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  The Last Unicorn Perfume Oil

  The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam, but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.

  Frosty lilac petals, iris pallida root, orris, violet leaf, white chocolate, coconut, wild lettuce, white sandalwood, white gardenia and oakmoss.

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  Beauty, The Aggrieved Perfume Oil

  A white rose draped by a delicate, pale, sheer veil of vanilla, the depth and darkness of her black lace embodied by tobacco absolute, Indonesian patchouli, Bulgarian oakmoss, frankincense, white sandalwood, and myrrh.

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  Terrae Massage Oil

  In alchemy, the archetype of earth represents practicality, the manifestation of thought and will, and material creation. Our blend of patchouli, myrrh, spikenard, oakmoss, and clary sage grants a sense of stability, and will help keep you grounded.

  4oz bottle.

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  The Day Burned White Perfume Oil

  Using the door, which was centrally placed in the wall like a mouth, the artists had sprayed a single, vast head onto the stripped plaster. The painting was more adroit than most she had seen, rife with detail that lent the image an unsettling veracity. The cheekbones jutting through skin the color of buttermilk; the teeth, sharpened to irregular points, all converging on the door. The sitter’s eyes were, owing to the room’s low ceiling, set mere inches above the upper lip, but this physical adjustment only lent force to the image, giving the impression that he had thrown his head back. Knotted strands of his hair snaked from his scalp across the ceiling. Was it a portrait? There was something naggingly specific in the details of the brows and the lines around the wide mouth; in the careful picturing of those vicious teeth. A nightmare certainly: a facsimile, perhaps, of something from a heroin fugue. Whatever its origins, it was potent. Even the illusion of door-as-mouth worked. The short passageway between living room and bedroom offered a passable throat, with a tattered lamp in lieu of tonsils. Beyond the gullet, the day burned white in the nightmare’s belly. The whole effect brought to mind a ghost train painting. The same heroic deformity, the same unashamed intention to scare. And it worked; she stood in the bedroom almost stupefied by the picture, its red-rimmed eyes fixing her mercilessly.

  Plaster and spraypaint, mottled with buttermilk – sweet, chalky, and edging on sickly. White and golden amber beams of daylight pour through the belly of the scent, while oakmoss and Spanish moss add a touch of decay.

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