A Pantomime of Deviltry and Debauch in Seven Acts
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
$32.00
The sound of metal smashing metal jars your ears, and you follow the cacophony to the next stage. The backdrop is painted with streaks of lightning, and you see that an iron sign hangs above it, now broken, pounded into pieces, possibly by a hammer or mallet. Despite the damage, you can still make out the words that have been burned into its face:
Property of Pygmalion Industries, LLC
A slender, willowy blonde is facing the sign, looking up at it thoughtfully. She reaches up, and with unbelievable strength, speed, and fury, pounds the sign with her fists until it is an unrecognizable mess, and it falls to the ground with a thunderous crash. She turns, and you realize that this is no creature born of woman: she is half human, half machine. Her exposed stomach shows brass and copper gears, and her joints are girded with steel. You see that her hands are covered in blood as she reaches towards a large burlap sack on the floor, picks it up, and tosses it at your feet. It lands with a sickening wet splat. She locks her gaze on yours, and her hollow, mechanical voice murmurs, “I am no man’s property.”
Gentle flowers over hot metal, shocked to life.
A Pantomime of Deviltry and Debauch in Seven Acts
PERFUME OIL BLENDS
Presented in an amber apothecary vial.
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– Ave Maria Gratia Plena
Rosewood with Sicilian lemon peel, red Mysore sandalwood, pale musks, sweet mountain sage and a dusting of lily, night-blooming jasmine and orris.
– Lucy’s Kiss
The gentle scent of rose and a blend of Victorian spices
– Delight
Frangipani, with rose, tuberose, and jasmine.
– Maiden
White tea, carnation and Damask Rose.
– Vasilissa
Creamy skin musk and blushing pink musk with soft sandalwood, white amber, dutiful myrrh, and star jasmine.
– Nocturne
Deepest violet touched with lilac and tuberose.
“What a piece of work is a man!”
“What is this quintessence of dust?”
The passing: beeswax and smoke, yellowed paper and well-worn leather books, droplets of spilled ink, faded incense, blood-tinged salty tears, and the metal of the knife that skewers that illiterate zombie philistine’s portrait.
– The Ghost
A thin, sinuous, creeping chill, the scent of glee-filled undeath: white iris, osmanthus, Calla lily, tomb-crawling ivy and a coffin spray of gladiolus, lisianthus and delphinium.
– Juliet
Sweet pea with stargazer lily, calla lily, heliotrope, honeysuckle, white musk and a touch of fresh pear.
– Pele
Muguet and Hawaiian white ginger enveloped by warm, damp tropical blooms.
– Seraphim
Calla lily, wisteria, white sandalwood, Damascus rose and frankincense.
– Tavern of Hell
White gardenia, ambergris bouquet, lavender fougere, orange blossom, melissa, tobacco flower, coriander, ebony wood, ylang ylang, absinthe and aged whiskey.
– Zephyr
Lemon, lemon verbena, neroli, white musk, white florals, white sandalwood, China musk, bergamot and a drop of vanilla.
Frau Holle, or Holda, is the personification of the changes wrought when winter seizes the land: she rides the chill winds in her chariot, shaking out her featherbeds in order to precipitate snowfall. The rolling fog is the smoke from her hearth fire, and thunder claps when she reels her flax. Holda is a goddess of matrons, who governs spinning, domestic chores, witchcraft and witches, and the Wild Hunt. She presides over the transition of souls, both to and from this world. Though she is childless, she watches over children, and the spirits of newborns spring forth from her sacred pool. Her festival falls during midwinter, when the dead roam free. She holds court in Hörselberg, from which the Wild Hunt is issued, and all the beasts in the land heed her call.
Snow-covered pines, witches herbs, bestial musk, flax, and ethereal flowers that represent both birth and death.
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