++ CARNAVAL DIABOLIQUE HAIR GLOSSES
Bedeck your locks (or snakes or horns or whatever you’re sporting up top) with scents gleaned from the Midway! Smell like you’ve stepped right off the platform of Carnaval Diabolique’s 13-in-One!
$34.00
With a touch of oak bark and bourbon vanilla.
++ CARNAVAL DIABOLIQUE HAIR GLOSSES
Bedeck your locks (or snakes or horns or whatever you’re sporting up top) with scents gleaned from the Midway! Smell like you’ve stepped right off the platform of Carnaval Diabolique’s 13-in-One!
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An incense for Solstice rites: fir resin, bayberry, myrrh, mistletoe, and oak bark.
yoru hisokani
mushi wa gekka no
kuri o ugatsu
in the moonlight
a worm silently burrows
through a chestnut
– Bashō
A squiggle of red sandalwood and orris chomping into wild chestnuts, oak bark, and fig.
Art by Drew Rausch!
A flash of light and the smell of sulfur seize your attention. A vast black tent stands before you, subtly glowing with an unnatural, almost phosphorescent light. This tent has no pennants, no ornamentation, save for a carved ebony sign, lettered in silver:
“Master Theodosius
Legerdemain, Medium, Conjurer
One thousand years of marvels.
Enter at your peril.”
Another flash blinds you, and from a swirl of smoke a rakish, devilishly handsome man appears, long black hair falling down halfway to his waist, elegant and sinister in an inky silk tuxedo and a voluminous cape. The shadow he casts against the tent, oddly, seems to be that of an enormous corvus, and his eyes radiate a deep azure light. Staring fixedly at you, he snaps his fingers, and two bolts of violet lightning strike the ground on either side of him, blinding you momentarily. As your eyes adjust, you see that two lovely, slender, waiflike women now stand upon the scarred ground beside him, dressed in tattered ballerina costumes the nebulous color of smoke. Turning to his right, he touches the woman’s lips and says, “Seachd seachd uair!” She opens her mouth, and a flock of diminutive bats fly forth from her throat. Turning to his left, he touches the other woman’s hair and repeats, “Seachd seachd uair!” What once was a gleaming mane of stark white hair is now a nest of writhing vipers. She opens her mouth, baring fangs, and spits forth a thin stream of venom. The Master swirls his cape, which suddenly seems to grow and twist like a living shadow, and in a final flash of red lightning and a deafening thunderclap, he and both his assistants vanish.
Earl Grey tea leaves, a white fougere, jasmine leaf, pearlescent white musk, and vanilla bean.
As you pass the tiny stage, you come across a large canvas tent, illuminated within, the exterior dotted with odd splatters. In front of the tent stands a scorched wooden cart covered in a jumble of bottles, jars, vials and twisted steel implements, and an elaborate, gold-gilded sign reads:
“Doc Constantine Cures What Ails Ye!
Liniments, salves, potions and elixirs for every malady of the body and spirit!”
A scream splits the air, jarring you. You see shadows move jaggedly within the tent, there is another scream, and all is suddenly still and silent. After a long heartbeat, the door flap opens. A man steps out wearing a crystal-eyed schnabel mask in the style of medieval plague doctors, carmine streaking his sleeves, vest, and the blonde hair that crowns him. He pulls off the mask, and you see a handsome figure, almost beatific. He rolls a cigarette, lights it, takes a deep pull, and winks at you slyly as he gestures at the multitude of concoctions he has for sale. A bent crone, her body as bowed and knotty as an ancient oak, shuffles up to the wagon with rosy-cheeked, tow-headed maiden following her at a small distance. As she approaches the doctor, the crone gestures at herself, running a gnarled hand down her body in a sweeping movement, and casting a sideways glance at her grandchild. Smiling an angel’s smile, Doc Constantine hands the old woman a potion the color of cold, congealed blood. She drinks it quickly, gasping. Before your eyes her body shimmers and blurs, and a shower of dark sparks seems to engulf her. Where the crone stood, there is now a voluptuous, raven-haired vixen, vibrant, sensual, at the prime of her life and sexual vitality. Her shriek of joy is interrupted by another’s scream of shock: the rigors of age have not vanished; they have moved aside, and the young woman has aged horribly, taking on the crone’s burden.
Sheer musk, cedar smoke, fir needle, chaparral, black amber and leather.
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