Carrying bouquet, and handkerchief, and gloves,
Proud of her height as when she lived, she moves
With all the careless and high-stepping grace,
And the extravagant courtesan’s thin face.
Was slimmer waist e’er in a ball-room wooed?
Her floating robe, in royal amplitude,
Falls in deep folds around a dry foot, shod
With a bright flower-like shoe that gems the sod.
The swarms that hum about her collar-bones
As the lascivious streams caress the stones,
Conceal from every scornful jest that flies,
Her gloomy beauty; and her fathomless eyes
Are made of shade and void; with flowery sprays
Her skull is wreathed artistically, and sways,
Feeble and weak, on her frail vertebrae.
O charm of nothing decked in folly! they
Who laugh and name you a Caricature,
They see not, they whom flesh and blood allure,
The nameless grace of every bleached, bare bone,
That is most dear to me, tall skeleton!
Come you to trouble with your potent sneer
The feast of Life! or are you driven here,
To Pleasure’s Sabbath, by dead lusts that stir
And goad your moving corpse on with a spur?
Or do you hope, when sing the violins,
And the pale candle-flame lights up our sins,
To drive some mocking nightmare far apart,
And cool the flame hell lighted in your heart?
Fathomless well of fault and foolishness!
Eternal alembic of antique distress!
Still o’er the curved, white trellis of your sides
The sateless, wandering serpent curls and glides.
And truth to tell, I fear lest you should find,
Among us here, no lover to your mind;
Which of these hearts beat for the smile you gave?
The charms of horror please none but the brave.
Your eyes’ black gulf, where awful broodings stir,
Brings giddiness; the prudent reveller
Sees, while a horror grips him from beneath,
The eternal smile of thirty-two white teeth.
For he who has not folded in his arms
A skeleton, nor fed on graveyard charms,
Recks not of furbelow, or paint, or scent,
When Horror comes the way that Beauty went.
O irresistible, with fleshless face,
Say to these dancers in their dazzled race:
“Proud lovers with the paint above your bones,
Ye shall taste death, musk scented skeletons!
Withered Antinoüs, dandies with plump faces,
Ye varnished cadavers, and grey Lovelaces,
Ye go to lands unknown and void of breath,
Drawn by the rumour of the Dance of Death.
From Seine’s cold quays to Ganges’ burning stream,
The mortal troupes dance onward in a dream;
They do not see, within the opened sky,
The Angel’s sinister trumpet raised on high.
In every clime and under every sun,
Death laughs at ye, mad mortals, as ye run;
And oft perfumes herself with myrrh, like ye
And mingles with your madness, irony!
A gloriously elegant representation of Lady Death. Dry, bone-white orris, black musk, serpentine patchouli and our murkiest myrrh.
tkopetski –
Love this one. I wear it with Funeral Parlor from Vampfangs, they mix beautifully. I like heavy, dark scents, and have bought many dirt/grave themed perfumes, (which this smells like to me) this one is my absolute favourite. This is my first BPAL perfume.
In the bottle it is deep, dark, a little hint of spice and just a tinge of floral. Makes me think of being in an old cemetery at night after it’s rained
Wet on my skin, a little powdery, floral, but still very dark. A bit of spice.
As it dries it becomes more floral, sharp. One sniff is very feminine, and the next is a heavy incense.
After about 20-30 mins it takes on a weird smell, I think it may just be my skin though. A little sour, very earthy.
Dry: wet earth, reminds me of holiday mass incense.
I always put this on at least 40 mins before I leave. It’s a very dominant scent, a little goes a long way, and it can last even after showering.
Raven –
I got this scent for my boyfriend some time ago as he is a fan of the darker, heavier scents. At first it comes off very strong, but it wasn’t a bad scent on him. As it dried down it just got better. It has a sort of femininity, but I love the way it smells on a man.
hotaru1301 –
previously owned bottle: age unknown
in the bottle: It is a very mellow scent. I recognize the opium from various Opium scented incenses I’ve sampled. The myrrh gives a deep scent that seems to expand in my senses as I inhale. This reminds me of some of the incenses I would burn for rituals and meditation.
wet on skin: Opium and myrrh are in the fore front. This is a calm, mature and heavy scent. It brings to mind the type of attitude that is comfortable and calm in the deep dark. This evokes thoughts of dark rooms; closed and airless. A very deep and meditative scent. Reminds me of a lonely, empty church sanctuary at night.
dry on skin 30+ mins: Oh wow! Where did that floral come from!? The narcissus has a very lily like quality. This floral adds a very open and airy tease to the scent. I’m starting to get that “smokers” shop/indie record shop atmosphere. It’s just like the closed off back room of these shops where the walls are covered in psychedelic posters, the shelves covered in pipes and hookahs and lit with a black light.
worn 3+ hours: the floral narcissus and opium have faded into the background. The myrrh has mellowed out. The elements of the scent still linger in the skin. This might be a scent that needs to be reapplied during the day. While this scent doesn’t actually make me feel gloomy, I can imagine this scent as a “graveyard” scent. I can imagine the entrance to an old forgotten mausoleum. This would be the scent that crawls around you as the door the mausoleum closes behind you.
I have about half of an imp. I will be getting more when I run out. This one for my collection.
Denise –
Absolutely stunning! My fave opium scent! Opium works well on me. Dark, mysterious, and womanly. This isn’t for the gals that like fruity bubble gum, child like scents. It’s alluring. Upon application the deep opium fills your senses, then upon Dry down, the floral peeks through, adding to the feminity of this scent.
Ginny –
In the bottle, a kind of dark and sexy smell, but on my skin it just turned powdery and old lady-like.
Rachel –
For some reason, all the opium-based scents smell really, really good on me. This is my signature scent, and I love it so much. It’s got a nice mysterious angle that I really like. This and Debauchery, I wear whenever it’s time to dab a little bit on.
luxdancer –
Wet: Floral, pine, fresh. A little Irish Spring, imo. After application, there’s a spicy note, still strongly floral though. I smell nothing dark about this scent.
Dry: Much later, the florals have mellowed out somewhat and a muskiness comes out, but it’s still not what I would call dark. Cool, spicy florals with a smooth musk in the background.
carlos –
I love this fragrance! There are many layers to it. What first hits you is the jarring bolt of Black Narcissus, which melts into the intoxicating allure of darkest Opium. The Myrrh is there to throw you off. You almost want to say this is a scent made up of resins used in churches back in the Middle Ages, but the mysteries of the Silk Road kidnap your soul. This is the scent of a fallen nun who has invaded Rapaccini’s garden and has lifted up her habit to seduce you, and poison you.
Sara –
smells like candle smoke. dark and sexy. The myrrh and opium go together so well. powdery and feminine.