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• 

  Dodo Perfume Oil

  ‘In that case,’ said the Dodo solemnly, rising to its feet, ‘I move that the meeting adjourn, for the immediate adoption of more energetic remedies –’

  ‘Speak English!’ said the Eaglet. ‘I don’t know the meaning of half those long words, and, what’s more, I don’t believe you do either!’ And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.

  ‘What I was going to say,’ said the Dodo in an offended tone, ‘was, that the best thing to get us dry would be a Caucus-race.’

  ‘What is a Caucus-race?’ said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that somebody ought to speak, and no one else seemed inclined to say anything.

  ‘Why,’ said the Dodo, ‘the best way to explain it is to do it.’ (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.)

  First it marked out a race-course, in a sort of circle, (‘the exact shape doesn’t matter,’ it said,) and then all the party were placed along the course, here and there. There was no ‘One, two, three, and away,’ but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out ‘The race is over!’ and they all crowded round it, panting, and asking, ‘But who has won?’

  This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, ‘everybody has won, and all must have prizes.’

  Red musk, lemon peel, sugar cane, cassia, white sandalwood, mango, and agarwood.

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• 

  Le Lèthè Perfume Oil

  Viens sur mon coeur, âme cruelle et sourde,
  Tigre adoré, monstre aux airs indolents;
  Je veux longtemps plonger mes doigts tremblants
  Dans l’épaisseur de ta crinière lourde;

  Dans tes jupons remplis de ton parfum
  Ensevelir ma tête endolorie,
  Et respirer, comme une fleur flétrie,
  Le doux relent de mon amour défunt.

  Je veux dormir! dormir plutôt que vivre!
  Dans un sommeil aussi doux que la mort,
  J’étalerai mes baisers sans remords
  Sur ton beau corps poli comme le cuivre.

  Pour engloutir mes sanglots apaisés
  Rien ne me vaut l’abîme de ta couche;
  L’oubli puissant habite sur ta bouche,
  Et le Léthé coule dans tes baisers.

  À mon destin, désormais mon délice,
  J’obéirai comme un prédestiné;
  Martyr docile, innocent condamné,
  Dont la ferveur attise le supplice,

  Je sucerai, pour noyer ma rancoeur,
  Le népenthès et la bonne ciguë
  Aux bouts charmants de cette gorge aiguë
  Qui n’a jamais emprisonné de coeur.

  – – –

  Come, lie upon my breast, cruel, insensitive soul,
  Adored tigress, monster with the indolent air;
  I want to plunge trembling fingers for a long time
  In the thickness of your heavy mane,

  To bury my head, full of pain
  In your skirts redolent of your perfume,
  To inhale, as from a withered flower,
  The moldy sweetness of my defunct love.

  I wish to sleep! to sleep rather than live!
  In a slumber doubtful as death,
  I shall remorselessly cover with my kisses
  Your lovely body polished like copper.

  To bury my subdued sobbing
  Nothing equals the abyss of your bed,
  Potent oblivion dwells upon your lips
  And Lethe flows in your kisses.

  My fate, hereafter my delight,
  I’ll obey like one predestined;
  Docile martyr, innocent man condemned,
  Whose fervor aggravates the punishment.

  I shall suck, to drown my rancor,
  Nepenthe and the good hemlock
  From the charming tips of those pointed breasts
  That have never guarded a heart.

  Red musk and sweat-damp golden skin musk with labdanum, golden amber, nutmeg, tobacco absolute, black orchid, and hemlock accord.

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• 

  The Grindhouse Perfume Oil

  Throaty laughter captures your attention. Across the lane you see a buxom Venetian woman standing before a huge black and red striped tent. Her head is inclined towards a dapper, leering man, and they appear to be sharing a private joke. He reaches into his waistcoat and produces a gold coin. The woman plucks it from his fingers. He bows, and walks into the tent with a swagger. A sign flashes above the tent flap in letters that seem to be aflame: The Grindhouse, Dead or Live Girls.

  The Madam turns towards you and smiles. As she approaches, someone within the tent strikes a few keys on a tuneless piano, and begins to play Jelly Roll Morton’s ‘the Crave’. The light within the tent illuminates the interior, shining behind the silhouettes of naked women gyrating lewdly upon raised stages, writhing in time with the music.

  In the distance, behind the tent, you hear a whip crack, and a man’s scream. Tittering laughter follows, and the screams continue.

  “Voulez-vous un morceau de la boîte de bonbon?” she asks, gesturing gracefully towards the tent.

  The Madam’s perfume envelops you.

  Florentine iris, red musk, mimosa, magnolia, Damascus rose, clove, and vanilla bean.

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• 

  Kabuki Perfume Oil

  Compelling, complex, and utterly enigmatic: a luxuriant, exotic blend of cherry, red musk, and star anise.

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