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  Swamp Skank Perfume Oil

  Our collaboration with Disasterina is a creature feature for the ages. We don’t know what lagoon she crawled out of, but now that she’s made landfall you can always smell her coming.

  Slithering tentacles of kelp and seaweed absolute, draped over a shard of salt-crusted driftwood.

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  The Wild Men of Jezirat Al Tennyn Perfume Oil

  You are shocked out of the torch song’s melancholy mood by shrieks, hoots, and yowls. You move to your left, and see that instead of a stage, a gigantic iron cage has been hung, hovering a few feet off of the ground. Elaborate, delicate silver sigils are engraved upon huge iron disks that have been mounted to the sides of the cage, and they flicker and spark whenever one of the wild men touches the iron bars that imprison them. The backdrop depicts a blistering volcanic eruption, spiked with thick luminescent bolts of lightning. Several beings are held within the cage, male and female, spanning every age. They flash their razor-fanged smiles at you malevolently as they anxiously crawl, pace, and stalk the length of their prison, stopping occasionally to pose and preen as they gossip with one another in an unrecognizable guttural, grinding language. Their tattooed skin glows an angry crimson, curving horns protrude from their skulls, and their eyes blaze with unholy light.

  Fiery, primal, and precociously diabolical: red amber, Spanish moss, Indonesian patchouli, ambergris, sweet ambrette seed, red pepper, two cloves, and vanilla flower.

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  The Black Tower Perfume Oil

  Say that the men of the old black tower,
  Though they but feed as the goatherd feeds,
  Their money spent, their wine gone sour,
  Lack nothing that a soldier needs,
  That all are oath-bound men:
  Those banners come not in.

  There in the tomb stand the dead upright,
  But winds come up from the shore:
  They shake when the winds roar,
  Old bones upon the mountain shake.

  Those banners come to bribe or threaten,
  Or whisper that a man’s a fool
  Who, when his own right king’s forgotten,
  Cares what king sets up his rule.
  If he died long ago
  Why do you dread us so?

  There in the tomb drops the faint moonlight,
  But wind comes up from the shore:
  They shake when the winds roar,
  Old bones upon the mountain shake.

  The tower’s old cook that must climb and clamber
  Catching small birds in the dew of the morn
  When we hale men lie stretched in slumber
  Swears that he hears the king’s great horn.
  But he’s a lying hound:
  Stand we on guard oath-bound!

  There in the tomb the dark grows blacker,
  But wind comes up from the shore:
  They shake when the winds roar,
  Old bones upon the mountain shake.

  A sepulchral, desolate scent. Long-dead soldiers, oath-bound; the perfume of their armor, the chill wind that surges through their tower, white bone and blackened steel: white sandalwood, ambergris, wet ozone, galbanum and leather with ebony, teak, burnt grasses, English ivy and a hint of red wine.

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  Tavern of Hell Perfume Oil

  Sometimes I would venture from my sepulchre to the jazz of night Paris, where having gathered the colours, I would think them over in front of the fire. I could be seen walking through a funeral corridor of my house and descending down a black spiral of steep stairs; rushing underground to Montmartre, all impatience to see the fiery rubies of the Moulin Rouge cross. I wondered thereabouts, then bought a ticket to watch frenzied delirium of feathers, vulgar painted lips and eyelashes of black and blue.

  Naked feet, and thighs, and arms, and breasts were being flung on me from bloody-red foam of translucent clothes. The tuxedoed goatees and crooked noses in white vests and toppers would line the hall, with their hands posed on canes. Then I found myself in a pub, where the liqueurs were served on a coffin (not a table) by the nickering devil: “Drink it, you wretched!” Having drunk, I returned under the black sky split by the flaming vanes, which the radiant needles of my eyelashes cross-hatched. In front of my nose a stream of bowler hats and black veils was still pulsing, foamy with bluish green and warm orange of feathers worn by the night beauties: to me they were all one, as I had to narrow my eyes for insupportable radiance of electric lamps, whose hectic fires would be dancing beneath my nervous eyelids for many a night to come.

  White gardenia, ambergris bouquet, lavender fougere, orange blossom, melissa, tobacco flower, coriander, ebony wood, ylang ylang, absinthe and aged whiskey.

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