A Pantomime of Deviltry and Debauch in Seven Acts
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
$32.00
The sound of metal smashing metal jars your ears, and you follow the cacophony to the next stage. The backdrop is painted with streaks of lightning, and you see that an iron sign hangs above it, now broken, pounded into pieces, possibly by a hammer or mallet. Despite the damage, you can still make out the words that have been burned into its face:
Property of Pygmalion Industries, LLC
A slender, willowy blonde is facing the sign, looking up at it thoughtfully. She reaches up, and with unbelievable strength, speed, and fury, pounds the sign with her fists until it is an unrecognizable mess, and it falls to the ground with a thunderous crash. She turns, and you realize that this is no creature born of woman: she is half human, half machine. Her exposed stomach shows brass and copper gears, and her joints are girded with steel. You see that her hands are covered in blood as she reaches towards a large burlap sack on the floor, picks it up, and tosses it at your feet. It lands with a sickening wet splat. She locks her gaze on yours, and her hollow, mechanical voice murmurs, “I am no man’s property.”
Gentle flowers over hot metal, shocked to life.
A Pantomime of Deviltry and Debauch in Seven Acts
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
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A chilly, bright perfume: flurries of virgin snow, crisp winter wind and the faintest breath of night-blooming flowers.
Illustrated by Jessie Willcox Smith.
It was genetic engineering at its finest: they created a breed of human to sail the stars: they needed to be possessed of impossibly long life-spans, for the distances between the stars were vast; space was limited, and their food supplies needed to be compact; they needed to be able to process local sustenance, and to colonise the worlds they found with their own kind.
The homeworld wished the colonists well, and sent them on their way. They removed all traces of their location from the ships’ computers first, however. To be on the safe side.
The scent of white-hot metal and stardust, limned with glowing bergamot aldehyde.
SkekTek the Scientist kept some real power of thought, but in truth he had become only a juggler of ideas, of memories from his previous life. He had studied the light of the Crystal and used it for the division. And he studied the wounded Crystal, and by that light he saw his ways to acts of darkness. First, he learned the art to make beams of light from the Dark Crystal, which he burned into the eyes of the Pod People and Gelfling to make them his slaves. After the light had struck them, no light lived in their eyes, but they obeyed. And the second evil was to use dark light to draw the essence of life, to drain it from the living to make a drink for the Skeksis, above all for the Emperor. This essence gave them back their youth and vigor for a while, only for a little while; but many Gelflings were victims forever.
Metal and stone and beams of dark light: hyssop, black currant, black viola, passionflower, and myrrh.
– The Ghost
A thin, sinuous, creeping chill, the scent of glee-filled undeath: white iris, osmanthus, Calla lily, tomb-crawling ivy and a coffin spray of gladiolus, lisianthus and delphinium.
– Pele
Muguet and Hawaiian white ginger enveloped by warm, damp tropical blooms.
– Seraphim
Calla lily, wisteria, white sandalwood, Damascus rose and frankincense.
– Tavern of Hell
White gardenia, ambergris bouquet, lavender fougere, orange blossom, melissa, tobacco flower, coriander, ebony wood, ylang ylang, absinthe and aged whiskey.
– Juliet
Sweet pea with stargazer lily, calla lily, heliotrope, honeysuckle, white musk and a touch of fresh pear.
– Zephyr
Lemon, lemon verbena, neroli, white musk, white florals, white sandalwood, China musk, bergamot and a drop of vanilla.
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