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  As silent as the deepest cavern, as serene as a twilit shadow, as graceful as a spider, and as resilient as a web: wild plum, indigo lavender, and a tranquil tendril of sandalwood incense.

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  Amoretti LXXV Perfume Oil

  A great and golden love: immortal, undying, infinite. A love brightly burned into the stone of eternity: golden amber and scarlet musk, black vanilla absolute, red apple, Siamese benzoin, and sweet fig.

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  Altarpiece – No 1 – Group X Perfume Oil

  Altarpiece – No 1 – Group X. Hilma af Klint 1907
  “I was privileged to visit the ‘Hilma af Klint: Paintings for the Future’ exhibit when it was at the Guggenheim in 2019. The scale and scope of some of these visionary works were of such a breathtaking nature that I grew faint and strange; I thought (hoped, even!) I might be experiencing an art attack, a psychosomatic episode, a soupçon of Stendahl Syndrome. What made the afternoon complete was when my boyfriend’s mother wandered into the Mapplethorpe exhibit and was a bit scandalized. not having any familiarity or context before doing so. All kinds of feels on this day!”

  A prism of sacred frankincense refracting a golden amber light into a spectrum of daemonorops draco, King mandarin, golden oud, verdant moss, blue tansy, indigo vegetal musk, and wild plum.

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  Witch-Birds Perfume Oil

  In Sweden tradition says that sorcerers  on Walpurgis night ride to Blocula and there turn into magpies. A lady at Carlstadt in that country was haunted by witch-birds in a very unpleasant manner. Having insulted a Finn woman who had begged food of her she told her to take a magpie that was hanging in a cage and eat it if she was hungry. The Finn cast an ‘evil eye’ on the lady for this insult but took the bird away with her. Some time after the Swedish lady noticed that whenever she went out a magpie came hopping in front of her. This happened for some days running, and then the magpie was joined by a companion bird, and presently by a number. The lady began to get frightened, but the more she tried to get rid of these strange companions the more numerous they became. They perched on her shoulders, tugged at her dress, and pecked at her ankles. In despair she shut herself up indoors, but they remained outside, and as soon as the door was open in they hopped. At last she went to bed and had the shutters closed, and the magpies kept on tapping outside till she died.

   

  Blinding-white mallow and vanilla sandalwood streaked with indigo opium pod accord, velvet black violet petals, wild plum, and opoponax.

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