Magnolia

  • Hell’s Belle

    Sweet, smokey and sensually wicked. A thick, steamy scent, truly sinister in its voluptuous sexuality. The perfume of a demon’s favored consort, or of the devil herself. Oleander with wet, sweet mandarin, lush magnolia, a rush of deep musk and a touch of spice.

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  • Jazz Funeral

    Considered a great honor, this is one of the most distinguished aspects of New Orleans culture. Its roots lie in the customs of the Dahomeans and Yoruba people, and is a celebration of both the person’s life and the beauty and solemnity of their death. The procession is lead by the Grand Marshal, resplendent in his black tuxedo, white gloves and black hat in hand; almost a vision of the great Baron Samedi himself. The music begins with solemn, tolling dirges, moves into hymns of sorrow, loss and redemption. When the burial site is reached, a two-note preparatory riff is sounded, and the drummers start the second-line beat, heralding the switch in music to joyous, upbeat songs, dancing, and the unfurling of richly decorated umbrellas by the ‘second line’ friends, family, loved ones and stray celebrants. Strutting, bouncing, and festive dance accompanies the upbeat ragtime music that sends the departed soul onto its next journey.

    Didn’t he ramble
    … he rambled
    Rambled all around
    … in and out of town
    Didn’t he ramble
    … didn’t he ramble
    He rambled till the butcher cut him down.

    His feet was in the market place
    his head was in the street
    Lady pass him by, said
    look at the market meat
    He grabbed her pocket book
    and said I wish you well
    She pulled out a forty-five
    said I’m head of personnel.

    Didn’t he ramble
    … he rambled
    Rambled all around
    … in and out of town
    Didn’t he ramble
    … didn’t he ramble
    He rambled till the butcher cut him down.

    He slipped into the cat house
    made love to the stable
    Madam caught him cold
    said I’ll pay you when I be able
    Six months had passed
    and she stood all she could stand
    She said buddy when I’m through with you
    Ole groundhog gonna be shakin yo’ hand.

    Didn’t he ramble
    … he rambled
    Rambled all around
    … in and out of town
    Didn’t he ramble
    … didn’t he ramble
    He rambled till the butcher cut him down.

    I said he rambled
    lord
    … ’till the butcher shot him down.

    Bittersweet bay rum, bourbon, and a host of funeral flowers with a touch of graveyard dirt, magnolia and Spanish Moss.

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  • Josie

    The brooding, raucous, and hot-blooded proprietress of the Château Lobrano d’Arlington, the gaudiest bordello in the District. Miss Josie had a true talent for hype, and promoted her ladies in an effusively romanticized, over-the-top fashion. La Belle Stewart, who was in actuality a circus hoochie koochie girl from Chicago, was billed as “a bona-fide baroness, direct from the court of St. Petersburg.”

    Heady magnolia and honeyed peaches.

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  • La Belle au Bois Dormant

    The Sleeping Beauty. A gentle, lovely scent, slightly soporific, but beautiful in its quiet repose. Plumeria and white pear, Damascus rose, tuberose, magnolia and evening dew.

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  • Lily, The Prostitute

    Heady blossoms of jasmine, white gardenia, and magnolia sharpened by neroli, given a voluptuous depth by red patchouli, oakmoss, and cedar.

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  • Misericordia

    The Misericordia, or Tristis, are vampires that are consumed with a longing to regain their lost humanity, some to the point of being driven mad by the desire to be human once more. The shock of their transition into vampirism and the rejection they faced from friends and loved ones was devastating, and it compromises their ability to find solace and comfort. Unlike the Transeo, Misericordia cannot merge into human society, but are relegated by their own grief to the position of outsiders. Their inherent melancholy and morose temperaments make it difficult for them to cultivate relationships with either humans or vampires. Most vampires treat the Misericordia with a fair amount of derision, and they are sometimes hunted by Interfectors who see the perspective of the Misericordia as an affront to their way of thinking.

    Eons of grief and unending hunger: magnolia, black currant, castoreum accord, lavender, labdanum, amber, rose otto, and opoponax.

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  • The Grindhouse

    Throaty laughter captures your attention. Across the lane you see a buxom Venetian woman standing before a huge black and red striped tent. Her head is inclined towards a dapper, leering man, and they appear to be sharing a private joke. He reaches into his waistcoat and produces a gold coin. The woman plucks it from his fingers. He bows, and walks into the tent with a swagger. A sign flashes above the tent flap in letters that seem to be aflame: The Grindhouse, Dead or Live Girls.

    The Madam turns towards you and smiles. As she approaches, someone within the tent strikes a few keys on a tuneless piano, and begins to play Jelly Roll Morton’s ‘the Crave’. The light within the tent illuminates the interior, shining behind the silhouettes of naked women gyrating lewdly upon raised stages, writhing in time with the music.

    In the distance, behind the tent, you hear a whip crack, and a man’s scream. Tittering laughter follows, and the screams continue.

    “Voulez-vous un morceau de la boîte de bonbon?” she asks, gesturing gracefully towards the tent.

    The Madam’s perfume envelops you.

    Florentine iris, red musk, mimosa, magnolia, Damascus rose, clove, and vanilla bean.

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  • The Stream

    The intuitiveness, compassion, sensuality, and creativity that nourishes and sustains Order: lavender buds and gentle bells of Lily of the Valley floating on a calm river of lychee, ylang ylang, and white magnolia.

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