Blood

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    A Deadly Terror That Had Seized Upon All Perfume Oil

    It was then, however, that the Prince Prospero, maddening with rage and the shame of his own momentary cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had seized upon all.

    He bore aloft a drawn dagger, and had approached, in rapid impetuosity, to within three or four feet of the retreating figure, when the latter, having attained the extremity of the velvet apartment, turned suddenly and confronted his pursuer. There was a sharp cry –and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterwards, fell prostrate in death the Prince Prospero. Then, summoning the wild courage of despair, a throng of the revellers at once threw themselves into the black apartment, and, seizing the mummer, whose tall figure stood erect and motionless within the shadow of the ebony clock, gasped in unutterable horror at finding the grave-cerements and corpse-like mask which they handled with so violent a rudeness, untenanted by any tangible form.

    The wild courage of despair: a screech of blood orange and a splash of blood entangled in a corpse-mask of tattered white sandalwood stained with balsam and a grime-crusted winding sheet.

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    Berzerker Perfume Oil

    Thick furs, strips of leather, and a blood-stained axe with crushed poplar bud and juniper.

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    Blood Amber Perfume Oil

    Slivers of warm, pulsating blood forever crystallized in golden amber resin.

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    Blood Popsicle Perfume Oil

    The scent of frozen Type O negative.

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  • CARVED WOODEN ABATTOIR
  • Centzon Totochtin Perfume Oil

    The Four Hundred divine rabbits of the Aztec pantheon that preside over parties and drunkenness.

    Bittersweet Mexican cocoa with rum, red wine, and a scent redolent of sacrificial blood.

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  • Creaking Floorboards Perfume Oil

    Ancient timbers settling–or faint, uneven footsteps, drawing ever nearer?

    Darkwood Victorian parquet floorboards faded with age, cracked and splintered, stained with the memory of spilled black tea, a cigarette burn, and blood.

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    Dead for Filth Perfume Oil

    From the ooky spooky mind of horror personality and screenwriter, Michael Varrati, comes the REVRY Original Podcast DEAD FOR FILTH, for all things queer horror and beyond. Dead For Filth brings you the best queer & horror icons out of the closet and into the night to talk about the genre they love.

    Listen to DEAD FOR FILTH on REVRY, iTunes or SoundCloud.

    Raw Patchouli, opoponax, and a coppery dry blood exhale.

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    Eau de Ghoul Perfume Oil

    They all started telling stories, then, of how fine and wonderful a thing it was to be a ghoul, of all the things they had crunched up and swallowed down with their powerful teeth. Impervious they were to disease or illness, said one of them. Why, it didn’t matter what their dinner had died of, they could just chomp it down. They told of the places they had been, which mostly seemed to be catacombs and plague-pits (“Plague Pits is good eatin’,” said the Emperor of China, and everyone agreed.) They told Bod how they had got their names and how he, in his turn, once he had become a nameless ghoul, would be named, as they had been.

    “But I don’t want to become one of you,” said Bod.

    “One way or another,” said the Bishop of Bath and Wells, cheerily, “you’ll become one of us. The other way is messier, involves being digested, and you’re not really around very long to enjoy it.”

    “But that’s not a good thing to talk about,” said the Emperor of China.”Best to be a Ghoul. We’re afraid of nuffink!”

    And all the ghouls around the coffin-wood fire howled at this statement, and growled and sang and exclaimed at how wise they were, and how mighty, and how fine it was to be scared of nothing.

    Dessicated skin coated in blackened ginger, cinnamon, and mold-flecked dirt, with cumin, bitter clove, leather, and dried blood.

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  • Fighter Perfume Oil

    Leather, musk, blood, and steel.

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  • Frostbite with Polar Bear Attack Perfume Oil

    There wasn’t a breath in that land of death,
    and I hurried, horror-driven
    With a corpse half hid that I couldn’t get rid,
    because of a promise given…

    Slashes of sleet punctured by a coppery gout of blood.

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    God’s Own Country Perfume Oil

    “Yes, it’s still God’s Own Country,” said the announcer, a news reporter pronouncing the final tag line. “The only question is, which gods?”

    Circuit boards, cathode rays, and exhaust ramming against frankincense, myrrh, soil, and blood.

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  • Heart and Mind Perfume Oil

    Said the Lion to the Lioness ― ‘When you are amber dust, ―

    No more a raging fire like the heat of the Sun

    (No liking but all lust) ―

    Remember still the flowering of the amber blood and bone,

    The rippling of bright muscles like a sea,

    Remember the rose-prickles of bright paws

    Though the fire of that sun the heart and the moon-cold bone are one.’

     

    Said the Skeleton lying upon the sands of Time ― 

    ‘The great gold planet that is the mourning heat of the Sun

    Is greater than all gold, more powerful

    Than the tawny body of a Lion that fire consumes

    Like all that grows or leaps… so is the heart

     

    More powerful than all dust. Once I was Hercules

    Or Samson, strong as the pillars of the seas:

    But the flames of the heart consumed me, and the mind

    Is but a foolish wind.’

     

    Said the Sun to the Moon ― ‘When you are but a lonely white crone,

    And I, a dead King in my golden armour somewhere in a dark wood,

    Remember only this of our hopeless love

    That never till Time is done

    Will the fire of the heart and the fire of the mind be one.’ 

    – Edith Sitwell

    The flowering of amber blood and bone blooming into the Moon’s shimmering mugwort, creaking oaken boughs streaked with frankincense tar, and a trickle of benzoin to echo the cold silence before the end of time.

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    Hinzelmann Perfume Oil

    Where Hinzelmann had been standing stood a male child, no more than five years old. His hair was dark brown, and long. He was perfectly naked, save for a worn leather band around his neck. He was pierced with two swords, one of them going through his chest, the other entering at his shoulder, with the point coming out beneath the rib-cage. Blood flowed through the wounds without stopping and ran down the child’s body to pool and puddle on the floor. The swords looked unimaginably old.

    The little boy stared up at Shadow with eyes that held only pain.

    And Shadow thought to himself, of course. That’s as good a way as any other of making a tribal god. He did not have to be told. He knew.

    You take a baby and you bring it up in the darkness, letting it see no one, touch no one, and you feed it well as the years pass, feed it better than any of the village’s other children, and then, five winters on, when the night is at its longest, you drag the terrified child out of its hut and into the circle of bonfires, and you pierce it with blades of iron and of bronze. Then you smoke the small body over charcoal fires until it is properly dried, and you wrap it in furs and carry it with you from encampment to encampment, deep in the Black Forest, sacrificing animals and children to it, making it the luck of the tribe. When, eventually, the thing falls apart from age, you place its fragile bones in a box, and you worship the box; until one day the bones are scattered and forgotten, and the tribes who worshipped the child-god of the box are long gone; and the child-god, the luck of the village, will be barely remembered, save as a ghost or a brownie: a kobold.

    Shadow wondered which of the people who had come to northern Wisconsin 150 years ago, a woodcutter, perhaps, or a mapmaker, had crossed the Atlantic with Hinzelmann living in his head.

    And then the bloody child was gone, and the blood, and there was only an old man with a fluff of white hair and a goblin smile, his sweater-sleeves still soaked from putting Shadow into the bath that had saved his life.

    The luck of the tribe: black pine pitch and gouts of blood, darkness and bonfires that cast long shadows.

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    Lakeside Home & Linen Spray

    “There was a reason he hid me in Lakeside, wasn’t there? There was a reason nobody should have been able to find me here.”

    Hinzelmann said nothing. He unhooked a heavy black poker from its place on the wall, and he prodded at the fire with it, sending up a cloud of orange sparks and smoke. “This is my home,” he said, petulantly. “It’s a good town.”

    Perfect wholesomeness: green grass, summer daisies, spring daffodils, and bake sale cookies bought with blood and terror, all frozen beneath a sheet of thick black ice.

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  • Mage Perfume Oil

    All mystique and thrumming power: gurjum balsam, Sumatran dragon’s blood resin, olibanum, galangal, oleo gum resin, and frankincense.

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    Marian Perfume Oil

    I don’t belong here.

    A respectable, virtuous vintage musk smeared with blood and spiked with the coppery scent of fear.

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    Mischief Hair Gloss

    Blood-spattered cotton candy.

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    Mithras Perfume Oil

    “…You run into Mithras yet? Red cap. Nice kid.”

    “No, I don’t think so.”

    “Well . . . I’ve never seen Mithras around here. He was an army brat. Maybe he’s back in the Middle East, taking it easy, but I expect he’s probably gone by now. It happens. One day every soldier in the empire has to shower in the blood of your sacrificial bull. The next they don’t even remember your birthday.”

    Oblations of milk, oil, honey, and blood.

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    Moons of Saturn: Hati Perfume Oil

    East sat the crone,

    in Iárnvidir,

    Fenrir’s progeny:

    of all shall be

    one especially

    the moon’s devourer,

    in a troll’s semblance.

    Hati Hróðvitnisson, He Who Hates, the Enemy, He Who Swallows the Moon. The son of Fenris, he feasts on the flesh of the dead and on the final day, he will devour the moon and spatter the skies with blood.

    He is sated with the last breath

    of dying men;

    the gods’ seat he

    with red gore defiles:

    swart is the sunshine

    then for summers after;

    all weather turns to storm.

    Frost-limned fur, hackles hunched with insatiable, implacable rage, and death-white fangs crusted with clove-tinted blood.

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    Non-Compliant Perfume Oil

    Too butch, too femme, too sexy, not sexy enough, too smart, too big, too loud, too angry.

    Sugar and bile, leather and blood, honey and rum, shredded patchouli and vetiver, tobacco and lime.

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  • Oil and Blood Perfume Oil

    In tombs of gold and lapis lazuli

    Bodies of holy men and women exude

    Miraculous oil, odour of violet.

    But under heavy loads of trampled clay

    Lie bodies of the vampires full of blood;

    Their shrouds are bloody and their lips are wet.

    – WB Yeats

     

    There are no saints here: thick blackened rivulets of blood soak through linen winding sheets and cold clay.

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    Plutonian Perfume Oil

    Once the world’s greatest, most beloved superhero, he has now become its greatest villain — a capricious and vengeful god who haunts the skies and toys daily with six billion lives.

    Soapy cleanliness sullied by blood and ashes.

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    Quintessence of Dust Perfume Oil

    “What a piece of work is a man!”
    “What is this quintessence of dust?”

    The passing: beeswax and smoke, yellowed paper and well-worn leather books, droplets of spilled ink, faded incense, blood-tinged salty tears, and the metal of the knife that skewers that illiterate zombie philistine’s portrait.

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    Red Incense Hair Gloss

    Red sandalwood, myrrh, cinnamon husk, and copal bound with blood, currants, and red wine.

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  • Sentence First, Verdict Afterwards Perfume Oil

    “Hold your tongue!” said the Queen, turning purple.

    “I won’t!” said Alice.

    “Off with her head!” the Queen shouted at the top of her voice. Nobody moved.

    “Who cares for you?” said Alice, (she had grown to her full size by this time.) “You’re nothing but a pack of cards!”

    At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face.

    Off with her head: white roses, tea roses, climbing roses, blood red roses, and a cluster of thorns, blood-spattered and sword-sharp, with clove bud and tobacco flower.

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  • Sinister Groundskeeper Perfume Oil

    A menacing figure in grassy overalls and mud-flecked boots, with a wheelbarrow full of sharp yet rust-stained implements. At least, it looks like rust…

    Clods of moist soil, crushed dandelions, and the coppery clove-tang of dried blood.

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    The Blood Garden Perfume Oil

    Vast open tents have been erected further down the lane. Ornately carved wooden poles support swaths of drooping black lace and blood-crusted burgundy velvet. Grapevines and ivy creep over the beams in the tent and curl like cocoons around bodies that hang upside-down in the caliginous gloom of the tents. Within the shadows, pale figures recline on divans covered in moldering, frayed fabric. As you pass, a feral, white-haired man hoists a tall-stemmed crystal glass of deep red liquid in a toast to you.

    Blood accord, bitter clove, English ivy, Tempranillo grape, red currant, oak, leather, blackberry leaf, and ginger lily.

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    The Carousel Perfume Oil

    Calliope music played: a Strauss waltz, stirring and occasionally discordant. The wall as they entered was hung with antique carousel horses, hundreds of them, some in need of a lick of paint, others in need of a good dusting; above them hung dozens of winged angels constructed rather obviously from female store-window mannequins; some of them bared their sexless breasts; some had lost their wigs and stared baldly and blindly down from the darkness.

    And then there was the carousel.

    A sign proclaimed it was the largest in the world, said how much it weighed, how many thousand lightbulbs were to be found in the chandeliers that hung from it in Gothic profusion, and forbade anyone from climbing on it or from riding on the animals.

    And such animals! Shadow stared, impressed in spite of himself, at the hundreds of full-sized creatures who circled on the platform of the carousel. Real creatures, imaginary creatures, and transformations of the two: each creature was different. He saw mermaid and merman, centaur and unicorn, elephants (one huge, one tiny), bulldog, frog and phoenix, zebra, tiger, manticore and basilisk, swans pulling a carriage, a white ox, a fox, twin walruses, even a sea serpent, all of them brightly colored and more than real: each rode the platform as the waltz came to an end and a new waltz began. The carousel did not even slow down.

    “What’s it for?” asked Shadow. “I mean, okay, world’s biggest, hundreds of animals, thousands of lightbulbs, and it goes around all the time, and no one ever rides it.”

    “It’s not there to be ridden, not by people,” said Wednesday. “It’s there to be admired. It’s there to be.”

    A place of power and possibility, of gods diabolical and celestial: glowing amber and heady cinnamon, the green of growing things and the white of thunderclaps, sweet myrrh and sacred styrax, forest moss and blood-soaked battlefields, papyrus and clay, rose petals, wildflowers, abbatoirs, and honey.

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    The Chapel Perfume Oil

    You come to a building that seems to have been hastily erected from splintered wood, stone, and plaster. Flickering light from within sparkles out through blood-tinged chunks of glass that have been wedged into the arch entrance. You push open the thick velvet curtain that covers the mouth of the building and look inside. The chapel is small and cramped, and the air is thick with heavy incense, bitter wine, sulphur, and the coppery scent of blood. A massive stained glass window is set against the back wall, glowing brightly.

    In the center of the room, a groveling figure is crouched before a woman draped in purple-black clerical robes. The woman’s eyes are filled with righteous hellfire, and she extends a hand in benediction to the man who has fallen prostrate at her feet. He murmurs, “Libera Te Ex Caelum”, and she gestures for him to rise. As he gets to his knees he winces in pain and moans in a strange expression of ecstasy, and you see small horns growing from his skull.

    Black incense, bitter wine, brimstone, bile, and blood.

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  • The Cracked Bell 2022 Perfume Oil

    How bittersweet it is, on winter’s night,
    To listen, by the sputtering, smoking fire,
    As distant memories, through the fog-dimmed light,
    Rise, to the muffled chime of churchbell choir.

    Lucky the bell — still full and deep of throat,
    Clear-voiced despite its years, strong, eloquent —
    That rings, with faithful tongue, its pious note
    Like an old soldier, wakeful, in his tent!

    My soul lies cracked; and when, in its despair,
    Pealing, it tries to fill the cold night air
    With its lament, it often sounds, instead,

    Like some poor wounded wretch — long left for dead
    Beneath a pile of corpses, lying massed
    By bloody pool — rattling, gasping his last.

    A winter’s horror: smoke and stillness, faded incense and the metallic tang of blood.

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    The Edge of Doom Perfume Oil

    Love alters not with his brief hours and weeks,
    But bears it out even to the edge of doom.
    If this be error and upon me proved,
    I never writ, nor no man ever loved.

    The night flight from Tangier: drops of spilled blood color the antiseptic, bland, plastic paleness of the fuselage, with violet leaf for longing, rosemary for reminiscences, and black opoponax for apprehension.

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    The Sea Foams Blood Perfume Oil

    When you return go alone, just you and the children and when you approach the beach then call for me:

    Zilvine, Zilvineli,
    If alive, may the sea foam milk
    If dead, may the sea foam blood…

    And if you see coming towards you foaming milk then know that I am still alive, but if blood comes then I have reached my end. While you, my children, let not the secret out, do not let anyone know how to call for me.

    Blood rising through an ocean wave.

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  • Tongue Wall Perfume Oil

    Fleshy and fruity: guava musk, slick strawberry lip gloss, and blood-tainted digestive juices.

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    Transeo Perfume Oil

    The Transeo are vampires that have assimilated into human society, often reaching positions of power. Among the Transeo there are many celebrated politicians, scientists, businessmen, philosophers, artists, writers, and musicians, and, surprisingly, a large number of influential clergy and militarists. Not every Transeo is an illustrious public figure; many simply desire the comforts associated with reentering society. In the past, most Transeo posed as humans as best they could, concealing their true natures. In the twenty-first century, more and more Transeo are coming out in the open, and they form the backbone of most vampire-acceptance movements.

    GA cologne that (almost) blends well into human society: benzoin, orange blossom, cumin, King mandarin, gaiac wood, juniper berry, Calabrian bergamot, Ceylon cinnamon, and blood camouflaged by wine.

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    Vasilissa Perfume Oil

    “Take it, then,” the Tsar said, “and bid her do it for me.” The old woman brought the linen home and told Vasilissa the Tsar’s command: “Well I knew that the work would needs be done by my own hands,” said Vasilissa, and, locking herself in her own room, began to make the shirts. So fast and well did she work that soon a dozen were ready. Then the old woman carried them to the Tsar, while Vasilissa washed her face, dressed her hair, put on her best gown and sat down at the window to see what would happen. And presently a servant in the livery of the Palace came to the house and entering, said: “The Tsar, our lord, desires himself to see the clever needlewoman who has made his shirts and to reward her with his own hands.”

    Vasilissa rose and went at once to the Palace, and as soon as the Tsar saw her, he fell in love with her with all his soul. He took her by her white hand and made her sit beside him. “Beautiful maiden,” he said, “never will I part from thee and thou shalt be my wife.”

    So the Tsar and Vasilissa the Beautiful were married, and her father returned from the far-distant Tsardom, and he and the old woman lived always with her in the splendid Palace, in all joy and contentment. And as for the little wooden doll, she carried it about with her in her pocket all her life long.

    She herself had cheeks like blood and milk and grew every day more and more beautiful.

    Creamy skin musk and blushing pink musk with soft sandalwood, white amber, dutiful myrrh, and star jasmine.

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    Worm Moon 2019 Perfume Oil

    Do not smirk as a hearse goes by,

    For you may be the next to die.

    They wrap you up in a big white sheet

    And throw you down six feet deep.

    They put you in a big black box,

    And cover you up with dirt and rocks.

    All goes well for a week or two,

    Then things start changing; all is new.

    The worms crawl in, the worms crawl out,

    The worms play pinochle on your snout.

    A big green worm with rolling eyes,

    Crawls in your stomach and out your eyes.

    Til your blood turns mossy green

    And oozes out like Devonshire cream.

    Worm Moon marks the season of rains, when the worms scuttle forth, aerating the earth with their movements and enriching the soil by digesting waste in organic material, which creates organic fertilizer. Pink and wriggling globs of grapefruit syrup clotted with congealed moss-green blood, rotting coffin wood spattered with soil, rusting coffin nails, a shard of bone, decomposing organic matter, and a gruesome burst of overripe blackberries.



    To purchase a Worm Moon t-shirt, scoot on over here!


    Artwork by Caldecott-winning illustrator and author and all-around amazing human being and bestest of friends, Dan Santat.

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