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Weight | 1 oz |
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$32.00
The cry of the cicada
Gives us no sign
That presently they will die
– Matsuo Bashō, translated by William George Aston
This year, the forests of the eastern United States will be abuzz (pun intended) with the concurrent emergence of two separate broods, the 17-year-old Brood XIII and 13-year-old Brood XIX. A cicada extravaganza like this one hasn’t been seen since 1803!
A scent fit for a Swarmageddon: soft, dark soil, black pepper, tonka bean, decaying leaves, licorice root, ambrette seed, sweet vetiver, bourbon vanilla, oakmoss, brown labdanum, elm bark, vegetable leather, clary sage, 13-year aged patchouli, 17-year aged patchouli, and two bright red specs of dragon’s blood resin.
Art: Kingfisher, Cicada, and Willow Tree, Qing Dynasty, China
Out of stock
Weight | 1 oz |
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The youngest, who was the very picture of her father for courtesy and sweetness of temper, was withal one of the most beautiful girls ever seen. As people naturally love their own likeness, this mother even doted on her eldest daughter and at the same time had a horrible aversion for the youngest–she made her eat in the kitchen and work continually.
Among other things, this poor child was forced twice a day to draw water above a mile and a-half off the house, and bring home a pitcher full of it. One day, as she was at this fountain, there came to her a poor woman, who begged of her to let her drink.
“Oh! ay, with all my heart, Goody,” said this pretty little girl; and rinsing immediately the pitcher, she took up some water from the clearest place of the fountain, and gave it to her, holding up the pitcher all the while, that she might drink the easier.
The good woman, having drunk, said to her:
You are so very pretty, my dear, so good and so mannerly, that I cannot help giving you a gift.” For this was a fairy, who had taken the form of a poor country woman, to see how far the civility and good manners of this pretty girl would go. “I will give you for a gift,” continued the Fairy, “that, at every word you speak, there shall come out of your mouth either a flower or a jewel.”
When this pretty girl came home her mother scolded her for staying so long at the fountain.
“I beg your pardon, mamma,” said the poor girl, “for not making more haste.”
And in speaking these words there came out of her mouth two roses, two pearls, and two diamonds.
Red roses, dazzling crystalline musks, and pearlescent coconut-tinged orris.
You are shocked out of the torch song’s melancholy mood by shrieks, hoots, and yowls. You move to your left, and see that instead of a stage, a gigantic iron cage has been hung, hovering a few feet off of the ground. Elaborate, delicate silver sigils are engraved upon huge iron disks that have been mounted to the sides of the cage, and they flicker and spark whenever one of the wild men touches the iron bars that imprison them. The backdrop depicts a blistering volcanic eruption, spiked with thick luminescent bolts of lightning. Several beings are held within the cage, male and female, spanning every age. They flash their razor-fanged smiles at you malevolently as they anxiously crawl, pace, and stalk the length of their prison, stopping occasionally to pose and preen as they gossip with one another in an unrecognizable guttural, grinding language. Their tattooed skin glows an angry crimson, curving horns protrude from their skulls, and their eyes blaze with unholy light.
Fiery, primal, and precociously diabolical: red amber, Spanish moss, Indonesian patchouli, ambergris, sweet ambrette seed, red pepper, two cloves, and vanilla flower.
Alexei Savrasov
Sweet myrrh, frankincense smoke, Damascus rose resin, ambrette seed, winter mosses, and ambergris.
Taking things a bit literally. Dragon’s blood resin, ambrette seed, brown musk, coffee bean, caramelized vanilla husk, and cardamom.
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