Additional information
Weight | 1 oz |
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$27.00
They call me Hanging Johnny
Away, boys, away!
But I never hanged nobody
So hang, boys, hang!
They says I hanged my graddy
And then I hanged my family
They says I hanged my mother
It is they and my brother
I hanged a rotten liar
But I hanged a bloody friar
They tells I hang for money
But hanging’s so bloody funny
We all will hang together
It’s all for better weather
I’d hang to make things jolly, I’d hang all wrong and folly, we all will hang together: hemp rope, red sandalwood, and white cedar.
Weight | 1 oz |
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Obergefell vs Hodges
Who ever thought that intimacy and spirituality [whatever that means] were freedoms? And if intimacy is, one would think Freedom of Intimacy is abridged rather than expanded by marriage. Ask the nearest hippie.
An olfactory guide, created to assist you in locating nearby hippies: patchouli, hemp, smoky vanilla bean, and cannabis accord.
(No, there is no actual weed in this perfume, silly.)
Upon the next stage, a spotlight is focused on a mammoth bronze sculpture of two snakes entwined. Their bodies are wrapped around each other in an intimate embrace, and their tongues touch suggestively. The deep, somber boom of a standing bass leads into a twelve-string guitar’s plaintive moan, and as the music swells, a stunning, statuesque woman steps out from behind the statue, her fierce and regal face in profile. The spotlight dims to a deep amber-red, and shines a dark, sanguine light onto her, tinting her long, wild hair the color of blood. She sings:
Sunday is gloomy, my hours are slumberless.
Dearest, the shadows I live with are numberless.
Little white flowers will never awaken you,
Not where the black coach of sorrow has taken you.
Angels have no thought of ever returning you.
Would they be angry if I thought of joining you?
Gloomy Sunday.
She turns, and abruptly faces left. Her features are coarser, more masculine, and you notice the rough, dusky shadow of an evening beard on the singer’s face. On this side, the hair is cropped short, and as s/he sighs and begins the next verse, you hear the voice deepen to a weathered, sorrowful baritone.
Gloomy is Sunday; with shadows I spend it all.
My heart and I have decided to end it all.
Soon there’ll be candles and prayers that are sad, I know.
Death is no dream, for in death I’m caressing you.
With the last breath of my soul I’ll be blessing you.
Gloomy Sunday.
The singer turns to face the audience, and your senses reel. On the left side, the features are sharp, but feminine. You can see the curve of her breast, the soft fullness of her hips, the arch of her fine brow. On the right, it is the body of an Adonis, muscular and commanding. You see that a thick seam runs down the center of the body, stitched roughly.
Though the vision is disconcerting, the warmth and passion in the singer’s voice swells inside your heart, and you are spellbound. Enraptured, you realize that though the gender is opposed on either side, one soul binds the whole.
Dark, moody, and bittersweet: black currant, patchouli, tobacco, cinnamon leaf, caramel, muguet, and red sandalwood.
See that you do not despise one of these little ones. For I tell you that in heaven their angels always see the face of my Father who is in heaven.
Wool-warm red sandalwood, coconut, strawberry, and blackcurrant.
Seaweed-wrapped planks of red oak, white pine, and cedar coated in thick algae, a tangle of hemp rope, cast iron cannons thick with rust, all enveloped in a ghostly gasp of white musk, bergamot, ambrette, and jasmine sambac.
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