Calliope music played: a Strauss waltz, stirring and occasionally discordant. The wall as they entered was hung with antique carousel horses, hundreds of them, some in need of a lick of paint, others in need of a good dusting; above them hung dozens of winged angels constructed rather obviously from female store-window mannequins; some of them bared their sexless breasts; some had lost their wigs and stared baldly and blindly down from the darkness.
And then there was the carousel.
A sign proclaimed it was the largest in the world, said how much it weighed, how many thousand lightbulbs were to be found in the chandeliers that hung from it in Gothic profusion, and forbade anyone from climbing on it or from riding on the animals.
And such animals! Shadow stared, impressed in spite of himself, at the hundreds of full-sized creatures who circled on the platform of the carousel. Real creatures, imaginary creatures, and transformations of the two: each creature was different. He saw mermaid and merman, centaur and unicorn, elephants (one huge, one tiny), bulldog, frog and phoenix, zebra, tiger, manticore and basilisk, swans pulling a carriage, a white ox, a fox, twin walruses, even a sea serpent, all of them brightly colored and more than real: each rode the platform as the waltz came to an end and a new waltz began. The carousel did not even slow down.
“What’s it for?” asked Shadow. “I mean, okay, world’s biggest, hundreds of animals, thousands of lightbulbs, and it goes around all the time, and no one ever rides it.”
“It’s not there to be ridden, not by people,” said Wednesday. “It’s there to be admired. It’s there to be.”
A place of power and possibility, of gods diabolical and celestial: glowing amber and heady cinnamon, the green of growing things and the white of thunderclaps, sweet myrrh and sacred styrax, forest moss and blood-soaked battlefields, papyrus and clay, rose petals, wildflowers, abbatoirs, and honey.
KELLY SUE DECONNICK (Avengers Assemble, Captain Marvel) & EMMA RÍOS (Dr. Strange, Osborn) reunite to bring you an all-new ongoing series that marries the magical realism of Sandman with the western brutality of Preacher. Death’s daughter rides the wind on a horse made of smoke and her face bears the skull marks of her father. Her tale of retribution is as beautifully lush as it is unflinchingly savage.
Sarah –
Given that my name is Sarah and I first smelled this within the first two weeks of giving birth to my second child, I was sold on it pretty much right away even though it isn’t necessarily something I would normally choose. And since getting it, I’ve been wearing it every day. It feels right to me, and very mama-bear-ish.
It’s very soft and wears close to the skin, perfect for wearing a little bit of oil without feeling like I’ll overwhelm the baby or confuse him or anything. It’s also very comforting – warm and gentle. I smell the tonka and myrrh the most, and then the leather a bit more as it dries – though the scent is well blended and most notes don’t stand out so much as create a smooth cozy backdrop to the notes that I do pick out. My only issue is that it disappears after a bit, but right now I like that it wears lightly and I don’t mind reapplying!