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  Nerves and Sinew, Wood and Clay Hair Gloss

  Taut red strings of daemonorops draco and licorice root tugging on carved oak streaked with vetiver and clove with bright nerve-sparks of frankincense and elemi.

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  Gently, Gently, They are Timid Perfume Oil

  Softly, softly, hear the rustle
  Of the Spirits airy wings;
  They are coming down to mingle
  Once again with earthly things,
  With their rapping, and their tapping
  Rap-tap-tap to wake our napping,
  In the restless dream of error:
  Hear the weird the Spirit brings –
  Rap-tap-tap lost friends are near you;
  Rap-tap-tap they see and hear you;
  In their mystic converse rappy
  They declare good Spirits happy.
  
  Gently, gently, they are timid
  If a medium is not there;
  They may leave you in delusion,
  And dissolve again to air.
  Tis no fable – beings able –
  Rap-tap-tap upon a table;
  And their language is translated,
  While the watch with guardian care
  Rap-tap-tap lost friends are near you;
  Rap-tap-tap they see and hear you;
  In their mystic converse rappy
  They declare good Spirits happy

  Spirit Rappings, lyrics by T.E. Garrett, music by W.W. Rossington
  
  A joyful undeath: candied orange and pink peppercorn, sugared freesia petals, vanilla bean, and white honey.
  

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• 

  Eusapia 2024 Perfume Oil

  The case I allude to is that of an invalid woman who belongs to the humblest class of society. She is nearly thirty years old and very ignorant; her look is neither fascinating nor endowed with the power which modern criminologists call irresistible; but when she wishes, be it by day or by night, she can divert a curious group for an hour or so with the most surprising phenomena. Either bound to a seat or firmly held by the hands of the curious, she attracts to her the articles of furniture which surround her, lifts them up, holds them suspended in the air like Mahomet’s coffin, and makes them come down again with undulatory movements, as if they were obeying her will. She increases their weight or lessens it according to her pleasure. She raps or taps upon the walls, the ceiling, the floor, with fine rhythm and cadence. In response to the requests of the spectators, something like flashes of electricity shoot forth from her body, and envelop her or enwrap the spectators of these marvellous scenes. She draws upon cards that you hold out, everything that you want – figures, signatures, numbers, sentences – by just stretching out her hand toward the indicated place.

  If you place in the corner of the room a vessel containing a layer of soft clay, you find after some moments the imprint in it of a small or a large hand, the image of a face (front view or profile) from which a plaster cast can be taken. In this way portraits of a face taken at different angles have been preserved, and those who desire so to do can thus make serious and important studies.

  This woman rises in the air, no matter what bands tie her down. She seems to lie upon the empty air, as on a couch, contrary to all the laws of gravity; she plays on musical instruments – organs, bells, tambourines – as if they had been touched by her hands or moved by the breath of invisible gnomes… This woman at times can increase her stature by more than four inches.
  —Chiaia, in a letter to Lombroso

   Pale lilacs, white tea, and candle wax.

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• 

  The Human Double Perfume Oil

  Among the most intelligent inquirers with whom I converse at Brighton was a lady of title. She told me that she was one of those present at the Davenport séance, held at the residence of Sir Hesketh Fleetwood. She was seated in the dark séance by the side of a gentleman whose previous scepticism, he confessed to her, was fast disappearing in the face of the facts they were witnessing, when a light was suddenly struck, and both of them distinctly saw the form of Ira Davenport glide close past them. This incident very much disturbed the confidence of Lady L—, and entirely satisfied the sceptic that imposition was practiced, and he left the room a confirmed unbeliever. I told Lady L—that, on his return to London, Mr. Ferguson spoke to me of this very fact, as one of the most curious that had yet occurred at any of the séances. He was holding, he said, the box of matches, as he usually does, when the box was snatched from his hand, and a light was struck by the invisible operator, and during the momentary ignition of the match he plainly saw a form, apparently of a human figure. He said nothing at the moment, but whispering the fact to Mr. Fay, he confirmed it, and afterwards several of those present admitted that that, too, had seen it. Mr. Ferguson, however, was not aware that anyone present supposed it to be the actual person of Ira Davenport, as no observation to that effect was made, and as Ira Davenport was seen instantly afterwards when the light was restored, fast bound to his chair, it was simply impossible that the suspicions of Lady L—or her friend could have been well founded.
  
  But, admitting that two competent witnesses did actually see the form of Ira Davenport on that occasion, it is corroborative of a very important and interesting fact, and distinct phase of these puzzling mysteries of spiritual appearances – viz., the duplication of individual form. Mr. Ferguson, who did not on that occasion recognize the resemblance to Ira Davenport, nevertheless has, as he solemnly asserts, seen at other times, when alone with them, the entire duplicated form of Ira Davenport, and a part of Mr. Fay ; and in my first conversation with the Davenport Brothers they told me, among other curious facts of their extraordinary history, that persons had said they had met one or other of them in places where they had not been. On one occasion their father went to a neighbouring shop to order some fruit, when he was told by the shopkeeper that his son Ira had just been there, and had ordered the fruit. It was, however, satisfactorily proved that Ira had not left the house, and that the man must have seen his “wraith,” or “double.”
  
  The Spiritualist, December 19, 1873

  
  The uncanny echo of your second self: a shadow-blackened fougere steeped in an uncanny, discomfiting lavender tar.
  

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