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  Animals at the Bottom of the Sea Perfume Oil

  Odilon Redon

  It sure is weird down in Piscesland. Yellow currant, coconut water, carrot shavings, pineapple pulp, queen mandarin rind, and overripe cranberries all dunked in a bubbling and blooping deep blue musk.

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  Obatala Perfume Oil

  The King of the White Cloth, King of the Orishas, the First Among Equals. He is the King of Power, and his weapon is wisdom. He is the essence of honored maturity, wisdom through age and experience, purity of intention, virtue, humility, tolerance, judicious use of power, the knowledge of what is truly right and wrong, the moral code, and the obligation to do what is right. Obatala is the Creator God, who first fashioned mankind from clay; thus, he is also the first sculptor and potter. The human head itself is Obatala’s creation, and it is through it that he grants us the ability to discern genuine morality as opposed to oppressive, mistaken and arrogant self-righteousness. His is not the falsehood of societal boundaries, His Truth is the understanding of one’s own character and the obligations that we all have to our world, our Gods, and one another. He is the Benevolent Judge, calm and lucid, and he governs rational deliberation. His color is white, as His spirit is free from any soil or stain, and His energy radiates sanctified purity, great wisdom, happiness and internal peace. He is associated with cloth, as that was one of His gifts to mankind. The aspects of Obatala are symbolized by the chameleon, boa constrictor, elephant, gorilla, and snail. Obatala is the Lord of Laughter, for it is through wisdom that one may see the joy in life, and through laughter we are able to see the follies of mankind not with cynicism and derision, but with humor, compassion and understanding. Obatala’s Laughter helps soothe the pain of life’s rigors, and takes the sting out of the harshest of life’s lessons. Obatala’s ofrenda is soft, white and pure: milk, coconut meat, shea butter and cool, refreshing water.

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  Exotic Bazaar Home & Linen Spray

  Nepalese amber, white sandalwood, black peppercorn, ambrette seed, neroli, coconut sugar, cardamom pods, ginger, fennel, bitter almond, liquorice root, henna, copaiba balsam, and spikenard.

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  Dead Blonde Perfume Oil

  “Of course young women enjoy slashers. Adolescent girls have spent their lives absorbing our cultural disgust for womanhood, only to find themselves thrust into the middle of it, suddenly the butt of every joke. Their underlying anxieties are hit with a toxic sludge of predatory attention, sexual objectification, and impossible standards, growing to fifty times their natural size. It is not easy to become a monster. It is not fun to slip – suddenly and for the rest of your life – out of humanity and into womanhood. Girls are left reckoning with the fact that their social status, their human value, even their basic survival, are all suddenly contingent on men. Thus, at the exact moment they’re beginning to have sex and enter romantic relationships, girls watch stories in which a moment’s lapse in judgment, or a single instance of giving in to temptation, results and agony and annihilation – not because that’s what they want, but because it’s already happening, and they have precious few other ways to process it.”

  A wilting corsage of tea roses and white roses, bearing forensic traces of honeyed lip gloss and coconut oil suntan lotion.

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