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  When the imagination stretches backwards as well as forwards it creates a sort of slide, or ladder. Like the children’s game! Time is much thicker. There is a substance about it that allows beings to gain purchase.”

  Both bog and castle, moor and battlefield, chivalry and nightmare: scarred leather armor, moss-covered stone, shadows upon shadows, and billows of black incense.

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  The Great and Titled Dead Perfume Oil

  In this solitude, having just listened to so strange a story, connected, as it was, with the great and titled dead, whose monuments were moldering among the dust and ivy round us, and every incident of which bore so awfully upon my own mysterious case—in this haunted spot, darkened by the towering foliage that rose on every side, dense and high above its noiseless walls—a horror began to steal over me, and my heart sank as I thought that my friends were, after all, not about to enter and disturb this triste and ominous scene.

  The haunted stillness of a long-decayed cemetery plot choked by ivy and wild blackberry thorns.

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  Lightning Strikes the Future Perfume Oil

  Iconic images that ripple through decades of culture and counter-culture, forming an exquisite corpse of horror, glamour, intellectual discourse, and feminist rage that rises to meet the challenges of humanity’s increasingly uncertain fate. The ultimate lab experiment: streaks of feral red musk twining in a double-helix around a pulsing, electrified core of fossilized amber, erupting from a glimmering pool of reactor coolant.

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  Die Wunderblume Perfume Oil

  Alexander Rothaug
  Thick blankets of moss embracing river-smoothed stones, a cascade of shimmering amber, and heady white petals.

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