Sin and Salvation
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
$5.75 – $23.00
An infusion of incalculable power and irresistible temptation. Truly an exercise in megalomania and self-gratification: frankincense and cinnamon, darkened by violet.
Sin and Salvation
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
You must be logged in to post a review.
The Dark Side of Fire: cinnamon, bitter almond, and neroli. Heavily spiced, torrid, and possibly conflagrant.
A city of mystery, wonder and majesty, said to have been built by order of Gilgamesh. Thick bitter almond and heady night-blooming jasmine with saffron, cinnamon leaf, red patchouli, river lilies, bergamot, fig leaf and the sacred incense of Inanna.
Calliope music played: a Strauss waltz, stirring and occasionally discordant. The wall as they entered was hung with antique carousel horses, hundreds of them, some in need of a lick of paint, others in need of a good dusting; above them hung dozens of winged angels constructed rather obviously from female store-window mannequins; some of them bared their sexless breasts; some had lost their wigs and stared baldly and blindly down from the darkness.
And then there was the carousel.
A sign proclaimed it was the largest in the world, said how much it weighed, how many thousand lightbulbs were to be found in the chandeliers that hung from it in Gothic profusion, and forbade anyone from climbing on it or from riding on the animals.
And such animals! Shadow stared, impressed in spite of himself, at the hundreds of full-sized creatures who circled on the platform of the carousel. Real creatures, imaginary creatures, and transformations of the two: each creature was different. He saw mermaid and merman, centaur and unicorn, elephants (one huge, one tiny), bulldog, frog and phoenix, zebra, tiger, manticore and basilisk, swans pulling a carriage, a white ox, a fox, twin walruses, even a sea serpent, all of them brightly colored and more than real: each rode the platform as the waltz came to an end and a new waltz began. The carousel did not even slow down.
“What’s it for?” asked Shadow. “I mean, okay, world’s biggest, hundreds of animals, thousands of lightbulbs, and it goes around all the time, and no one ever rides it.”
“It’s not there to be ridden, not by people,” said Wednesday. “It’s there to be admired. It’s there to be.”
A place of power and possibility, of gods diabolical and celestial: glowing amber and heady cinnamon, the green of growing things and the white of thunderclaps, sweet myrrh and sacred styrax, forest moss and blood-soaked battlefields, papyrus and clay, rose petals, wildflowers, abbatoirs, and honey.
Based on a Romany incense blend reputed to induce sexual dreams: Somalian rose, Moroccan rose and Bulgar rose with a sultry dribble of cinnamon.
Kara Kozma –
Luxurious and delicately masculine
artimisia –
This is a nice blend. It is very cinnamon forward upon application, with the frankincense coming in second, while the violet lurks in the background, softening the scent slightly. The three mix well together. About halfway through the scent’s life (and this one lasts all day) it changes slightly. The frankincense comes more to the fore, mixing evenly with the cinnamon and the violet fades away. The result is a buttery spice. I think it works thematically very well with the idea of Faustus. It has a sort of black magic and decadence sort of feel.
Unfortunately, I get an allergic reaction sometimes with frankincense, and, since this perfume was a particularly spicy blend, my sinuses were not happy with me. I don’t think I can wear it, which is a shame
because I like this one. Most people probably wouldn’t have this problem, but I took a star off anyway because it is very strong and spicy and delicately nosed people might not be into it.
carlos –
A difficult fragrance to pigeonhole, but alluring, nonetheless. The first notes out of the bottle are like pure cinnamon bark. On the skin, the cinnamon is more evocative of cinnamon rolls with a hint of vanilla. The cinnamon melts into the skin and the frankincense takes over, the scent of burnt resins in a incense burner. The final note of violet is very subtle and violet does not come to mind immediately, it is more like a green, grassy, powdery finish…Very nice!