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Weight | 1 oz |
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$29.00
Indigo and crimson vegetal musks, sweet red oud, sandalwood incense, narcissus petals, orris butter, golden bergamot, ambrette seed, and black fig.
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Weight | 1 oz |
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SOCRATES of Athens (c. 470 BCE – 399 BCE)
To Socrates, “the unexamined life is not worth living.” He did his examining publicly, by elenchus, which is italics for “the question-and-answer analysis of ideas.” (We still call this “the Socratic Method” and it still bugs people.)
Socrates portrayed himself as a “gadfly” to the torpid “great and noble steed” of the state, and powerful Athenians agreed, though they were not universally grateful.
Socrates also claimed he had a mystical inner voice (his daimonion) and it dissuaded him from such deeds as seeking high office. Ineluctably, this daimonion and his many other peculiarities were weaponized by Athenians of high office.
Despite his patriotic service – as soldier, as divinely-appointed nuisance of Athens – Socrates was tried, convicted of impiety and corruption of the youth, and sentenced to death by drinking Conium maculatum, which is italics for poisonous hemlock.
Socrates remained Socrates to the last.
…I had not the boldness or impudence or inclination to address you as you would have liked me to address you, weeping and wailing and lamenting, and saying and doing many things which you have been accustomed to hear from others, and which, as I say, are unworthy of me. But I thought that I ought not to do anything common or mean in the hour of danger: nor do I now repent of the manner of my defense, and I would rather die having spoken after my manner, than speak in your manner and live.
– Plato-s Apology
Inspired by anointing oils used in the philosopher’s time after partaking in public baths: orris root, ambergris accord, frankincense, olive blossom, black fig, and marjoram.
A fable in scent: bone-white sandalwood aged with beeswax and balsam, crushed grass and juniper berries, ambrette seed, and lupine musk.
Art by Drew Rausch!
You are shocked out of the torch song’s melancholy mood by shrieks, hoots, and yowls. You move to your left, and see that instead of a stage, a gigantic iron cage has been hung, hovering a few feet off of the ground. Elaborate, delicate silver sigils are engraved upon huge iron disks that have been mounted to the sides of the cage, and they flicker and spark whenever one of the wild men touches the iron bars that imprison them. The backdrop depicts a blistering volcanic eruption, spiked with thick luminescent bolts of lightning. Several beings are held within the cage, male and female, spanning every age. They flash their razor-fanged smiles at you malevolently as they anxiously crawl, pace, and stalk the length of their prison, stopping occasionally to pose and preen as they gossip with one another in an unrecognizable guttural, grinding language. Their tattooed skin glows an angry crimson, curving horns protrude from their skulls, and their eyes blaze with unholy light.
Fiery, primal, and precociously diabolical: red amber, Spanish moss, Indonesian patchouli, ambergris, sweet ambrette seed, red pepper, two cloves, and vanilla flower.
Honey-infused goat milk, incense smoke, yew boughs, black pepper, mandrake root, ambrette seed, red currant, kitchen herbs, and fly agaric accord.
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