Red currant and rosewater gooseberry cake with a sugar-dusted gingerbread crumble topping.
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Do not mistreat or oppress a foreigner, for you were foreigners in Egypt.
Myrrh, red currant, opoponax, and blackberry.
Mr. Bromios had set up a wine-tent and was selling wines and pasties to the village folk, who were often tempted by the foods being sold by the folk from Beyond the Wall but had been told by their grandparents, who had got it from their grandparents, that it was deeply, utterly wrong to eat fairy food, to drink fairy water and sip fairy wine.
An ethereal vintage, steeped with dandelion, honey, and red currants.
A bawdy, gleefully wicked and unruly scent: Kentucky Bourbon, sugar and a sprig of mint.
The drunk in the graveyard raised his bottle to his lips. One of the gravestones flipped over, revealing a grasping corpse; a headstone turned around, flowers replaced by a grinning skull. A wraith appeared on the right of the church, while on the left of the church something with a half-glimpsed, pointed, unsettlingly birdlike face, a pale, Boschian nightmare, glided smoothly from a headstone into the shadows and was gone. Then the church door opened, a priest came out, and the ghosts, haunts, and corpses vanished, and only the priest and the drunk were left alone in the graveyard. The priest looked down at the drunk disdainfully, and backed through the open door, which closed behind him, leaving the drunk on his own.
The clockwork story was deeply unsettling. Much more unsettling, thought Shadow, than clockwork has any right to be.
“You know why I show that to you?” asked Czernobog.
“That is the world as it is. That is the real world. It is there, in that box.”
Red currant and labdanum with opoponax, vetiver, grave moss, white sandalwood, and khus.