Frost-tipped hinoki, balsam, frangipani, white tea, ho wood, and honey.
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Good Gods, what a night that was,
The bed was so soft, and how we clung,
Burning together, lying this way and that,
Our uncontrollable passions
Flowing through our mouths.
If I could only die that way,
I’d say goodbye to the business of living.
Olive blossom, honey, smoky vanilla, cinnamon, jasmine, sandalwood, and champaca flower.
In Irish folklore the Dana O’Shee are a fae, elven people that live in a realm of beauty, their nobility akin to our that own Age of Chivalry, eternally beautiful and eternally young. They surround themselves with the pleasures of the Arts, they live for the hunt, and to this day can be seen riding in procession through the Irish countryside at twilight, led by their King and Queen. However, the Dana O’Shee are not benevolent creatures, despite what their unearthly beauty may imply. They are vengeful and treacherous and possess a streak of mischievous malice, and many have whispered that their true home lies deep in the shadowed groves of the Realm of the Dead. Hearing even a single chord of their otherworldly music leaves one stunned and lost to the mortal realms for ever, finding themselves prey to the Dana O’Shee’s hunt or enslaved in their Court as servants or playthings.
Offerings of milk, honey and sweet grains were made to placate these creatures, and it is that the basis of the scent created in their name.
A celebration of one of the first commercially produced perfumes of America’s Old West. A rugged, warm blend of vanilla, balsam and sassafras layered over Virginia cedar.