  When we hale men lie stretched in slumber
  Swears that he hears the king’s great horn.
  But he’s a lying hound:
  Stand we on guard oath-bound!

  There in the tomb the dark grows blacker,
  But wind comes up from the shore:
  They shake when the winds roar,
  Old bones upon the mountain shake.

  A sepulchral, desolate scent. Long-dead soldiers, oath-bound; the perfume of their armor, the chill wind that surges through their tower, white bone and blackened steel: white sandalwood, ambergris, wet ozone, galbanum and leather with ebony, teak, burnt grasses, English ivy and a hint of red wine.

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  Mommy Fortuna Perfume Oil

  When the first wagon drew even with the place where the unicorn lay asleep, the old woman suddenly pulled her black horse to a stop. All the other wagons stopped too and waited silently as the old woman swung herself to the ground with an ugly grace. Gliding close to the unicorn, she peered down at her for a long time, and then said, “Well. Well, bless my old husk of a heart. And here I thought I’d seen the last of them.” Her voice left a flavor of honey and gunpowder on the air. “If he knew,” she said and she showed pebbly teeth as she smiled. “But I don’t think I’ll tell him.”

  Honey, gunpowder, dried herbs and pleonectic, twopenny magics.

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• 

  Wanda Perfume Oil

  “And yet a restless, always unsatisfied craving for the nudity of paganism,” she interrupted, “but that love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you children of reflection. It works only evil in you. As soon as you wish to be natural, you become common. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only exorcise and curse me, or slay yourselves in bacchantic madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in penitential robes and expects flowers to grow from his withered staff, while under my feet roses, violets, and myrtles spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not disinter us. Pompeii was not built for you, nor our villas, our baths, our temples. You do not require gods. We are chilled in your world.”

  Along with Loviatar, she has become something of a Patron Goddess of all Dominatrixes, Wanda is the breathtakingly beautiful sable-wrapped marble queen of Sacher-Masoch’s fantasies. Her scent is a deep red merlot with a faint hint of leather, sexual musk and body heat over crushed roses, violets and myrtle.

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  Whip Perfume Oil

  Agony and ecstasy: black leather and damp red rose.

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