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  Eat Me Hair Gloss

  Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words ‘EAT ME’ were beautifully marked in currants.
  
  ‘Well, I’ll eat it,’ said Alice, ‘and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I’ll get into the garden, and I don’t care which happens!’
  
  She ate a little bit, and said anxiously to herself, ‘Which way? Which way?’, holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way.
  
  Three white cakes, vanilla, and red and black currants.
  
  BPAL’s Eat Me is not for eating. Please use common sense, and remember: hair glosses are for external use only.

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• 

  Desire Perfume Oil

  The overwhelming agony of passion crystallized into a singularly dark and magnetic blend: bittersweet neroli, black patchouli and black musk, gilded by apple, bergamot, blood red rose, teak, and vanilla.

  Select Options This product has multiple variants. The options may be chosen on the product page
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  Tiresias, The Androgyne Perfume Oil

  Upon the next stage, a spotlight is focused on a mammoth bronze sculpture of two snakes entwined. Their bodies are wrapped around each other in an intimate embrace, and their tongues touch suggestively. The deep, somber boom of a standing bass leads into a twelve-string guitar’s plaintive moan, and as the music swells, a stunning, statuesque woman steps out from behind the statue, her fierce and regal face in profile. The spotlight dims to a deep amber-red, and shines a dark, sanguine light onto her, tinting her long, wild hair the color of blood. She sings:

  Sunday is gloomy, my hours are slumberless.
  Dearest, the shadows I live with are numberless.
  Little white flowers will never awaken you,
  Not where the black coach of sorrow has taken you.
  Angels have no thought of ever returning you.
  Would they be angry if I thought of joining you?
  Gloomy Sunday.

  She turns, and abruptly faces left. Her features are coarser, more masculine, and you notice the rough, dusky shadow of an evening beard on the singer’s face. On this side, the hair is cropped short, and as s/he sighs and begins the next verse, you hear the voice deepen to a weathered, sorrowful baritone.

  Gloomy is Sunday; with shadows I spend it all.
  My heart and I have decided to end it all.
  Soon there’ll be candles and prayers that are sad, I know.
  Death is no dream, for in death I’m caressing you.
  With the last breath of my soul I’ll be blessing you.
  Gloomy Sunday.

  The singer turns to face the audience, and your senses reel. On the left side, the features are sharp, but feminine. You can see the curve of her breast, the soft fullness of her hips, the arch of her fine brow. On the right, it is the body of an Adonis, muscular and commanding. You see that a thick seam runs down the center of the body, stitched roughly.

  Though the vision is disconcerting, the warmth and passion in the singer’s voice swells inside your heart, and you are spellbound. Enraptured, you realize that though the gender is opposed on either side, one soul binds the whole.

  Dark, moody, and bittersweet: black currant, patchouli, tobacco, cinnamon leaf, caramel, muguet, and red sandalwood.

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  Arachnina, The Spider Girl Perfume Oil

  You move towards the first stage on your right, and as you walk, you feel something brush across your cheek. Something about the softness of the phantom caress makes your skin crawl, and you flinch involuntarily. At that moment, the Spider Girl strides haughtily onto the platform, her stiletto heels clicking a strange staccato as she walks. Her body is wrapped in skin-tight strips of black PVC, and the gleaming vinyl glistens in stark contrast to the alabaster skin on her six pale, white arms. She gestures to the rafters above with a graceful flick of her blood-red nails. In dread, your eyes are drawn skyward: above her, in a gossamer snare, web-shrouded bodies twist and struggle.

  A swirling, hypnotic perfume of black currant, poppy, red and black musk, lilies, nicotiana, tobacco tar, and patchouli.

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