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  Defututa Perfume Oil

  Good Gods, what a night that was,
  The bed was so soft, and how we clung,
  Burning together, lying this way and that,
  Our uncontrollable passions
  Flowing through our mouths.
  If I could only die that way,
  I’d say goodbye to the business of living.

  Olive blossom, honey, smoky vanilla, cinnamon, jasmine, sandalwood, and champaca flower.

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  Kitsune-Tsuki Perfume Oil

  Kitsune-Tsuki are malevolent Japanese spirits, akin to western werebeasts: women are possessed by the spirits of foxes, who compel them to perform acts of wickedness and mischief. Asian plum, orchid, daffodil, jasmine and white musk.

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  Vespillo Perfume Oil

  The Vespillo are dedicated to assisting newly infected vampires in understanding and accepting their condition and learning to live with the challenges that vampires face. Vespillo, like the Transeo, tend to become members of vampire-acceptance movements, pushing for a wider understanding of vampires among the human population.

  A grounded, earthy scent, evocative of the soul’s finer qualities: patchouli, clove, neroli, night-blooming jasmine, sage, and iris.

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  Eshe, A Vision of Life-In-Death Perfume Oil

  Moving counter-clockwise through the room, you come upon the next stage. The backdrop is shredded, and seems to have been torn in a fury. On the remaining half of the canvas, you can barely make out a faded illustration of the sun setting over a pyramid. On the center of the platform, an elaborate golden sarcophagus has been set upright and propped up towards the edge of the stage. Beside it, upon the ground, sits a hooded lantern. A woman’s image is painted on the front of the sarcophagus, and upon the gold limned body, a tale is being told in hieroglyphics: scenes of murder, carnage, and grotesque, mad passion. Although you do not know the language, the inscription upon the tomb translates within your mind, and the words burn behind your eyes as if they were written in blood and fire: “The Guardian will never part the veil for her soul. Mighty Sutekh, have pity on us all.” A thin, dark-skinned man wearing a linen loincloth climbs onto the stage. His form is frail and withered, he is impossibly old, yet his long, straight hair is as black as the night skies. With solemn, reverential gravity, he slowly moves the casket lid aside. Within the box, you see a skeletal figure wrapped in stained, ragged cloths, draped in a mauve cloth. The dark-skinned man bends low, and lights the lanterna magica. From within the glass, images begin to form, and glowing alchemical symbols cast their eerie light onto the mummy. As the lights touch the creature, the desiccated body swells, and with horrific, agonizing slowness, a woman’s form begins to appear within the wrappings. At her chest, the rotted wrappings burst, exposing sinew and the glinting white bones of her ribs. Her hands reach towards her face, and with a screech of agony and eons-long rage, she tears the gauze from her glittering black eyes.

  The perfume of life-in-death: embalming herbs, black myrrh, white sandalwood, black orchid, paperwhites, olive blossom, tomb dust, and Moroccan jasmine.

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