Sandalwood - Red

  • Anne Bonny

    Named in honor of the most notorious female pirate to ever set sail. Wicked, cruel, beautiful, intelligent, resourceful and dangerous: a true role model. A blend of Indonesian red patchouli, red sandalwood, and frankincense. A million thanks to Juliana Williamson-Page for inspiration!

    Select Options
  • Ave Maria Gratia Plena

    Was this His coming! I had hoped to see
    A scene of wondrous glory, as was told
    Of some great God who in a rain of gold
    Broke open bars and fell on Danae:
    Or a dread vision as when Semele
    Sickening for love and unappeased desire
    Prayed to see God’s clear body, and the fire
    Caught her brown limbs and slew her utterly:
    With such glad dreams I sought this holy place,
    And now with wondering eyes and heart I stand
    Before this supreme mystery of Love:
    Some kneeling girl with passionless pale face,
    An angel with a lily in his hand,
    And over both the white wings of a Dove.

    A pale, delicate, truly angelic blend. A scent created to emulate Adonis’ halo of beauty: fragile, distant, and radiant. Rosewood with Sicilian lemon peel, red Mysore sandalwood, pale musks, sweet mountain sage and a dusting of lily, night-blooming jasmine and orris.

    Select Options
  • Belle Époque

    “The Pretty Era”, France’s Golden Time: an age of beauty, innovation and peace in France that lasted from the 19th Century through the first World War and gave birth to the cabaret, the cancan, and the cinema as well as the Impressionist and Art Nouveau movements. Sweet opium, Lily of the Valley, vanilla, mandarin and red sandalwood.

    Select Options
  • Dawn: Mourning Victory

    Red sandalwood, night-blooming jasmine, white tea, hyacinth, rosehips, and tuberose.

    Add to cart
  • Earth Dog

    A new year's blessing! Peony, China's national flower, with bamboo for flexibility, plum blossom for perseverance, courage, and hope, tangerine for wealth, red sandalwood and blue lotus for purity, orange for happiness, lychee for household peace, pine resin for constancy, golden kumquat for prosperity, red mandarin for good fortune, peach blossom for longevity, a touch of patchouli to bring it all down to earth, with a splash of blazing red of dragon's blood… to help you scare away the rampaging Nian.

    Out of Stock
  • Fenris Wolf

    The raw, untamable power of chaos. Rosewood, amber, red musk and a dribble of red sandalwood.

    Select Options
  • Il Matto

    Reviled and mocked, pelted by stones and set upon by dogs, all the while singing the song of divine madness: red sandalwood, tobacco absolute, palo santo, black copal and balsam dusted by burnt sage, soot, and an echo of frankincense.

    Out of Stock
  • Inez

    Golden amber, vanilla musk, myrrh, cedar, carnation, and red sandalwood.

    Add to cart
  • Iole

    The newcomer. The brains. Pensive and thoughtful. Small and frail, even now Iole sometimes can’t keep up as Pandy and Alcie stride through the market place or the olive orchards or swim in nearby lakes and rivers. But…but…she’s smart as a whip; often using big words when she speaks; not to show off, but only because her mighty mind can’t come up with anything smaller. Will gladly tutor in algebra and calculus!

    A serious, studious scent: fig, night-blooming jasmine, red sandalwood, bourbon vanilla, oak bark, leather accord, and black amber.

    Add to cart
  • Marguerite

    Rose, rose geranium, myrrh, ylang ylang, French gardenia, tuberose, red sandalwood, and palmarosa.

    Add to cart
  • Matthew 18:10

    See that you do not despise one of these little ones. For I tell you that in heaven their angels always see the face of my Father who is in heaven.

    Wool-warm red sandalwood, coconut, strawberry, and blackcurrant.

    Add to cart
  • Morocco

    The intoxicating perfume of exotic incenses wafting on warm desert breezes. Arabian spices wind through a blend of warm musk, carnation, red sandalwood and cassia.

    Out of Stock
  • Practical Occultism

    Practical Occultism consists, first, of a perfect mastery of the individual’s own spirit. No advance whatever can be made in acquiring power over other spirits, such as controlling the lower or  supplicating the higher, until the spirit within has acquired such perfect mastery of itself, that it can never be moved to anger or emotion—realizes no pleasure, cares for no pain; experiences no mortification at insult, loss, or disappointment—in a word, subdues every emotion that stirs common men’s minds.

    To arrive at this state, severe and painful as well as long continued discipline is necessary. Having acquired this perfect equilibrium, the next step is power. The individual must be able to wake when he pleases and sleep when he pleases; go in spirit during bodily sleep where he will, and visit—as well as remember when awake—distant scenes.

    He must be enabled by practice, to telegraph, mentally, with his fellow associates, and present himself, spiritually, in their midst.

    He must, by practice, acquire psychological control over the minds of any persons—not his associates—beneath his own calibre of mind. He must be able to still a crying infant, subdue fierce animals or angry men, and by will, transfer his thought without speech or outward sign to any person of a mental calibre below himself; he must be enabled to summon to his presence elementary spirits, and if he desires to do so (knowing the penalties attached), to make them serve him in the special departments of Nature to which they belong.

    He must, by virtue of complete subjugation of his earthly nature, be able to invoke Planetary and even Solar Spirits, and commune with them to a certain degree.

    To attain these degrees of power the processes are so difficult that a thorough practical occultist can scarcely become one and yet continue his relations with his fellow-men.

    He must continue, from the first to the last degree, a long series of exercises, each one of which must be perfected before another is undertaken.

    A practical occultist may be of either sex, but must observe as the first law inviolable chastity—and that with a view of conserving all the virile powers of the organism. No aged person, especially one who has not lived the life of strict chastity, can acquire the full sum of the powers above named. It is better to commence practice in early youth, for after the meridian of life, when the processes of waste prevail over repair, few of the powers above described can be attained; the full sum never.

    Strict abstinence from animal food and all stimulants is necessary. Frequent ablutions and long periods of silent contemplation are essential. Codes of exercises for the attainment of these powers can be prescribed, but few, if any, of the self-indulgent livers of modern times can perform their routine.

    The arts necessary for study to the practical occultist are, in addition to those prescribed in speculative occultism, a knowledge of the qualities of drugs, vapors, minerals, electricity, perfumes, fumigations, and all kinds of anæsthetics.

    And now, having given in brief as much as is consistent with my position—as the former associate of a secret society—I have simply  to add, that, whilst there are, as in Masonry, certain preliminary degrees to pass through, there are numerous others to which a thoroughly well organized and faithful association might advance. In each degree there are some valuable elements of practical occultism demanded, whilst the teachings conveyed are essential preliminaries. In a word, speculative occultism must precede practical occultism; the former is love and wisdom, the latter, simply power.

    A Victorian occultist’s incense, invoking the Four Archangels: precious wildcrafted Indian frankincense with myrrh, cassia, sandarac, palmarosa, white sage, red sandalwood, elemi, and drops of star anise bound with grains of kyphi.

    Add to cart
  • Sarah, The Mother Bear

    Practical scents – warm, nurturing, wise, and strong: tonka bean, soft brown leather, myrrh, white sage, gurjum balsam, Ceylon cinnamon bark, red sandalwood, sweet tobacco, and a touch of gunsmoke.

    Add to cart
  • Snooty Rose

    `It isn’t manners for us to begin, you know,’ said the Rose, `and I really was wondering when you’d speak! Said I to myself, “Her face has got some sense in it, thought it’s not a clever one!” Still, you’re the right colour, and that goes a long way.’ 

    `I don’t care about the colour,’ the Tiger-lily remarked. `If only her petals curled up a little more, she’d be all right.’ 

    Alice didn’t like being criticised, so she began asking questions. `Aren’t you sometimes frightened at being planted out here, with nobody to take care of you?’ 

    `There’s the tree in the middle,’ said the Rose: `what else is it good for?’ 

    `But what could it do, if any danger came?’ Alice asked.

    Red rose, oud, plum, bergamot, and red sandalwood.

    Select Options
  • The Emperor’s Beard

    Fucking hipsters.
    Sweet tobacco and raw patchouli with Italian bergamot, pine needle, vintage dime store musk, and red sandalwood.

    Out of Stock
  • The Musical Seances

    The second series commenced at 15, Southhampton Row, on Wednesday evening. Into the present course, the medium, Mr. Shepherd will introduce some of the more marked peculiarities of his singular performance. He sings at each concert in the soprano voice.

    A marked peculiarity: tonka bean and red sandalwood with orris, lemon peel, and leather.

    Add to cart
  • The Velvets

    Five almost identically dressed, pale young women walked past him. They wore long dresses made of velvet, each dress as dark as night, one each of dark green, dark chocolate, royal blue, dark blood, and pure black. Each woman had black hair and wore silver jewelry; each was perfectly coifed, perfectly made up. They moved silently: Richard was only aware of a swish of heavy velvet as they went past, a swish that sounded almost like a sigh.

    Smooth inky musk, cathedral incense, ylang ylang, violet leaf, rose-infused amber, red sandalwood, and iris.

    Add to cart
  • Tiresias, The Androgyne

    Upon the next stage, a spotlight is focused on a mammoth bronze sculpture of two snakes entwined. Their bodies are wrapped around each other in an intimate embrace, and their tongues touch suggestively. The deep, somber boom of a standing bass leads into a twelve-string guitar’s plaintive moan, and as the music swells, a stunning, statuesque woman steps out from behind the statue, her fierce and regal face in profile. The spotlight dims to a deep amber-red, and shines a dark, sanguine light onto her, tinting her long, wild hair the color of blood. She sings:

    Sunday is gloomy, my hours are slumberless.
    Dearest, the shadows I live with are numberless.
    Little white flowers will never awaken you,
    Not where the black coach of sorrow has taken you.
    Angels have no thought of ever returning you.
    Would they be angry if I thought of joining you?
    Gloomy Sunday.

    She turns, and abruptly faces left. Her features are coarser, more masculine, and you notice the rough, dusky shadow of an evening beard on the singer’s face. On this side, the hair is cropped short, and as s/he sighs and begins the next verse, you hear the voice deepen to a weathered, sorrowful baritone.

    Gloomy is Sunday; with shadows I spend it all.
    My heart and I have decided to end it all.
    Soon there’ll be candles and prayers that are sad, I know.
    Death is no dream, for in death I’m caressing you.
    With the last breath of my soul I’ll be blessing you.
    Gloomy Sunday.

    The singer turns to face the audience, and your senses reel. On the left side, the features are sharp, but feminine. You can see the curve of her breast, the soft fullness of her hips, the arch of her fine brow. On the right, it is the body of an Adonis, muscular and commanding. You see that a thick seam runs down the center of the body, stitched roughly.

    Though the vision is disconcerting, the warmth and passion in the singer’s voice swells inside your heart, and you are spellbound. Enraptured, you realize that though the gender is opposed on either side, one soul binds the whole.

    Dark, moody, and bittersweet: black currant, patchouli, tobacco, cinnamon leaf, caramel, muguet, and red sandalwood.

    Add to cart
  • Titus Andronicus

    Dark musk and black amber with frankincense, red sandalwood, neroli and bergamot.

    Select Options
  • Western Diamondback

    Snake Oil with leather, tonka bean, red sandalwood, and sage.

    Add to cart