Ars Moriendi
PERFUME OIL BLENDS
Presented in an amber apothecary vial
$6.25 – $25.00
An allegorical expression of the ineffable, indisputable triumph of death, generally expressed in medieval artwork as a violin or flute-wielding skeleton leading a procession of dancers to their graves. Black cypress with oakmoss, frankincense, oude, and a sliver of toasted hazelnut.
Ars Moriendi
PERFUME OIL BLENDS
Presented in an amber apothecary vial
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Beeswax candles reflect flickering light onto a brass-coated boiler engraved with the words “Solve Et Coagula”. The gargantuan boiler sends torrents of steam into rigid pipes that exert force onto innumerable pistons and turbine blades. The motion is harnessed to propel energy into gargantuan cogs and gears that move liquid metals, herbs, and resins into a series of alembics.
Balm of Gilead, benzoin, frankincense, balsam of peru, beeswax, saffron, galbanum, calamus, hyssop, mastic, lemon balm, and white sage.
My well-beloved was stripped. Knowing my whim,
She wore her tinkling gems, but naught besides:
And showed such pride as, while her luck betides,
A sultan’s favored slave may show to him.
When it lets off its lively, crackling sound,
This blazing blend of metal crossed with stone
Gives me an ecstasy I’ve only known
Where league of sound and lustre can be found.
She let herself be loved: then, drowsy-eyed,
Smiled down from her high couch in languid ease.
My love was deep and gentle as the seas
And rose to her as to a cliff the tide.
My own approval of each dreamy pose,
Like a tamed tiger, cunningly she sighted:
And candour, with lubricity united,
Gave piquancy to every one she chose.
Her limbs and hips, burnished with changing lustres
Before my eyes, clairvoyant and serene,
Swanned themselves, undulating in their sheen;
Her breasts and belly, of my vine the clusters,
Like evil angels rose, my fancy twitting,
To kill the peace which over me she’d thrown,
And to disturb her from the crystal throne
Where, calm and solitary, she was sitting.
So swerved her pelvis that, in one design,
Antiope’s white rump it seemed to graft
To a boy’s torso, merging fore and aft.
The talc on her brown tan seemed half-divine.
The lamp resigned its dying flame. Within,
The hearth alone lit up the darkened air,
And every time it sighed a crimson flare
It drowned in blood that amber-coloured skin.
Skin musk and honey, blood-red rose, orange blossom, white peach, red apple, frankincense and myrrh.
Dark children conceived from the union of Fallen Angels and the Daughters of Men. According to lore, the angel Shemhazai led a group of his angels to earth to instruct mankind in the ways of piety and righteousness. After a time, the angels became prey to earthly desires and began to lust after the daughters of man, and thus they fell. They instructed their mortal mates in the arts of conjuration, summoning, necromancy and other magickal arts. The fruits of their union are the Nephilim: possessed of superhuman strength, cunning, and infinite capacity, and hunger for, sin. Venerated as heroes by some, vilified by most, the Nephilim eventually annihilated one another in a cataclysmic civil war instigated by the angel Gabriel as punishment for their transgressions.
Holy frankincense and hyssop in union with earthy fig, defiled by black patchouli and vetiver, with a chaotic infusion of lavender, cardamom, tamarind, rosemary, oakmoss and cypress.
The essence of magickal enigmas and long-forgotten esoteric mysteries. Frankincense, rosemary, lavender, neroli, and verbena.
akire32 –
This was very hazelnutty in the vial and upon application, but in about 10 minutes, the creamy nuttiness was gone and started turning a bit woodsy and musty. After 30 minutes it was exactly how a dusty antique store I went into once smelled…especially rifling through an old dresser drawer that was filled with photographs. It’s an old, dank woodsy dresser drawer smell with the slight scent of old perfume from clothes that had once been stored in it. This is that drawer.
ksnaum –
Danse Macabre (Ars Moriendi series) – first it hit me with heavy, earthy-wooden oakmoss, and i almost thought this is not really for me. Then i smelled it again, and again, and couldn’t stop…..the scent started alternating, from sweet hazelnut from a distance, to the deep moss and cypress when I smell my skin close. After a few hours I had just frankincense lingering. Very mysterious! The scent lives up to its name: imagine a fiddle, or better put on Camille Saint-Saëns’ opus with the same name and you will hear this magical scent: incense ashes, sweet decay, the doorstep of a curiosities store, where old books and dusty wooden chests preserve their secrets… it’s a warm scent of a glowing candle, very warm scent! Deep notes do not go completely dormant, you can sense them depending how close you approach. Keeping this one definitely! Will wear for a few times to test how long it stays on me prior to getting a full bottle
Sara –
woodsy cypress and earthy oakmoss. makes me think of a decaying garden where the green leaves are dying and blending into the soil. or the part of a forest that never gets any sunlight, so the earth is always moist. over time, the frankincense takes over and now it’s like burning incense in the woods.