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  Eau de Ghoul Perfume Oil

  They all started telling stories, then, of how fine and wonderful a thing it was to be a ghoul, of all the things they had crunched up and swallowed down with their powerful teeth. Impervious they were to disease or illness, said one of them. Why, it didn’t matter what their dinner had died of, they could just chomp it down. They told of the places they had been, which mostly seemed to be catacombs and plague-pits (“Plague Pits is good eatin’,” said the Emperor of China, and everyone agreed.) They told Bod how they had got their names and how he, in his turn, once he had become a nameless ghoul, would be named, as they had been.

  “But I don’t want to become one of you,” said Bod.

  “One way or another,” said the Bishop of Bath and Wells, cheerily, “you’ll become one of us. The other way is messier, involves being digested, and you’re not really around very long to enjoy it.”

  “But that’s not a good thing to talk about,” said the Emperor of China.”Best to be a Ghoul. We’re afraid of nuffink!”

  And all the ghouls around the coffin-wood fire howled at this statement, and growled and sang and exclaimed at how wise they were, and how mighty, and how fine it was to be scared of nothing.

  Dessicated skin coated in blackened ginger, cinnamon, and mold-flecked dirt, with cumin, bitter clove, leather, and dried blood.

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  Mithras Perfume Oil

  “…You run into Mithras yet? Red cap. Nice kid.”

  “No, I don’t think so.”

  “Well . . . I’ve never seen Mithras around here. He was an army brat. Maybe he’s back in the Middle East, taking it easy, but I expect he’s probably gone by now. It happens. One day every soldier in the empire has to shower in the blood of your sacrificial bull. The next they don’t even remember your birthday.”

  Oblations of milk, oil, honey, and blood.

  Out of Stock
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  The Blood Garden Perfume Oil

  Vast open tents have been erected further down the lane. Ornately carved wooden poles support swaths of drooping black lace and blood-crusted burgundy velvet. Grapevines and ivy creep over the beams in the tent and curl like cocoons around bodies that hang upside-down in the caliginous gloom of the tents. Within the shadows, pale figures recline on divans covered in moldering, frayed fabric. As you pass, a feral, white-haired man hoists a tall-stemmed crystal glass of deep red liquid in a toast to you.

  Blood accord, bitter clove, English ivy, Tempranillo grape, red currant, oak, leather, blackberry leaf, and ginger lily.

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  The Chapel Perfume Oil

  You come to a building that seems to have been hastily erected from splintered wood, stone, and plaster. Flickering light from within sparkles out through blood-tinged chunks of glass that have been wedged into the arch entrance. You push open the thick velvet curtain that covers the mouth of the building and look inside. The chapel is small and cramped, and the air is thick with heavy incense, bitter wine, sulphur, and the coppery scent of blood. A massive stained glass window is set against the back wall, glowing brightly.

  In the center of the room, a groveling figure is crouched before a woman draped in purple-black clerical robes. The woman’s eyes are filled with righteous hellfire, and she extends a hand in benediction to the man who has fallen prostrate at her feet. He murmurs, “Libera Te Ex Caelum”, and she gestures for him to rise. As he gets to his knees he winces in pain and moans in a strange expression of ecstasy, and you see small horns growing from his skull.

  Black incense, bitter wine, brimstone, bile, and blood.

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